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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8A0CF it is the complementary color #175F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8A0CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8A0CF shade: #EDA0CA, #FEB2DD, #FFC4F0, #FFD6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8A0CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8A0CF shade: #E8A0CF, #D78EBC, #C67CA9, #B56A96 and #A45883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8A0CF shade: #E8A0CF, #E8A0BB, #E8A0A8 and #E8A0A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8A0CF shade: #E8A0CF, #E8A0E2, #DAA0E8, #C7A0E8 and #B3A0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8A0CF shade matches the following richer shades: #E8A0CF, #F197D2 and #FB8DD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8A0CF shade: #E8A0CF, #DEAACC, #D5B3C9, #CBBDC6 and #C2C6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8A0CF shade: #D9A0E8, #E8A0E3, #E8A0D0, #E8A0BD and #E8A0AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8A0CF shade: #D85EAD, #E07FBE, #E8A0CF, #F0C1E0 and #F8E3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8A0CF shade: #E8A0CF, #E8C6A0 and #A0E8E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8A0CF shade: #E8A0CF, #D0E8A0 and #A0D0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8A0CF shade: #E8A0CF, #E8C6A0, #A0E8B8 and #A0C1E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8A0CF shade: #E8A0CF, #E8DCA0, #A0E8B8 and #A0ACE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

Complementary color

CMYK 76 / 0 / 49 / 63

HEX #175F30

RGB 23 95 48

HSL 140.83, 0.61%, 0.23%

LAB 35.16, -33.44, 20.69

 

CMYK 0 / 32 / 15 / 7

HEX #EDA0CA

RGB 237 160 202

HSL 327.27, 0.68%, 0.78%

LAB 74.45, 34.6, -9.79

 

CMYK 0 / 30 / 13 / 0

HEX #FEB2DD

RGB 254 178 221

HSL 326.05, 0.97%, 0.85%

LAB 80.81, 33.91, -10.45

 

CMYK 0 / 23 / 6 / 0

HEX #FFC4F0

RGB 255 196 240

HSL 315.25, 1%, 0.88%

LAB 85.52, 27.93, -13.59

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 34 / 13 / 16

HEX #D78EBC

RGB 215 142 188

HSL 322.19, 0.48%, 0.7%

LAB 67.59, 34.44, -12.54

 

CMYK 0 / 37 / 15 / 22

HEX #C67CA9

RGB 198 124 169

HSL 323.51, 0.39%, 0.63%

LAB 61.03, 35.2, -11.85

 

CMYK 0 / 41 / 17 / 29

HEX #B56A96

RGB 181 106 150

HSL 324.8, 0.34%, 0.56%

LAB 54.38, 35.99, -11.07

 

CMYK 0 / 46 / 20 / 36

HEX #A45883

RGB 164 88 131

HSL 326.05, 0.3%, 0.49%

LAB 47.64, 36.81, -10.17

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 31 / 19 / 9

HEX #E8A0BB

RGB 232 160 187

HSL 337.5, 0.61%, 0.77%

LAB 73.47, 30.55, -3.05

 

CMYK 0 / 31 / 28 / 9

HEX #E8A0A8

RGB 232 160 168

HSL 353.33, 0.61%, 0.77%

LAB 72.97, 27.82, 6.71

 

CMYK 0 / 31 / 31 / 9

HEX #E8A0A0

RGB 232 160 160

HSL 0, 0.61%, 0.77%

LAB 72.78, 26.76, 10.84

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 31 / 3 / 9

HEX #E8A0E2

RGB 232 160 226

HSL 305, 0.61%, 0.77%

LAB 74.69, 37, -22.62

 

CMYK 6 / 31 / 0 / 9

HEX #DAA0E8

RGB 218 160 232

HSL 288.33, 0.61%, 0.77%

LAB 73.46, 33.67, -27.9

 

CMYK 14 / 31 / 0 / 9

HEX #C7A0E8

RGB 199 160 232

HSL 272.5, 0.61%, 0.77%

LAB 71.63, 27.76, -30.87

 

CMYK 23 / 31 / 0 / 9

HEX #B3A0E8

RGB 179 160 232

HSL 255.83, 0.61%, 0.77%

LAB 69.86, 21.7, -33.75

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 37 / 13 / 5

HEX #F197D2

RGB 241 151 210

HSL 320.67, 0.76%, 0.77%

LAB 73.21, 41.93, -16

 

CMYK 0 / 44 / 15 / 2

HEX #FB8DD5

RGB 251 141 213

HSL 320.73, 0.93%, 0.77%

LAB 72.47, 50.7, -18.65

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 23 / 8 / 13

HEX #DEAACC

RGB 222 170 204

HSL 320.77, 0.44%, 0.77%

LAB 75.23, 24.44, -9.89

 

CMYK 0 / 16 / 6 / 16

HEX #D5B3C9

RGB 213 179 201

HSL 321.18, 0.29%, 0.77%

LAB 76.44, 15.94, -6.55

 

CMYK 0 / 7 / 2 / 20

HEX #CBBDC6

RGB 203 189 198

HSL 321.43, 0.12%, 0.77%

LAB 77.97, 6.53, -2.75

 

CMYK 2 / 0 / 2 / 22

HEX #C2C6C3

RGB 194 198 195

HSL 135, 0.03%, 0.77%

LAB 79.5, -1.93, 1.01

 

CMYK 6 / 31 / 0 / 9

HEX #D9A0E8

RGB 217 160 232

HSL 287.5, 0.61%, 0.77%

LAB 73.36, 33.36, -28.06

 

CMYK 0 / 31 / 2 / 9

HEX #E8A0E3

RGB 232 160 227

HSL 304.17, 0.61%, 0.77%

LAB 74.73, 37.18, -23.11

 

CMYK 0 / 31 / 10 / 9

HEX #E8A0D0

RGB 232 160 208

HSL 320, 0.61%, 0.77%

LAB 74.09, 33.89, -13.67

 

CMYK 0 / 31 / 19 / 9

HEX #E8A0BD

RGB 232 160 189

HSL 335.83, 0.61%, 0.77%

LAB 73.53, 30.85, -4.07

 

CMYK 0 / 31 / 27 / 9

HEX #E8A0AA

RGB 232 160 170

HSL 351.67, 0.61%, 0.77%

LAB 73.02, 28.1, 5.67

 

CMYK 0 / 56 / 20 / 15

HEX #D85EAD

RGB 216 94 173

HSL 321.15, 0.61%, 0.61%

LAB 57.68, 56.7, -19

 

CMYK 0 / 43 / 15 / 12

HEX #E07FBE

RGB 224 127 190

HSL 321.03, 0.61%, 0.69%

LAB 65.55, 45.63, -16.64

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 20 / 7 / 6

HEX #F0C1E0

RGB 240 193 224

HSL 320.43, 0.61%, 0.85%

LAB 82.94, 21.74, -9.05

 

CMYK 0 / 8 / 3 / 3

HEX #F8E3F0

RGB 248 227 240

HSL 322.86, 0.6%, 0.93%

LAB 92.21, 9.37, -3.72

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 15 / 31 / 9

HEX #E8C6A0

RGB 232 198 160

HSL 31.67, 0.61%, 0.77%

LAB 81.88, 6.58, 23.52

 

CMYK 31 / 0 / 2 / 9

HEX #A0E8E3

RGB 160 232 227

HSL 175.83, 0.61%, 0.77%

LAB 87.36, -23.31, -4.73

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 10 / 0 / 31 / 9

HEX #D0E8A0

RGB 208 232 160

HSL 80, 0.61%, 0.77%

LAB 88.76, -19.77, 32.48

 

CMYK 31 / 10 / 0 / 9

HEX #A0D0E8

RGB 160 208 232

HSL 200, 0.61%, 0.77%

LAB 80.97, -10.02, -16.9

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 15 / 31 / 9

HEX #E8C6A0

RGB 232 198 160

HSL 31.67, 0.61%, 0.77%

LAB 81.88, 6.58, 23.52

 

CMYK 31 / 0 / 21 / 9

HEX #A0E8B8

RGB 160 232 184

HSL 140, 0.61%, 0.77%

LAB 86.33, -32.12, 16.33

 

CMYK 31 / 17 / 0 / 9

HEX #A0C1E8

RGB 160 193 232

HSL 212.5, 0.61%, 0.77%

LAB 76.94, -2.08, -22.99

 

CMYK 0 / 31 / 11 / 9

HEX #E8A0CF

RGB 232 160 207

HSL 320.83, 0.61%, 0.77%

LAB 74.06, 33.72, -13.17

 

CMYK 0 / 5 / 31 / 9

HEX #E8DCA0

RGB 232 220 160

HSL 50, 0.61%, 0.77%

LAB 87.43, -4.8, 31.02

 

CMYK 31 / 0 / 21 / 9

HEX #A0E8B8

RGB 160 232 184

HSL 140, 0.61%, 0.77%

LAB 86.33, -32.12, 16.33

 

CMYK 31 / 26 / 0 / 9

HEX #A0ACE8

RGB 160 172 232

HSL 230, 0.61%, 0.77%

LAB 71.42, 9.43, -31.45

 

Description

Color code: HEX #E8A0CF | qconv.com Color code: HEX #E8A0CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 160 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 160 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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