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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8997C it is the complementary color #176683. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8997C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8997C shade: #ED9977, #FEAB8A, #FFBD9D, #FFCFB0 and #FFE1C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8997C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8997C shade: #E8997C, #D78769, #C67556, #B56343 and #A45130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8997C shade: #E8997C and #E87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8997C shade: #E8997C, #E8B67C, #E8D37C, #DFE87C and #C2E87C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8997C shade matches the following richer shades: #E8997C and #F49370

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8997C shade: #E8997C, #DB9F89, #CFA595, #C2AAA2 and #B6B0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8997C shade: #E87C99, #E87C7C, #E8997C, #E8B67C and #E8D27C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8997C shade: #DB6336, #E17E59, #E8997C, #EEB5A0 and #F4D0C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8997C shade: #E8997C, #B6E87C and #7C8BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8997C shade: #E8997C, #7CE899 and #997CE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8997C shade: #E8997C, #B6E87C, #7CCBE8 and #AE7CE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8997C shade: #E8997C, #95E87C, #7CCBE8 and #CF7CE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

Complementary color

CMYK 82 / 22 / 0 / 49

HEX #176683

RGB 23 102 131

HSL 196.11, 0.7%, 0.3%

LAB 40.12, -12.31, -22.65

 

CMYK 0 / 35 / 50 / 7

HEX #ED9977

RGB 237 153 119

HSL 17.29, 0.77%, 0.7%

LAB 70.95, 27.88, 30.87

 

CMYK 0 / 33 / 46 / 0

HEX #FEAB8A

RGB 254 171 138

HSL 17.07, 0.98%, 0.77%

LAB 77.3, 26.82, 29.4

 

CMYK 0 / 26 / 38 / 0

HEX #FFBD9D

RGB 255 189 157

HSL 19.59, 1%, 0.81%

LAB 81.89, 19.77, 25.48

 

CMYK 0 / 19 / 31 / 0

HEX #FFCFB0

RGB 255 207 176

HSL 23.54, 1%, 0.85%

LAB 86.51, 12.63, 21.8

 

CMYK 0 / 12 / 24 / 0

HEX #FFE1C3

RGB 255 225 195

HSL 30, 1%, 0.88%

LAB 91.26, 5.83, 18.47

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 37 / 51 / 16

HEX #D78769

RGB 215 135 105

HSL 16.36, 0.58%, 0.63%

LAB 63.99, 27.5, 28.92

 

CMYK 0 / 41 / 57 / 22

HEX #C67556

RGB 198 117 86

HSL 16.61, 0.5%, 0.56%

LAB 57.46, 28.74, 30.62

 

CMYK 0 / 45 / 63 / 29

HEX #B56343

RGB 181 99 67

HSL 16.84, 0.46%, 0.49%

LAB 50.87, 30.13, 32.53

 

CMYK 0 / 51 / 71 / 36

HEX #A45130

RGB 164 81 48

HSL 17.07, 0.55%, 0.42%

LAB 44.22, 31.68, 34.64

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 22 / 47 / 9

HEX #E8B67C

RGB 232 182 124

HSL 32.22, 0.7%, 0.7%

LAB 77.32, 10.96, 36.36

 

CMYK 0 / 9 / 47 / 9

HEX #E8D37C

RGB 232 211 124

HSL 48.33, 0.7%, 0.7%

LAB 84.59, -4.14, 45.52

 

CMYK 4 / 0 / 47 / 9

HEX #DFE87C

RGB 223 232 124

HSL 65, 0.7%, 0.7%

LAB 89.33, -18.21, 51.16

 

CMYK 16 / 0 / 47 / 9

HEX #C2E87C

RGB 194 232 124

HSL 81.11, 0.7%, 0.7%

LAB 87.31, -29.29, 48.24

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 40 / 54 / 4

HEX #F49370

RGB 244 147 112

HSL 15.91, 0.86%, 0.7%

LAB 70.36, 33.15, 34.04

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 27 / 37 / 14

HEX #DB9F89

RGB 219 159 137

HSL 16.1, 0.53%, 0.7%

LAB 70.64, 19.49, 20.29

 

CMYK 0 / 20 / 28 / 19

HEX #CFA595

RGB 207 165 149

HSL 16.55, 0.38%, 0.7%

LAB 71.11, 13.11, 14.16

 

CMYK 0 / 12 / 16 / 24

HEX #C2AAA2

RGB 194 170 162

HSL 15, 0.21%, 0.7%

LAB 71.44, 7.38, 7.31

 

CMYK 0 / 3 / 4 / 29

HEX #B6B0AE

RGB 182 176 174

HSL 15, 0.05%, 0.7%

LAB 72.26, 1.77, 1.77

 

CMYK 0 / 47 / 34 / 9

HEX #E87C99

RGB 232 124 153

HSL 343.89, 0.7%, 0.7%

LAB 64.86, 44.7, 3.41

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 22 / 47 / 9

HEX #E8B67C

RGB 232 182 124

HSL 32.22, 0.7%, 0.7%

LAB 77.32, 10.96, 36.36

 

CMYK 0 / 9 / 47 / 9

HEX #E8D27C

RGB 232 210 124

HSL 47.78, 0.7%, 0.7%

LAB 84.33, -3.63, 45.2

 

CMYK 0 / 55 / 75 / 14

HEX #DB6336

RGB 219 99 54

HSL 16.36, 0.7%, 0.54%

LAB 56.34, 44.32, 47.12

 

CMYK 0 / 44 / 60 / 12

HEX #E17E59

RGB 225 126 89

HSL 16.32, 0.69%, 0.62%

LAB 63.05, 34.93, 36.73

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 0 / 24 / 33 / 7

HEX #EEB5A0

RGB 238 181 160

HSL 16.15, 0.7%, 0.78%

LAB 78.32, 17.85, 18.71

 

CMYK 0 / 15 / 20 / 4

HEX #F4D0C3

RGB 244 208 195

HSL 15.92, 0.69%, 0.86%

LAB 86.15, 10.62, 11.12

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 22 / 0 / 47 / 9

HEX #B6E87C

RGB 182 232 124

HSL 87.78, 0.7%, 0.7%

LAB 86.56, -33.69, 47.15

 

CMYK 47 / 40 / 0 / 9

HEX #7C8BE8

RGB 124 139 232

HSL 231.67, 0.7%, 0.7%

LAB 60.41, 18.9, -48.86

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

CMYK 34 / 47 / 0 / 9

HEX #997CE8

RGB 153 124 232

HSL 256.11, 0.7%, 0.7%

LAB 58.99, 34.85, -50.97

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 22 / 0 / 47 / 9

HEX #B6E87C

RGB 182 232 124

HSL 87.78, 0.7%, 0.7%

LAB 86.56, -33.69, 47.15

 

CMYK 47 / 13 / 0 / 9

HEX #7CCBE8

RGB 124 203 232

HSL 196.11, 0.7%, 0.7%

LAB 77.77, -16.71, -21.91

 

CMYK 25 / 47 / 0 / 9

HEX #AE7CE8

RGB 174 124 232

HSL 267.78, 0.7%, 0.7%

LAB 60.99, 40.4, -47.66

 

CMYK 0 / 34 / 47 / 9

HEX #E8997C

RGB 232 153 124

HSL 16.11, 0.7%, 0.7%

LAB 70.45, 26.39, 27.39

 

CMYK 36 / 0 / 47 / 9

HEX #95E87C

RGB 149 232 124

HSL 106.11, 0.7%, 0.7%

LAB 84.77, -44.98, 44.54

 

CMYK 47 / 13 / 0 / 9

HEX #7CCBE8

RGB 124 203 232

HSL 196.11, 0.7%, 0.7%

LAB 77.77, -16.71, -21.91

 

CMYK 11 / 47 / 0 / 9

HEX #CF7CE8

RGB 207 124 232

HSL 286.11, 0.7%, 0.7%

LAB 64.57, 49.52, -41.79

 

Description

Color code: HEX #E8997C | qconv.com Color code: HEX #E8997C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 153 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 153 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 47 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 47% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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