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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E905A5 it is the complementary color #16FA5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E905A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E905A5 shade: #EE05A0, #FF17B3, #FF29C6, #FF3BD9 and #FF4DEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E905A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E905A5 shade: #E905A5, #D80092, #C7007F, #B6006C and #A50059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E905A5 shade: #EA04A6, #EA0468, #EA042A and #EA0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E905A5 shade: #EA04A6, #EA04E4, #B304EA, #7504EA and #3704EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E905A5 shade matches the following richer shades: #EA04A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E905A5 shade: #EA04A6, #D7189E, #C42B96, #B03E8E and #9D5286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E905A5 shade: #B104EA, #EA04E7, #EA04A9, #EA046C and #EA042E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E905A5 shade: #9A036D, #C20389, #EA04A6, #FA1EB8 and #FB46C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E905A5 shade: #E905A5, #EA7404 and #04EAD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E905A5 shade: #E905A5, #A9EA04 and #04A9EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E905A5 shade: #E905A5, #EA7404, #04EA45 and #047BEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E905A5 shade: #E905A5, #EAB904, #04EA45 and #0436EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

Complementary color

CMYK 91 / 0 / 64 / 2

HEX #16FA5A

RGB 22 250 90

HSL 137.89, 0.96%, 0.53%

LAB 86.64, -79.45, 61.18

 

CMYK 0 / 98 / 33 / 7

HEX #EE05A0

RGB 238 5 160

HSL 320.09, 0.96%, 0.48%

LAB 52.76, 83.44, -18.57

 

CMYK 0 / 91 / 30 / 0

HEX #FF17B3

RGB 255 23 179

HSL 319.66, 1%, 0.55%

LAB 57.2, 87.26, -22.64

 

CMYK 0 / 84 / 22 / 0

HEX #FF29C6

RGB 255 41 198

HSL 315.98, 1%, 0.58%

LAB 58.9, 86.67, -30.97

 

CMYK 0 / 77 / 15 / 0

HEX #FF3BD9

RGB 255 59 217

HSL 311.63, 1%, 0.62%

LAB 61.13, 85.02, -38.31

 

CMYK 0 / 70 / 7 / 0

HEX #FF4DEC

RGB 255 77 236

HSL 306.4, 1%, 0.65%

LAB 63.86, 82.4, -44.68

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 100 / 32 / 15

HEX #D80092

RGB 216 0 146

HSL 319.44, 1%, 0.42%

LAB 47.85, 78.01, -18.07

 

CMYK 0 / 100 / 36 / 22

HEX #C7007F

RGB 199 0 127

HSL 321.71, 1%, 0.39%

LAB 43.76, 72.64, -13.02

 

CMYK 0 / 100 / 41 / 29

HEX #B6006C

RGB 182 0 108

HSL 324.4, 1%, 0.36%

LAB 39.63, 67.21, -7.74

 

CMYK 0 / 100 / 46 / 35

HEX #A50059

RGB 165 0 89

HSL 327.64, 1%, 0.32%

LAB 35.44, 61.74, -2.21

 

CMYK 0 / 98 / 29 / 8

HEX #EA04A6

RGB 234 4 166

HSL 317.74, 0.97%, 0.47%

LAB 52.21, 83.34, -23.02

 

CMYK 0 / 98 / 56 / 8

HEX #EA0468

RGB 234 4 104

HSL 333.91, 0.97%, 0.47%

LAB 50.19, 78.04, 11.38

 

CMYK 0 / 98 / 82 / 8

HEX #EA042A

RGB 234 4 42

HSL 350.09, 0.97%, 0.47%

LAB 49.19, 75.32, 47.01

 

CMYK 0 / 98 / 98 / 8

HEX #EA0404

RGB 234 4 4

HSL 0, 0.97%, 0.47%

LAB 48.99, 74.79, 61.89

 

CMYK 0 / 98 / 29 / 8

HEX #EA04A6

RGB 234 4 166

HSL 317.74, 0.97%, 0.47%

LAB 52.21, 83.34, -23.02

 

CMYK 0 / 98 / 3 / 8

HEX #EA04E4

RGB 234 4 228

HSL 301.57, 0.97%, 0.47%

LAB 55.26, 90.97, -54.04

 

CMYK 24 / 98 / 0 / 8

HEX #B304EA

RGB 179 4 234

HSL 285.65, 0.97%, 0.47%

LAB 46.46, 83.91, -72.09

 

CMYK 50 / 98 / 0 / 8

HEX #7504EA

RGB 117 4 234

HSL 269.48, 0.97%, 0.47%

LAB 37.5, 77.47, -87.15

 

CMYK 76 / 98 / 0 / 8

HEX #3704EA

RGB 55 4 234

HSL 253.3, 0.97%, 0.47%

LAB 31.44, 74.28, -97.39

 

CMYK 0 / 98 / 29 / 8

HEX #EA04A6

RGB 234 4 166

HSL 317.74, 0.97%, 0.47%

LAB 52.21, 83.34, -23.02

 

CMYK 0 / 98 / 29 / 8

HEX #EA04A6

RGB 234 4 166

HSL 317.74, 0.97%, 0.47%

LAB 52.21, 83.34, -23.02

 

CMYK 0 / 89 / 27 / 16

HEX #D7189E

RGB 215 24 158

HSL 317.91, 0.8%, 0.47%

LAB 48.97, 76.71, -23.56

 

CMYK 0 / 78 / 23 / 23

HEX #C42B96

RGB 196 43 150

HSL 318.04, 0.64%, 0.47%

LAB 46.53, 67.59, -22.82

 

CMYK 0 / 65 / 19 / 31

HEX #B03E8E

RGB 176 62 142

HSL 317.89, 0.48%, 0.47%

LAB 45.12, 54.8, -20.46

 

CMYK 0 / 48 / 15 / 38

HEX #9D5286

RGB 157 82 134

HSL 318.4, 0.31%, 0.47%

LAB 45.53, 38.13, -15.26

 

CMYK 24 / 98 / 0 / 8

HEX #B104EA

RGB 177 4 234

HSL 285.13, 0.97%, 0.47%

LAB 46.14, 83.66, -72.62

 

CMYK 0 / 98 / 1 / 8

HEX #EA04E7

RGB 234 4 231

HSL 300.78, 0.97%, 0.47%

LAB 55.43, 91.39, -55.46

 

CMYK 0 / 98 / 28 / 8

HEX #EA04A9

RGB 234 4 169

HSL 316.96, 0.97%, 0.47%

LAB 52.34, 83.66, -24.6

 

CMYK 0 / 98 / 54 / 8

HEX #EA046C

RGB 234 4 108

HSL 332.87, 0.97%, 0.47%

LAB 50.29, 78.3, 9.07

 

CMYK 0 / 98 / 80 / 8

HEX #EA042E

RGB 234 4 46

HSL 349.04, 0.97%, 0.47%

LAB 49.22, 75.42, 44.88

 

CMYK 0 / 98 / 29 / 40

HEX #9A036D

RGB 154 3 109

HSL 317.88, 0.96%, 0.31%

LAB 34.06, 60.97, -17.36

 

CMYK 0 / 98 / 29 / 24

HEX #C20389

RGB 194 3 137

HSL 317.91, 0.97%, 0.39%

LAB 43.27, 72.37, -20

 

CMYK 0 / 98 / 29 / 8

HEX #EA04A6

RGB 234 4 166

HSL 317.74, 0.97%, 0.47%

LAB 52.21, 83.34, -23.02

 

CMYK 0 / 88 / 26 / 2

HEX #FA1EB8

RGB 250 30 184

HSL 318, 0.96%, 0.55%

LAB 56.79, 85.89, -26.24

 

CMYK 0 / 72 / 22 / 2

HEX #FB46C5

RGB 251 70 197

HSL 317.9, 0.96%, 0.63%

LAB 60.71, 78.42, -27.66

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 50 / 98 / 8

HEX #EA7404

RGB 234 116 4

HSL 29.22, 0.97%, 0.47%

LAB 61.65, 40.63, 68.6

 

CMYK 98 / 0 / 11 / 8

HEX #04EAD0

RGB 4 234 208

HSL 173.22, 0.97%, 0.47%

LAB 83.67, -52.24, -0.58

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 28 / 0 / 98 / 8

HEX #A9EA04

RGB 169 234 4

HSL 76.96, 0.97%, 0.47%

LAB 85.65, -46.13, 83

 

CMYK 98 / 28 / 0 / 8

HEX #04A9EA

RGB 4 169 234

HSL 196.96, 0.97%, 0.47%

LAB 65.23, -13.19, -42.6

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 50 / 98 / 8

HEX #EA7404

RGB 234 116 4

HSL 29.22, 0.97%, 0.47%

LAB 61.65, 40.63, 68.6

 

CMYK 98 / 0 / 71 / 8

HEX #04EA45

RGB 4 234 69

HSL 136.96, 0.97%, 0.47%

LAB 81.46, -77.58, 63.68

 

CMYK 98 / 47 / 0 / 8

HEX #047BEA

RGB 4 123 234

HSL 208.96, 0.97%, 0.47%

LAB 51.99, 13.88, -63.68

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 21 / 98 / 8

HEX #EAB904

RGB 234 185 4

HSL 47.22, 0.97%, 0.47%

LAB 77.4, 4.52, 79.1

 

CMYK 98 / 0 / 71 / 8

HEX #04EA45

RGB 4 234 69

HSL 136.96, 0.97%, 0.47%

LAB 81.46, -77.58, 63.68

 

CMYK 98 / 77 / 0 / 8

HEX #0436EA

RGB 4 54 234

HSL 226.96, 0.97%, 0.47%

LAB 35.21, 56.6, -91.15

 

Description

Color code: HEX #E905A5 | qconv.com Color code: HEX #E905A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 5 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 5 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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