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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8FD7B it is the complementary color #170284. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8FD7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8FD7B shade: #EDFD76, #FEFF89, #FFFF9C, #FFFFAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8FD7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8FD7B shade: #E8FD7B, #D7EB68, #C6D955, #B5C742 and #A4B52F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8FD7B shade: #E8FD7C, #FDEF7C, #FDCC7C, #FDA97C and #FD877C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8FD7B shade: #E8FD7C, #C5FD7C, #A2FD7C, #80FD7C and #7CFD9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8FD7B shade matches the following richer shades: #E8FD7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8FD7B shade: #E8FD7C, #E0F287, #D9E791, #D2DC9C and #CBD2A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8FD7B shade: #FDCB7C, #FDEE7C, #E9FD7C, #C7FD7C and #A5FD7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8FD7B shade: #DAFB2B, #E1FC53, #E8FD7C, #EFFDA5 and #F6FECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8FD7B shade: #E8FD7B, #7CFDA9 and #DC7CFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8FD7B shade: #E8FD7B, #7CE9FD and #FD7CE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8FD7B shade: #E8FD7B, #7CFDA9, #8F7CFD and #FD7CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8FD7B shade: #E8FD7B, #7CFDCF, #8F7CFD and #FD7CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

Complementary color

CMYK 83 / 98 / 0 / 48

HEX #170284

RGB 23 2 132

HSL 249.69, 0.97%, 0.26%

LAB 14.91, 48.19, -63.99

 

CMYK 6 / 0 / 53 / 1

HEX #EDFD76

RGB 237 253 118

HSL 67.11, 0.97%, 0.73%

LAB 95.82, -23.4, 61.83

 

CMYK 0 / 0 / 46 / 0

HEX #FEFF89

RGB 254 255 137

HSL 60.51, 1%, 0.77%

LAB 97.79, -16.15, 55.86

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 9 / 0 / 56 / 8

HEX #D7EB68

RGB 215 235 104

HSL 69.16, 0.77%, 0.66%

LAB 89.33, -24.54, 60.17

 

CMYK 9 / 0 / 61 / 15

HEX #C6D955

RGB 198 217 85

HSL 68.64, 0.63%, 0.59%

LAB 83.07, -24.08, 61.05

 

CMYK 9 / 0 / 67 / 22

HEX #B5C742

RGB 181 199 66

HSL 68.12, 0.54%, 0.52%

LAB 76.72, -23.51, 61.69

 

CMYK 9 / 0 / 74 / 29

HEX #A4B52F

RGB 164 181 47

HSL 67.61, 0.59%, 0.45%

LAB 70.28, -22.8, 61.87

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7C

RGB 232 253 124

HSL 69.77, 0.97%, 0.74%

LAB 95.52, -24.82, 58.72

 

CMYK 0 / 6 / 51 / 1

HEX #FDEF7C

RGB 253 239 124

HSL 53.49, 0.97%, 0.74%

LAB 93.48, -9.84, 56.71

 

CMYK 0 / 19 / 51 / 1

HEX #FDCC7C

RGB 253 204 124

HSL 37.21, 0.97%, 0.74%

LAB 84.75, 7.9, 46.15

 

CMYK 0 / 33 / 51 / 1

HEX #FDA97C

RGB 253 169 124

HSL 20.93, 0.97%, 0.74%

LAB 76.51, 26.18, 35.76

 

CMYK 0 / 47 / 51 / 1

HEX #FD877C

RGB 253 135 124

HSL 5.12, 0.97%, 0.74%

LAB 69.23, 43.68, 26.23

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7C

RGB 232 253 124

HSL 69.77, 0.97%, 0.74%

LAB 95.52, -24.82, 58.72

 

CMYK 22 / 0 / 51 / 1

HEX #C5FD7C

RGB 197 253 124

HSL 86.05, 0.97%, 0.74%

LAB 93.27, -37.83, 55.5

 

CMYK 36 / 0 / 51 / 1

HEX #A2FD7C

RGB 162 253 124

HSL 102.33, 0.97%, 0.74%

LAB 91.41, -49.72, 52.82

 

CMYK 49 / 0 / 51 / 1

HEX #80FD7C

RGB 128 253 124

HSL 118.14, 0.97%, 0.74%

LAB 90, -59.63, 50.78

 

CMYK 51 / 0 / 39 / 1

HEX #7CFD9B

RGB 124 253 155

HSL 134.42, 0.97%, 0.74%

LAB 90.28, -56.21, 36.21

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7C

RGB 232 253 124

HSL 69.77, 0.97%, 0.74%

LAB 95.52, -24.82, 58.72

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7C

RGB 232 253 124

HSL 69.77, 0.97%, 0.74%

LAB 95.52, -24.82, 58.72

 

CMYK 7 / 0 / 44 / 5

HEX #E0F287

RGB 224 242 135

HSL 70.09, 0.8%, 0.74%

LAB 92.18, -21.59, 49.44

 

CMYK 6 / 0 / 37 / 9

HEX #D9E791

RGB 217 231 145

HSL 69.77, 0.64%, 0.74%

LAB 88.9, -17.81, 40.32

 

CMYK 5 / 0 / 29 / 14

HEX #D2DC9C

RGB 210 220 156

HSL 69.38, 0.48%, 0.74%

LAB 85.65, -13.63, 30.4

 

CMYK 3 / 0 / 20 / 18

HEX #CBD2A7

RGB 203 210 167

HSL 69.77, 0.32%, 0.74%

LAB 82.69, -9.61, 20.56

 

CMYK 0 / 20 / 51 / 1

HEX #FDCB7C

RGB 253 203 124

HSL 36.74, 0.97%, 0.74%

LAB 84.51, 8.42, 45.85

 

CMYK 0 / 6 / 51 / 1

HEX #FDEE7C

RGB 253 238 124

HSL 53.02, 0.97%, 0.74%

LAB 93.23, -9.34, 56.4

 

CMYK 8 / 0 / 51 / 1

HEX #E9FD7C

RGB 233 253 124

HSL 69.3, 0.97%, 0.74%

LAB 95.59, -24.44, 58.82

 

CMYK 21 / 0 / 51 / 1

HEX #C7FD7C

RGB 199 253 124

HSL 85.12, 0.97%, 0.74%

LAB 93.38, -37.12, 55.67

 

CMYK 35 / 0 / 51 / 1

HEX #A5FD7C

RGB 165 253 124

HSL 100.93, 0.97%, 0.74%

LAB 91.55, -48.76, 53.03

 

CMYK 13 / 0 / 83 / 2

HEX #DAFB2B

RGB 218 251 43

HSL 69.52, 0.96%, 0.58%

LAB 93.48, -34.01, 85.13

 

CMYK 11 / 0 / 67 / 1

HEX #E1FC53

RGB 225 252 83

HSL 69.59, 0.97%, 0.66%

LAB 94.42, -30.03, 74.32

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7C

RGB 232 253 124

HSL 69.77, 0.97%, 0.74%

LAB 95.52, -24.82, 58.72

 

CMYK 6 / 0 / 35 / 1

HEX #EFFDA5

RGB 239 253 165

HSL 69.55, 0.96%, 0.82%

LAB 96.54, -17.95, 40.63

 

CMYK 3 / 0 / 19 / 0

HEX #F6FECD

RGB 246 254 205

HSL 69.8, 0.96%, 0.9%

LAB 97.99, -10.61, 22.59

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 0 / 33 / 1

HEX #7CFDA9

RGB 124 253 169

HSL 140.93, 0.97%, 0.74%

LAB 90.51, -53.84, 29.53

 

CMYK 13 / 51 / 0 / 1

HEX #DC7CFD

RGB 220 124 253

HSL 284.65, 0.97%, 0.74%

LAB 67.07, 57.22, -49.32

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 8 / 0 / 1

HEX #7CE9FD

RGB 124 233 253

HSL 189.3, 0.97%, 0.74%

LAB 86.83, -26.11, -19.34

 

CMYK 0 / 51 / 8 / 1

HEX #FD7CE9

RGB 253 124 233

HSL 309.3, 0.97%, 0.74%

LAB 70.3, 62.62, -32.98

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 0 / 33 / 1

HEX #7CFDA9

RGB 124 253 169

HSL 140.93, 0.97%, 0.74%

LAB 90.51, -53.84, 29.53

 

CMYK 43 / 51 / 0 / 1

HEX #8F7CFD

RGB 143 124 253

HSL 248.84, 0.97%, 0.74%

LAB 59.29, 38.11, -62.16

 

CMYK 0 / 51 / 18 / 1

HEX #FD7CCF

RGB 253 124 207

HSL 321.4, 0.97%, 0.74%

LAB 69.33, 58.67, -20.07

 

CMYK 8 / 0 / 51 / 1

HEX #E8FD7B

RGB 232 253 123

HSL 69.69, 0.97%, 0.74%

LAB 95.51, -24.91, 59.16

 

CMYK 51 / 0 / 18 / 1

HEX #7CFDCF

RGB 124 253 207

HSL 158.6, 0.97%, 0.74%

LAB 91.25, -46.4, 11.16

 

CMYK 43 / 51 / 0 / 1

HEX #8F7CFD

RGB 143 124 253

HSL 248.84, 0.97%, 0.74%

LAB 59.29, 38.11, -62.16

 

CMYK 0 / 51 / 33 / 1

HEX #FD7CA9

RGB 253 124 169

HSL 339.07, 0.97%, 0.74%

LAB 68.14, 53.67, -0.53

 

Description

Color code: HEX #E8FD7B | qconv.com Color code: HEX #E8FD7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 253 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 253 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 51 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 51% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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