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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E89890 it is the complementary color #17676F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E89890. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E89890 shade: #ED988B, #FEAA9E, #FFBCB1, #FFCEC4 and #FFE0D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E89890. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E89890 shade: #E89890, #D7867D, #C6746A, #B56257 and #A45044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E89890 shade: #E89890 and #E89090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E89890 shade: #E89890, #E8B090, #E8C890, #E8DF90 and #D9E890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E89890 shade matches the following richer shades: #E89890, #F39086 and #FD877B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E89890 shade: #E89890, #DDA19B, #D3AAA6, #C8B3B1 and #BDBCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E89890 shade: #E890B8, #E890A0, #E89890, #E8AF90 and #E8C690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E89890 shade: #DA594C, #E1796E, #E89890, #EFB8B3 and #F6D8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E89890 shade: #E89890, #CFE890 and #90ACE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E89890 shade: #E89890, #90E898 and #9890E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E89890 shade: #E89890, #CFE890, #90E1E8 and #A990E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E89890 shade: #E89890, #B5E890, #90E1E8 and #C390E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

Complementary color

CMYK 79 / 7 / 0 / 56

HEX #17676F

RGB 23 103 111

HSL 185.45, 0.66%, 0.26%

LAB 39.63, -20.01, -11.23

 

CMYK 0 / 36 / 41 / 7

HEX #ED988B

RGB 237 152 139

HSL 7.96, 0.73%, 0.74%

LAB 71.09, 30.4, 20.14

 

CMYK 0 / 33 / 38 / 0

HEX #FEAA9E

RGB 254 170 158

HSL 7.5, 0.98%, 0.81%

LAB 77.45, 29.46, 18.84

 

CMYK 0 / 26 / 31 / 0

HEX #FFBCB1

RGB 255 188 177

HSL 8.46, 1%, 0.85%

LAB 82.06, 22.69, 15.06

 

CMYK 0 / 19 / 23 / 0

HEX #FFCEC4

RGB 255 206 196

HSL 10.17, 1%, 0.88%

LAB 86.7, 15.81, 11.51

 

CMYK 0 / 12 / 16 / 0

HEX #FFE0D7

RGB 255 224 215

HSL 13.5, 1%, 0.92%

LAB 91.45, 9.26, 8.31

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 38 / 42 / 16

HEX #D7867D

RGB 215 134 125

HSL 6, 0.53%, 0.67%

LAB 64.14, 30.03, 17.96

 

CMYK 0 / 41 / 46 / 22

HEX #C6746A

RGB 198 116 106

HSL 6.52, 0.45%, 0.6%

LAB 57.6, 31.11, 19.47

 

CMYK 0 / 46 / 52 / 29

HEX #B56257

RGB 181 98 87

HSL 7.02, 0.39%, 0.53%

LAB 50.98, 32.29, 21.19

 

CMYK 0 / 51 / 59 / 36

HEX #A45044

RGB 164 80 68

HSL 7.5, 0.41%, 0.45%

LAB 44.3, 33.57, 23.21

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 38 / 38 / 9

HEX #E89090

RGB 232 144 144

HSL 0, 0.66%, 0.74%

LAB 68.84, 33.29, 14.14

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 24 / 38 / 9

HEX #E8B090

RGB 232 176 144

HSL 21.82, 0.66%, 0.74%

LAB 76.2, 16.27, 24.3

 

CMYK 0 / 14 / 38 / 9

HEX #E8C890

RGB 232 200 144

HSL 38.18, 0.66%, 0.74%

LAB 82.1, 3.61, 32.19

 

CMYK 0 / 4 / 38 / 9

HEX #E8DF90

RGB 232 223 144

HSL 53.86, 0.66%, 0.74%

LAB 87.94, -8.19, 39.82

 

CMYK 6 / 0 / 38 / 9

HEX #D9E890

RGB 217 232 144

HSL 70.23, 0.66%, 0.74%

LAB 89.15, -18.42, 41.14

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 41 / 45 / 5

HEX #F39086

RGB 243 144 134

HSL 5.5, 0.82%, 0.74%

LAB 69.98, 36.32, 21.49

 

CMYK 0 / 47 / 51 / 1

HEX #FD877B

RGB 253 135 123

HSL 5.54, 0.97%, 0.74%

LAB 69.21, 43.59, 26.76

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 27 / 30 / 13

HEX #DDA19B

RGB 221 161 155

HSL 5.45, 0.49%, 0.74%

LAB 71.71, 21.44, 11.91

 

CMYK 0 / 19 / 21 / 17

HEX #D3AAA6

RGB 211 170 166

HSL 5.33, 0.34%, 0.74%

LAB 73.12, 14.36, 7.73

 

CMYK 0 / 11 / 12 / 22

HEX #C8B3B1

RGB 200 179 177

HSL 5.22, 0.17%, 0.74%

LAB 74.63, 7.17, 3.75

 

CMYK 0 / 1 / 1 / 26

HEX #BDBCBB

RGB 189 188 187

HSL 30, 0.01%, 0.74%

LAB 76.3, 0.17, 0.62

 

CMYK 0 / 38 / 21 / 9

HEX #E890B8

RGB 232 144 184

HSL 332.73, 0.66%, 0.74%

LAB 69.87, 38.56, -6.7

 

CMYK 0 / 38 / 31 / 9

HEX #E890A0

RGB 232 144 160

HSL 349.09, 0.66%, 0.74%

LAB 69.21, 35.24, 5.74

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 25 / 38 / 9

HEX #E8AF90

RGB 232 175 144

HSL 21.14, 0.66%, 0.74%

LAB 75.96, 16.8, 23.98

 

CMYK 0 / 15 / 38 / 9

HEX #E8C690

RGB 232 198 144

HSL 36.82, 0.66%, 0.74%

LAB 81.6, 4.65, 31.53

 

CMYK 0 / 59 / 65 / 15

HEX #DA594C

RGB 218 89 76

HSL 5.49, 0.66%, 0.58%

LAB 54.63, 49.77, 33.34

 

CMYK 0 / 46 / 51 / 12

HEX #E1796E

RGB 225 121 110

HSL 5.74, 0.66%, 0.66%

LAB 62.35, 39.18, 24.2

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 0 / 23 / 25 / 6

HEX #EFB8B3

RGB 239 184 179

HSL 5, 0.65%, 0.82%

LAB 79.55, 19.14, 10.21

 

CMYK 0 / 12 / 13 / 4

HEX #F6D8D5

RGB 246 216 213

HSL 5.45, 0.65%, 0.9%

LAB 88.69, 9.91, 5.29

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 11 / 0 / 38 / 9

HEX #CFE890

RGB 207 232 144

HSL 77.05, 0.66%, 0.74%

LAB 88.44, -22.17, 40.09

 

CMYK 38 / 26 / 0 / 9

HEX #90ACE8

RGB 144 172 232

HSL 220.91, 0.66%, 0.74%

LAB 70.36, 5, -33.18

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 38 / 0 / 34 / 9

HEX #90E898

RGB 144 232 152

HSL 125.45, 0.66%, 0.74%

LAB 84.95, -42.49, 30.81

 

CMYK 34 / 38 / 0 / 9

HEX #9890E8

RGB 152 144 232

HSL 245.45, 0.66%, 0.74%

LAB 63.71, 23.1, -43.51

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 11 / 0 / 38 / 9

HEX #CFE890

RGB 207 232 144

HSL 77.05, 0.66%, 0.74%

LAB 88.44, -22.17, 40.09

 

CMYK 38 / 3 / 0 / 9

HEX #90E1E8

RGB 144 225 232

HSL 184.77, 0.66%, 0.74%

LAB 84.79, -22.94, -11.24

 

CMYK 27 / 38 / 0 / 9

HEX #A990E8

RGB 169 144 232

HSL 257.05, 0.66%, 0.74%

LAB 65.13, 27.8, -41.19

 

CMYK 0 / 34 / 38 / 9

HEX #E89890

RGB 232 152 144

HSL 5.45, 0.66%, 0.74%

LAB 70.61, 29.06, 16.62

 

CMYK 22 / 0 / 38 / 9

HEX #B5E890

RGB 181 232 144

HSL 94.77, 0.66%, 0.74%

LAB 86.78, -31.59, 37.61

 

CMYK 38 / 3 / 0 / 9

HEX #90E1E8

RGB 144 225 232

HSL 184.77, 0.66%, 0.74%

LAB 84.79, -22.94, -11.24

 

CMYK 16 / 38 / 0 / 9

HEX #C390E8

RGB 195 144 232

HSL 274.77, 0.66%, 0.74%

LAB 67.56, 35.35, -37.21

 

Description

Color code: HEX #E89890 | qconv.com Color code: HEX #E89890 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 152 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 152 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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