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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8EC63 it is the complementary color #17139C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8EC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8EC63 shade: #EDEC5E, #FEFE71, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8EC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8EC63 shade: #E8EC63, #D7DA50, #C6C83D, #B5B62A and #A4A417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8EC63 shade: #E7EB64, #EBCB64, #EBA664, #EB8264 and #EB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8EC63 shade: #E7EB64, #C3EB64, #9FEB64, #7AEB64 and #64EB73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8EC63 shade matches the following richer shades: #E7EB64 and #F5F956

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8EC63 shade: #E7EB64, #DADD72, #CDCF80, #C0C18E and #B3B39C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8EC63 shade: #EBA664, #EBCA64, #E9EB64, #C5EB64 and #A1EB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8EC63 shade: #DCE21B, #E2E73F, #E7EB64, #EDF089 and #F2F5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8EC63 shade: #E8EC63, #64EB81 and #B864EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8EC63 shade: #E8EC63, #64E9EB and #EB64E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8EC63 shade: #E8EC63, #64EB81, #6664EB and #EB64CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8EC63 shade: #E8EC63, #64EBAA, #6664EB and #EB64A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

Complementary color

CMYK 85 / 88 / 0 / 39

HEX #17139C

RGB 23 19 156

HSL 241.75, 0.78%, 0.34%

LAB 20.24, 49.19, -70.07

 

CMYK 0 / 0 / 60 / 7

HEX #EDEC5E

RGB 237 236 94

HSL 59.58, 0.8%, 0.65%

LAB 91.15, -16.98, 66.89

 

CMYK 0 / 0 / 56 / 0

HEX #FEFE71

RGB 254 254 113

HSL 60, 0.99%, 0.72%

LAB 97.29, -17.61, 66.02

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

CMYK 1 / 0 / 63 / 15

HEX #D7DA50

RGB 215 218 80

HSL 61.3, 0.65%, 0.58%

LAB 84.57, -17.99, 65.09

 

CMYK 1 / 0 / 70 / 22

HEX #C6C83D

RGB 198 200 61

HSL 60.86, 0.56%, 0.51%

LAB 78.26, -17.21, 65.54

 

CMYK 1 / 0 / 77 / 29

HEX #B5B62A

RGB 181 182 42

HSL 60.43, 0.63%, 0.44%

LAB 71.86, -16.26, 65.44

 

CMYK 0 / 0 / 86 / 36

HEX #A4A417

RGB 164 164 23

HSL 60, 0.75%, 0.37%

LAB 65.36, -15.1, 64.36

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 0 / 14 / 57 / 8

HEX #EBCB64

RGB 235 203 100

HSL 45.78, 0.77%, 0.66%

LAB 82.54, -0.83, 54.64

 

CMYK 0 / 29 / 57 / 8

HEX #EBA664

RGB 235 166 100

HSL 29.33, 0.77%, 0.66%

LAB 73.45, 18.59, 43.93

 

CMYK 0 / 45 / 57 / 8

HEX #EB8264

RGB 235 130 100

HSL 13.33, 0.77%, 0.66%

LAB 65.39, 37.54, 33.97

 

CMYK 0 / 57 / 57 / 8

HEX #EB6464

RGB 235 100 100

HSL 0, 0.77%, 0.66%

LAB 59.61, 52.23, 26.54

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 17 / 0 / 57 / 8

HEX #C3EB64

RGB 195 235 100

HSL 77.78, 0.77%, 0.66%

LAB 87.94, -32.59, 59.98

 

CMYK 32 / 0 / 57 / 8

HEX #9FEB64

RGB 159 235 100

HSL 93.78, 0.77%, 0.66%

LAB 85.86, -45.62, 57.06

 

CMYK 48 / 0 / 57 / 8

HEX #7AEB64

RGB 122 235 100

HSL 110.22, 0.77%, 0.66%

LAB 84.21, -57.15, 54.73

 

CMYK 57 / 0 / 51 / 8

HEX #64EB73

RGB 100 235 115

HSL 126.67, 0.77%, 0.66%

LAB 83.63, -60.92, 47

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 2 / 0 / 65 / 2

HEX #F5F956

RGB 245 249 86

HSL 61.47, 0.93%, 0.66%

LAB 95.09, -20.51, 74.36

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 1 / 0 / 48 / 13

HEX #DADD72

RGB 218 221 114

HSL 61.68, 0.61%, 0.66%

LAB 85.92, -15.7, 51.7

 

CMYK 1 / 0 / 38 / 19

HEX #CDCF80

RGB 205 207 128

HSL 61.52, 0.45%, 0.66%

LAB 81.38, -12.42, 39.02

 

CMYK 1 / 0 / 26 / 24

HEX #C0C18E

RGB 192 193 142

HSL 61.18, 0.29%, 0.66%

LAB 76.86, -8.58, 25.65

 

CMYK 0 / 0 / 13 / 30

HEX #B3B39C

RGB 179 179 156

HSL 60, 0.13%, 0.66%

LAB 72.38, -4.04, 11.76

 

CMYK 0 / 29 / 57 / 8

HEX #EBA664

RGB 235 166 100

HSL 29.33, 0.77%, 0.66%

LAB 73.45, 18.59, 43.93

 

CMYK 0 / 14 / 57 / 8

HEX #EBCA64

RGB 235 202 100

HSL 45.33, 0.77%, 0.66%

LAB 82.28, -0.32, 54.35

 

CMYK 1 / 0 / 57 / 8

HEX #E9EB64

RGB 233 235 100

HSL 60.89, 0.77%, 0.66%

LAB 90.62, -17.69, 63.72

 

CMYK 16 / 0 / 57 / 8

HEX #C5EB64

RGB 197 235 100

HSL 76.89, 0.77%, 0.66%

LAB 88.07, -31.83, 60.16

 

CMYK 31 / 0 / 57 / 8

HEX #A1EB64

RGB 161 235 100

HSL 92.89, 0.77%, 0.66%

LAB 85.96, -44.93, 57.2

 

CMYK 3 / 0 / 88 / 11

HEX #DCE21B

RGB 220 226 27

HSL 61.81, 0.79%, 0.5%

LAB 86.84, -21.87, 82.81

 

CMYK 2 / 0 / 73 / 9

HEX #E2E73F

RGB 226 231 63

HSL 61.79, 0.78%, 0.58%

LAB 88.77, -20.69, 75.72

 

CMYK 2 / 0 / 57 / 8

HEX #E7EB64

RGB 231 235 100

HSL 61.78, 0.77%, 0.66%

LAB 90.47, -18.49, 63.5

 

CMYK 1 / 0 / 43 / 6

HEX #EDF089

RGB 237 240 137

HSL 61.75, 0.77%, 0.74%

LAB 92.63, -15.42, 49.26

 

CMYK 1 / 0 / 29 / 4

HEX #F2F5AE

RGB 242 245 174

HSL 62.54, 0.78%, 0.82%

LAB 94.84, -11.83, 33.94

 

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

CMYK 57 / 0 / 45 / 8

HEX #64EB81

RGB 100 235 129

HSL 132.89, 0.77%, 0.66%

LAB 83.82, -58.93, 40.5

 

CMYK 22 / 57 / 0 / 8

HEX #B864EB

RGB 184 100 235

HSL 277.33, 0.77%, 0.66%

LAB 57.37, 56.31, -55.03

 

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

CMYK 57 / 1 / 0 / 8

HEX #64E9EB

RGB 100 233 235

HSL 180.89, 0.77%, 0.66%

LAB 85.5, -35.51, -11.95

 

CMYK 0 / 57 / 1 / 8

HEX #EB64E9

RGB 235 100 233

HSL 300.89, 0.77%, 0.66%

LAB 63.88, 68.57, -43.17

 

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

CMYK 57 / 0 / 45 / 8

HEX #64EB81

RGB 100 235 129

HSL 132.89, 0.77%, 0.66%

LAB 83.82, -58.93, 40.5

 

CMYK 57 / 57 / 0 / 8

HEX #6664EB

RGB 102 100 235

HSL 240.89, 0.77%, 0.66%

LAB 49.42, 38.51, -68.23

 

CMYK 0 / 57 / 12 / 8

HEX #EB64CE

RGB 235 100 206

HSL 312.89, 0.77%, 0.66%

LAB 62.7, 64.28, -29.89

 

CMYK 2 / 0 / 58 / 7

HEX #E8EC63

RGB 232 236 99

HSL 61.75, 0.78%, 0.66%

LAB 90.8, -18.65, 64.32

 

CMYK 57 / 0 / 28 / 8

HEX #64EBAA

RGB 100 235 170

HSL 151.11, 0.77%, 0.66%

LAB 84.5, -51.68, 20.68

 

CMYK 57 / 57 / 0 / 8

HEX #6664EB

RGB 102 100 235

HSL 240.89, 0.77%, 0.66%

LAB 49.42, 38.51, -68.23

 

CMYK 0 / 57 / 29 / 8

HEX #EB64A6

RGB 235 100 166

HSL 330.67, 0.77%, 0.66%

LAB 61.25, 58.75, -9.3

 

Description

Color code: HEX #E8EC63 | qconv.com Color code: HEX #E8EC63 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 236 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 236 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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