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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8B74E it is the complementary color #1748B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8B74E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8B74E shade: #EDB749, #FEC95C, #FFDB6F, #FFED82 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8B74E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8B74E shade: #E8B74E, #D7A53B, #C69328, #B58115 and #A46F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8B74E shade: #E8B74E, #E88E4E, #E8644E and #E84E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8B74E shade: #E8B74E, #E8E04E, #C6E84E, #9CE84E and #73E84E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8B74E shade matches the following richer shades: #E8B74E and #F8BD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8B74E shade: #E8B74E, #D8B15F, #C7AB6F, #B7A57F and #A79F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8B74E shade: #E8634E, #E88C4E, #E8B54E, #E8DD4E and #C9E84E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8B74E shade: #CA921A, #E3A82A, #E8B74E, #ECC673 and #F1D598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8B74E shade: #E8B74E, #63E84E and #774EE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8B74E shade: #E8B74E, #4EE8B5 and #B54EE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8B74E shade: #E8B74E, #63E84E, #4E82E8 and #D34EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8B74E shade: #E8B74E, #4EE868, #4E82E8 and #E84ECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

Complementary color

CMYK 87 / 59 / 0 / 31

HEX #1748B1

RGB 23 72 177

HSL 220.91, 0.77%, 0.39%

LAB 33.96, 25.36, -60.11

 

CMYK 0 / 23 / 69 / 7

HEX #EDB749

RGB 237 183 73

HSL 40.24, 0.82%, 0.61%

LAB 77.49, 8.72, 61.19

 

CMYK 0 / 21 / 64 / 0

HEX #FEC95C

RGB 254 201 92

HSL 40.37, 0.99%, 0.68%

LAB 83.77, 7.51, 60.15

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB6F

RGB 255 219 111

HSL 45, 1%, 0.72%

LAB 88.48, -0.02, 56.89

 

CMYK 0 / 7 / 49 / 0

HEX #FFED82

RGB 255 237 130

HSL 51.36, 1%, 0.75%

LAB 93.21, -7.55, 53.62

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 23 / 73 / 16

HEX #D7A53B

RGB 215 165 59

HSL 40.77, 0.66%, 0.54%

LAB 70.64, 8.18, 59.29

 

CMYK 0 / 26 / 80 / 22

HEX #C69328

RGB 198 147 40

HSL 40.63, 0.66%, 0.47%

LAB 64.18, 9.69, 59.74

 

CMYK 0 / 29 / 88 / 29

HEX #B58115

RGB 181 129 21

HSL 40.5, 0.79%, 0.4%

LAB 57.63, 11.46, 59.27

 

CMYK 0 / 32 / 99 / 36

HEX #A46F02

RGB 164 111 2

HSL 40.37, 0.98%, 0.33%

LAB 51, 13.52, 57.41

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 39 / 66 / 9

HEX #E88E4E

RGB 232 142 78

HSL 24.94, 0.77%, 0.61%

LAB 67.32, 28.62, 47.7

 

CMYK 0 / 57 / 66 / 9

HEX #E8644E

RGB 232 100 78

HSL 8.57, 0.77%, 0.61%

LAB 58.81, 49.77, 37.8

 

CMYK 0 / 66 / 66 / 9

HEX #E84E4E

RGB 232 78 78

HSL 0, 0.77%, 0.61%

LAB 55.23, 59.29, 33.47

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 3 / 66 / 9

HEX #E8E04E

RGB 232 224 78

HSL 56.88, 0.77%, 0.61%

LAB 87.49, -14.08, 69.32

 

CMYK 15 / 0 / 66 / 9

HEX #C6E84E

RGB 198 232 78

HSL 73.25, 0.77%, 0.61%

LAB 87.13, -31.63, 68.14

 

CMYK 33 / 0 / 66 / 9

HEX #9CE84E

RGB 156 232 78

HSL 89.61, 0.77%, 0.61%

LAB 84.65, -47.23, 64.8

 

CMYK 50 / 0 / 66 / 9

HEX #73E84E

RGB 115 232 78

HSL 105.58, 0.77%, 0.61%

LAB 82.86, -60.07, 62.36

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 24 / 75 / 3

HEX #F8BD3E

RGB 248 189 62

HSL 40.97, 0.93%, 0.61%

LAB 80.01, 9.72, 68.45

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 18 / 56 / 15

HEX #D8B15F

RGB 216 177 95

HSL 40.66, 0.61%, 0.61%

LAB 74.11, 4.48, 46.73

 

CMYK 0 / 14 / 44 / 22

HEX #C7AB6F

RGB 199 171 111

HSL 40.91, 0.44%, 0.61%

LAB 71.16, 2.07, 34.6

 

CMYK 0 / 10 / 31 / 28

HEX #B7A57F

RGB 183 165 127

HSL 40.71, 0.28%, 0.61%

LAB 68.39, 0.7, 22.11

 

CMYK 0 / 5 / 14 / 35

HEX #A79F8F

RGB 167 159 143

HSL 40, 0.12%, 0.61%

LAB 65.74, 0.11, 9.39

 

CMYK 0 / 57 / 66 / 9

HEX #E8634E

RGB 232 99 78

HSL 8.18, 0.77%, 0.61%

LAB 58.63, 50.23, 37.58

 

CMYK 0 / 40 / 66 / 9

HEX #E88C4E

RGB 232 140 78

HSL 24.16, 0.77%, 0.61%

LAB 66.87, 29.68, 47.19

 

CMYK 0 / 22 / 66 / 9

HEX #E8B54E

RGB 232 181 78

HSL 40.13, 0.77%, 0.61%

LAB 76.53, 7.94, 57.86

 

CMYK 0 / 5 / 66 / 9

HEX #E8DD4E

RGB 232 221 78

HSL 55.71, 0.77%, 0.61%

LAB 86.71, -12.59, 68.52

 

CMYK 13 / 0 / 66 / 9

HEX #C9E84E

RGB 201 232 78

HSL 72.08, 0.77%, 0.61%

LAB 87.33, -30.46, 68.41

 

CMYK 0 / 28 / 87 / 21

HEX #CA921A

RGB 202 146 26

HSL 40.91, 0.77%, 0.45%

LAB 64.31, 11.6, 64.33

 

CMYK 0 / 26 / 81 / 11

HEX #E3A82A

RGB 227 168 42

HSL 40.86, 0.77%, 0.53%

LAB 72.56, 11.11, 67.72

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 0 / 16 / 51 / 7

HEX #ECC673

RGB 236 198 115

HSL 41.16, 0.76%, 0.69%

LAB 81.54, 3.36, 46.29

 

CMYK 0 / 12 / 37 / 5

HEX #F1D598

RGB 241 213 152

HSL 41.12, 0.76%, 0.77%

LAB 86.28, 1.3, 33.74

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 57 / 0 / 66 / 9

HEX #63E84E

RGB 99 232 78

HSL 111.82, 0.77%, 0.61%

LAB 82.33, -64.19, 61.63

 

CMYK 49 / 66 / 0 / 9

HEX #774EE8

RGB 119 78 232

HSL 255.97, 0.77%, 0.61%

LAB 45.9, 53.1, -72.2

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 66 / 0 / 22 / 9

HEX #4EE8B5

RGB 78 232 181

HSL 160.13, 0.77%, 0.61%

LAB 83.27, -52.13, 13.15

 

CMYK 22 / 66 / 0 / 9

HEX #B54EE8

RGB 181 78 232

HSL 280.13, 0.77%, 0.61%

LAB 53.06, 65.26, -60.27

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 57 / 0 / 66 / 9

HEX #63E84E

RGB 99 232 78

HSL 111.82, 0.77%, 0.61%

LAB 82.33, -64.19, 61.63

 

CMYK 66 / 44 / 0 / 9

HEX #4E82E8

RGB 78 130 232

HSL 219.74, 0.77%, 0.61%

LAB 55.49, 15.12, -56.84

 

CMYK 9 / 66 / 0 / 9

HEX #D34EE8

RGB 211 78 232

HSL 291.82, 0.77%, 0.61%

LAB 57.2, 71.74, -53.41

 

CMYK 0 / 21 / 66 / 9

HEX #E8B74E

RGB 232 183 78

HSL 40.91, 0.77%, 0.61%

LAB 77.02, 6.89, 58.39

 

CMYK 66 / 0 / 55 / 9

HEX #4EE868

RGB 78 232 104

HSL 130.13, 0.77%, 0.61%

LAB 82.02, -65.84, 50.02

 

CMYK 66 / 44 / 0 / 9

HEX #4E82E8

RGB 78 130 232

HSL 219.74, 0.77%, 0.61%

LAB 55.49, 15.12, -56.84

 

CMYK 0 / 66 / 11 / 9

HEX #E84ECE

RGB 232 78 206

HSL 310.13, 0.77%, 0.61%

LAB 59.03, 72.38, -35.63

 

Description

Color code: HEX #E8B74E | qconv.com Color code: HEX #E8B74E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 183 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 183 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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