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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E90FF0 it is the complementary color #16F00F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E90FF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E90FF0 shade: #EE0FEB, #FF21FE, #FF33FF, #FF45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E90FF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E90FF0 shade: #E90FF0, #D800DD, #C700CA, #B600B7 and #A500A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E90FF0 shade: #E80FEF, #EF0FBA, #EF0F7D, #EF0F41 and #EF0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E90FF0 shade: #E80FEF, #AC0FEF, #6F0FEF, #330FEF and #0F0FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E90FF0 shade matches the following richer shades: #E80FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E90FF0 shade: #E80FEF, #D523DB, #C238C6, #AE4DB1 and #9B619D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E90FF0 shade: #700FEF, #AC0FEF, #E80FEF, #EF0FBB and #EF0F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E90FF0 shade: #9D0AA2, #C30CC8, #E80FEF, #EC36F2 and #EF5CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E90FF0 shade: #E90FF0, #EF340F and #0FEF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E90FF0 shade: #E90FF0, #EFE80F and #0FEFE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E90FF0 shade: #E90FF0, #EF340F, #16EF0F and #0FCAEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E90FF0 shade: #E90FF0, #EF780F, #16EF0F and #0F86EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

Complementary color

CMYK 91 / 0 / 94 / 6

HEX #16F00F

RGB 22 240 15

HSL 118.13, 0.88%, 0.5%

LAB 83.19, -81.25, 78.28

 

CMYK 0 / 94 / 1 / 7

HEX #EE0FEB

RGB 238 15 235

HSL 300.81, 0.88%, 0.5%

LAB 56.6, 91.83, -55.8

 

CMYK 0 / 87 / 0 / 0

HEX #FF21FE

RGB 255 33 254

HSL 300.27, 1%, 0.56%

LAB 61.22, 95.28, -58.84

 

CMYK 0 / 80 / 0 / 0

HEX #FF33FF

RGB 255 51 255

HSL 300, 1%, 0.6%

LAB 62.38, 92.2, -57.55

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

CMYK 2 / 100 / 0 / 13

HEX #D800DD

RGB 216 0 221

HSL 298.64, 1%, 0.43%

LAB 51.63, 87.41, -56.05

 

CMYK 1 / 100 / 0 / 21

HEX #C700CA

RGB 199 0 202

HSL 299.11, 1%, 0.4%

LAB 47.5, 81.96, -51.93

 

CMYK 1 / 100 / 0 / 28

HEX #B600B7

RGB 182 0 183

HSL 299.67, 1%, 0.36%

LAB 43.31, 76.42, -47.72

 

CMYK 0 / 100 / 1 / 35

HEX #A500A4

RGB 165 0 164

HSL 300.36, 1%, 0.32%

LAB 39.04, 70.78, -43.42

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 0 / 94 / 22 / 6

HEX #EF0FBA

RGB 239 15 186

HSL 314.2, 0.88%, 0.5%

LAB 54.28, 85.7, -31.46

 

CMYK 0 / 94 / 48 / 6

HEX #EF0F7D

RGB 239 15 125

HSL 330.54, 0.88%, 0.5%

LAB 52.03, 79.79, 1.35

 

CMYK 0 / 94 / 73 / 6

HEX #EF0F41

RGB 239 15 65

HSL 346.61, 0.88%, 0.5%

LAB 50.77, 76.35, 35.98

 

CMYK 0 / 94 / 94 / 6

HEX #EF0F0F

RGB 239 15 15

HSL 0, 0.88%, 0.5%

LAB 50.37, 75.21, 60.14

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 28 / 94 / 0 / 6

HEX #AC0FEF

RGB 172 15 239

HSL 282.05, 0.88%, 0.5%

LAB 46.1, 82.9, -75.55

 

CMYK 54 / 94 / 0 / 6

HEX #6F0FEF

RGB 111 15 239

HSL 265.71, 0.88%, 0.5%

LAB 37.76, 76.7, -89.58

 

CMYK 79 / 94 / 0 / 6

HEX #330FEF

RGB 51 15 239

HSL 249.64, 0.88%, 0.5%

LAB 32.43, 73.6, -98.58

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 3 / 84 / 0 / 14

HEX #D523DB

RGB 213 35 219

HSL 298.04, 0.72%, 0.5%

LAB 52.36, 82.62, -53.78

 

CMYK 2 / 72 / 0 / 22

HEX #C238C6

RGB 194 56 198

HSL 298.31, 0.56%, 0.5%

LAB 49.95, 70.17, -45.76

 

CMYK 2 / 56 / 0 / 31

HEX #AE4DB1

RGB 174 77 177

HSL 298.2, 0.39%, 0.5%

LAB 48.86, 53.3, -35.46

 

CMYK 1 / 38 / 0 / 38

HEX #9B619D

RGB 155 97 157

HSL 298, 0.24%, 0.5%

LAB 49.44, 33.43, -23

 

CMYK 53 / 94 / 0 / 6

HEX #700FEF

RGB 112 15 239

HSL 265.98, 0.88%, 0.5%

LAB 37.88, 76.77, -89.38

 

CMYK 28 / 94 / 0 / 6

HEX #AC0FEF

RGB 172 15 239

HSL 282.05, 0.88%, 0.5%

LAB 46.1, 82.9, -75.55

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 0 / 94 / 22 / 6

HEX #EF0FBB

RGB 239 15 187

HSL 313.93, 0.88%, 0.5%

LAB 54.32, 85.82, -31.97

 

CMYK 0 / 94 / 47 / 6

HEX #EF0F7F

RGB 239 15 127

HSL 330, 0.88%, 0.5%

LAB 52.09, 79.94, 0.22

 

CMYK 3 / 94 / 0 / 36

HEX #9D0AA2

RGB 157 10 162

HSL 298.03, 0.88%, 0.34%

LAB 37.83, 67.99, -44.23

 

CMYK 3 / 94 / 0 / 22

HEX #C30CC8

RGB 195 12 200

HSL 298.4, 0.89%, 0.42%

LAB 47.02, 80, -51.58

 

CMYK 3 / 94 / 0 / 6

HEX #E80FEF

RGB 232 15 239

HSL 298.13, 0.88%, 0.5%

LAB 55.82, 91.45, -59.36

 

CMYK 2 / 78 / 0 / 5

HEX #EC36F2

RGB 236 54 242

HSL 298.09, 0.88%, 0.58%

LAB 58.86, 86.08, -56.12

 

CMYK 2 / 62 / 0 / 4

HEX #EF5CF4

RGB 239 92 244

HSL 298.03, 0.87%, 0.66%

LAB 63.78, 74.65, -49.39

 

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

CMYK 0 / 78 / 94 / 6

HEX #EF340F

RGB 239 52 15

HSL 9.91, 0.88%, 0.5%

LAB 52.78, 68.34, 61.51

 

CMYK 94 / 0 / 41 / 6

HEX #0FEF8E

RGB 15 239 142

HSL 154.02, 0.88%, 0.5%

LAB 83.86, -68.83, 33.86

 

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

CMYK 0 / 3 / 94 / 6

HEX #EFE80F

RGB 239 232 15

HSL 58.13, 0.88%, 0.5%

LAB 89.91, -17.01, 87.41

 

CMYK 94 / 0 / 3 / 6

HEX #0FEFE8

RGB 15 239 232

HSL 178.13, 0.88%, 0.5%

LAB 85.84, -47.45, -10.01

 

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

CMYK 0 / 78 / 94 / 6

HEX #EF340F

RGB 239 52 15

HSL 9.91, 0.88%, 0.5%

LAB 52.78, 68.34, 61.51

 

CMYK 91 / 0 / 94 / 6

HEX #16EF0F

RGB 22 239 15

HSL 118.13, 0.88%, 0.5%

LAB 82.88, -80.99, 78.02

 

CMYK 94 / 15 / 0 / 6

HEX #0FCAEF

RGB 15 202 239

HSL 189.91, 0.88%, 0.5%

LAB 75.19, -28.3, -29.85

 

CMYK 3 / 94 / 0 / 6

HEX #E90FF0

RGB 233 15 240

HSL 298.13, 0.88%, 0.5%

LAB 56.04, 91.75, -59.54

 

CMYK 0 / 50 / 94 / 6

HEX #EF780F

RGB 239 120 15

HSL 28.13, 0.88%, 0.5%

LAB 63.19, 40.69, 68.12

 

CMYK 91 / 0 / 94 / 6

HEX #16EF0F

RGB 22 239 15

HSL 118.13, 0.88%, 0.5%

LAB 82.88, -80.99, 78.02

 

CMYK 94 / 44 / 0 / 6

HEX #0F86EF

RGB 15 134 239

HSL 208.13, 0.88%, 0.5%

LAB 55.47, 9.31, -60.86

 

Description

Color code: HEX #E90FF0 | qconv.com Color code: HEX #E90FF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 15 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 15 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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