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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8C8C5 it is the complementary color #17373A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8C8C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8C8C5 shade: #EDC8C0, #FEDAD3, #FFECE6 and #FFFEF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8C8C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8C8C5 shade: #E8C8C5, #D7B6B2, #C6A49F, #B5928C and #A48079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8C8C5 shade: #E7C7C4 and #E7C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8C8C5 shade: #E7C7C4, #E7D1C4, #E7DAC4, #E7E4C4 and #E1E7C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8C8C5 shade matches the following richer shades: #E7C7C4, #EEC2BE, #F4BCB7 and #FBB7B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8C8C5 shade: #E7C7C4, #E1CDCB, #DAD2D1, #D3D8D8 and #CDDDDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8C8C5 shade: #E7C4D4, #E7C4CB, #E7C7C4, #E7D0C4 and #E7DAC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8C8C5 shade: #D08F89, #DBABA7, #E7C7C4 and #F3E3E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8C8C5 shade: #E8C8C5, #DDE7C4 and #C4CFE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8C8C5 shade: #E8C8C5, #C4E7C7 and #C7C4E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8C8C5 shade: #E8C8C5, #DDE7C4, #C4E4E7 and #CEC4E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8C8C5 shade: #E8C8C5, #D3E7C4, #C4E4E7 and #D9C4E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

Complementary color

CMYK 60 / 5 / 0 / 77

HEX #17373A

RGB 23 55 58

HSL 185.14, 0.43%, 0.16%

LAB 20.9, -10.71, -5.49

 

CMYK 0 / 16 / 19 / 7

HEX #EDC8C0

RGB 237 200 192

HSL 10.67, 0.56%, 0.84%

LAB 83.5, 11.83, 8.86

 

CMYK 0 / 14 / 17 / 0

HEX #FEDAD3

RGB 254 218 211

HSL 9.77, 0.96%, 0.91%

LAB 89.82, 11.4, 8.06

 

CMYK 0 / 7 / 10 / 0

HEX #FFECE6

RGB 255 236 230

HSL 14.4, 1%, 0.95%

LAB 94.72, 5.45, 5.21

 

CMYK 0 / 0 / 2 / 0

HEX #FFFEF9

RGB 255 254 249

HSL 50, 1%, 0.99%

LAB 99.61, -0.53, 2.49

 

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

CMYK 0 / 15 / 17 / 16

HEX #D7B6B2

RGB 215 182 178

HSL 6.49, 0.32%, 0.77%

LAB 76.75, 11.21, 6.44

 

CMYK 0 / 17 / 20 / 22

HEX #C6A49F

RGB 198 164 159

HSL 7.69, 0.25%, 0.7%

LAB 70.22, 11.68, 7.26

 

CMYK 0 / 19 / 23 / 29

HEX #B5928C

RGB 181 146 140

HSL 8.78, 0.22%, 0.63%

LAB 63.57, 12.2, 8.15

 

CMYK 0 / 22 / 26 / 36

HEX #A48079

RGB 164 128 121

HSL 9.77, 0.19%, 0.56%

LAB 56.79, 12.8, 9.11

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 15 / 15 / 9

HEX #E7C4C4

RGB 231 196 196

HSL 0, 0.42%, 0.84%

LAB 82.08, 12.38, 4.61

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 10 / 15 / 9

HEX #E7D1C4

RGB 231 209 196

HSL 22.29, 0.42%, 0.84%

LAB 85.29, 5.54, 9.21

 

CMYK 0 / 6 / 15 / 9

HEX #E7DAC4

RGB 231 218 196

HSL 37.71, 0.42%, 0.84%

LAB 87.54, 0.87, 12.42

 

CMYK 0 / 1 / 15 / 9

HEX #E7E4C4

RGB 231 228 196

HSL 54.86, 0.42%, 0.84%

LAB 90.07, -4.26, 16

 

CMYK 3 / 0 / 15 / 9

HEX #E1E7C4

RGB 225 231 196

HSL 70.29, 0.42%, 0.84%

LAB 90.39, -7.92, 16.38

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 18 / 20 / 7

HEX #EEC2BE

RGB 238 194 190

HSL 5, 0.59%, 0.84%

LAB 82.1, 15.06, 7.92

 

CMYK 0 / 23 / 25 / 4

HEX #F4BCB7

RGB 244 188 183

HSL 4.92, 0.73%, 0.84%

LAB 81.08, 19.42, 10.3

 

CMYK 0 / 27 / 30 / 2

HEX #FBB7B0

RGB 251 183 176

HSL 5.6, 0.9%, 0.84%

LAB 80.47, 23.7, 13.29

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 9 / 10 / 12

HEX #E1CDCB

RGB 225 205 203

HSL 5.45, 0.27%, 0.84%

LAB 83.96, 6.63, 3.51

 

CMYK 0 / 4 / 4 / 15

HEX #DAD2D1

RGB 218 210 209

HSL 6.67, 0.11%, 0.84%

LAB 84.79, 2.58, 1.46

 

CMYK 2 / 0 / 0 / 15

HEX #D3D8D8

RGB 211 216 216

HSL 180, 0.06%, 0.84%

LAB 85.97, -1.69, -0.6

 

CMYK 8 / 1 / 0 / 13

HEX #CDDDDF

RGB 205 221 223

HSL 186.67, 0.22%, 0.84%

LAB 87.01, -4.95, -2.82

 

CMYK 0 / 15 / 8 / 9

HEX #E7C4D4

RGB 231 196 212

HSL 332.57, 0.42%, 0.84%

LAB 82.5, 15, -3.36

 

CMYK 0 / 15 / 12 / 9

HEX #E7C4CB

RGB 231 196 203

HSL 348, 0.42%, 0.84%

LAB 82.26, 13.51, 1.11

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 10 / 15 / 9

HEX #E7D0C4

RGB 231 208 196

HSL 20.57, 0.42%, 0.84%

LAB 85.04, 6.07, 8.86

 

CMYK 0 / 6 / 15 / 9

HEX #E7DAC4

RGB 231 218 196

HSL 37.71, 0.42%, 0.84%

LAB 87.54, 0.87, 12.42

 

CMYK 0 / 31 / 34 / 18

HEX #D08F89

RGB 208 143 137

HSL 5.07, 0.43%, 0.68%

LAB 65.64, 23.89, 13.17

 

CMYK 0 / 22 / 24 / 14

HEX #DBABA7

RGB 219 171 167

HSL 4.62, 0.42%, 0.76%

LAB 74.17, 16.96, 8.79

 

CMYK 0 / 14 / 15 / 9

HEX #E7C7C4

RGB 231 199 196

HSL 5.14, 0.42%, 0.84%

LAB 82.82, 10.8, 5.67

 

CMYK 0 / 7 / 7 / 5

HEX #F3E3E2

RGB 243 227 226

HSL 3.53, 0.41%, 0.92%

LAB 91.45, 5.28, 2.44

 

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

CMYK 4 / 0 / 15 / 9

HEX #DDE7C4

RGB 221 231 196

HSL 77.14, 0.42%, 0.84%

LAB 90.1, -9.33, 15.92

 

CMYK 15 / 10 / 0 / 9

HEX #C4CFE7

RGB 196 207 231

HSL 221.14, 0.42%, 0.84%

LAB 82.98, 1.08, -13.1

 

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

CMYK 15 / 0 / 14 / 9

HEX #C4E7C7

RGB 196 231 199

HSL 125.14, 0.42%, 0.84%

LAB 88.45, -17.42, 11.8

 

CMYK 14 / 15 / 0 / 9

HEX #C7C4E7

RGB 199 196 231

HSL 245.14, 0.42%, 0.84%

LAB 80.4, 7.89, -16.96

 

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

CMYK 4 / 0 / 15 / 9

HEX #DDE7C4

RGB 221 231 196

HSL 77.14, 0.42%, 0.84%

LAB 90.1, -9.33, 15.92

 

CMYK 15 / 1 / 0 / 9

HEX #C4E4E7

RGB 196 228 231

HSL 185.14, 0.42%, 0.84%

LAB 88.44, -9.83, -4.99

 

CMYK 11 / 15 / 0 / 9

HEX #CEC4E7

RGB 206 196 231

HSL 257.14, 0.42%, 0.84%

LAB 80.94, 10.14, -16.08

 

CMYK 0 / 14 / 15 / 9

HEX #E8C8C5

RGB 232 200 197

HSL 5.14, 0.43%, 0.84%

LAB 83.18, 10.79, 5.66

 

CMYK 9 / 0 / 15 / 9

HEX #D3E7C4

RGB 211 231 196

HSL 94.29, 0.42%, 0.84%

LAB 89.39, -12.83, 14.82

 

CMYK 15 / 1 / 0 / 9

HEX #C4E4E7

RGB 196 228 231

HSL 185.14, 0.42%, 0.84%

LAB 88.44, -9.83, -4.99

 

CMYK 6 / 15 / 0 / 9

HEX #D9C4E7

RGB 217 196 231

HSL 276, 0.42%, 0.84%

LAB 81.84, 13.72, -14.65

 

Description

Color code: HEX #E8C8C5 | qconv.com Color code: HEX #E8C8C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 200 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 200 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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