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Color name
HEX #E918C6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E918C6 it is the complementary color #16E739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E918C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E918C6 shade: #EE18C1, #FF2AD4, #FF3CE7, #FF4EFA and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E918C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E918C6 shade: #E918C6, #D806B3, #C700A0, #B6008D and #A5007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E918C6 shade: #E915C5, #E9158C, #E91553, #E9151A and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E918C6 shade: #E915C5, #D315E9, #9A15E9, #6115E9 and #2815E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E918C6 shade matches the following richer shades: #E915C5 and #FD01D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E918C6 shade: #E915C5, #D42AB8, #C03EAA, #AB539C and #96688E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E918C6 shade: #9B15E9, #D415E9, #E915C6, #E9158D and #E91555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E918C6 shade: #9D0E85, #C312A5, #E915C5, #EC3BCF and #F061D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E918C6 shade: #E918C6, #E96315 and #15E9B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E918C6 shade: #E918C6, #C6E915 and #15C6E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E918C6 shade: #E918C6, #E96315, #15E938 and #159BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E918C6 shade: #E918C6, #E9A215, #15E938 and #155CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

Complementary color

CMYK 90 / 0 / 75 / 9

HEX #16E739

RGB 22 231 57

HSL 130.05, 0.83%, 0.5%

LAB 80.53, -76.97, 66.87

 

CMYK 0 / 90 / 19 / 7

HEX #EE18C1

RGB 238 24 193

HSL 312.62, 0.86%, 0.51%

LAB 54.74, 85.39, -34.81

 

CMYK 0 / 84 / 17 / 0

HEX #FF2AD4

RGB 255 42 212

HSL 312.11, 1%, 0.58%

LAB 59.59, 88.18, -37.89

 

CMYK 0 / 76 / 9 / 0

HEX #FF3CE7

RGB 255 60 231

HSL 307.38, 1%, 0.62%

LAB 61.88, 86.65, -45

 

CMYK 0 / 69 / 2 / 0

HEX #FF4EFA

RGB 255 78 250

HSL 301.69, 1%, 0.65%

LAB 64.65, 84.16, -51.18

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

CMYK 0 / 97 / 17 / 15

HEX #D806B3

RGB 216 6 179

HSL 310.57, 0.95%, 0.44%

LAB 49.48, 81.27, -35.19

 

CMYK 0 / 100 / 20 / 22

HEX #C700A0

RGB 199 0 160

HSL 311.76, 1%, 0.39%

LAB 45.19, 76.28, -30.86

 

CMYK 0 / 100 / 23 / 29

HEX #B6008D

RGB 182 0 141

HSL 313.52, 1%, 0.36%

LAB 41.01, 70.75, -26.14

 

CMYK 0 / 100 / 26 / 35

HEX #A5007A

RGB 165 0 122

HSL 315.64, 1%, 0.32%

LAB 36.75, 65.13, -21.25

 

CMYK 0 / 91 / 15 / 9

HEX #E915C5

RGB 233 21 197

HSL 310.19, 0.83%, 0.5%

LAB 53.91, 85.3, -38.49

 

CMYK 0 / 91 / 40 / 9

HEX #E9158C

RGB 233 21 140

HSL 326.32, 0.83%, 0.5%

LAB 51.56, 79.1, -8.53

 

CMYK 0 / 91 / 64 / 9

HEX #E91553

RGB 233 21 83

HSL 342.45, 0.83%, 0.5%

LAB 50.08, 75.04, 24.04

 

CMYK 0 / 91 / 89 / 9

HEX #E9151A

RGB 233 21 26

HSL 358.58, 0.83%, 0.5%

LAB 49.42, 73.17, 54.87

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 15 / 9

HEX #E915C5

RGB 233 21 197

HSL 310.19, 0.83%, 0.5%

LAB 53.91, 85.3, -38.49

 

CMYK 9 / 91 / 0 / 9

HEX #D315E9

RGB 211 21 233

HSL 293.77, 0.83%, 0.5%

LAB 52.14, 86.65, -62.08

 

CMYK 34 / 91 / 0 / 9

HEX #9A15E9

RGB 154 21 233

HSL 277.64, 0.83%, 0.5%

LAB 43.2, 78.73, -77.02

 

CMYK 58 / 91 / 0 / 9

HEX #6115E9

RGB 97 21 233

HSL 261.51, 0.83%, 0.5%

LAB 35.91, 73.18, -89.28

 

CMYK 83 / 91 / 0 / 9

HEX #2815E9

RGB 40 21 233

HSL 245.38, 0.83%, 0.5%

LAB 31.51, 70.43, -96.72

 

CMYK 0 / 91 / 15 / 9

HEX #E915C5

RGB 233 21 197

HSL 310.19, 0.83%, 0.5%

LAB 53.91, 85.3, -38.49

 

CMYK 0 / 100 / 17 / 1

HEX #FD01D3

RGB 253 1 211

HSL 310, 0.99%, 0.5%

LAB 57.66, 92.15, -40.37

 

CMYK 0 / 91 / 15 / 9

HEX #E915C5

RGB 233 21 197

HSL 310.19, 0.83%, 0.5%

LAB 53.91, 85.3, -38.49

 

CMYK 0 / 80 / 13 / 17

HEX #D42AB8

RGB 212 42 184

HSL 309.88, 0.67%, 0.5%

LAB 50.82, 75.85, -36.06

 

CMYK 0 / 68 / 11 / 25

HEX #C03EAA

RGB 192 62 170

HSL 310.15, 0.51%, 0.5%

LAB 48.95, 63.16, -31.02

 

CMYK 0 / 51 / 9 / 33

HEX #AB539C

RGB 171 83 156

HSL 310.23, 0.35%, 0.5%

LAB 48.57, 45.8, -23.58

 

CMYK 0 / 31 / 5 / 41

HEX #96688E

RGB 150 104 142

HSL 310.43, 0.18%, 0.5%

LAB 49.9, 24.83, -13.48

 

CMYK 33 / 91 / 0 / 9

HEX #9B15E9

RGB 155 21 233

HSL 277.92, 0.83%, 0.5%

LAB 43.34, 78.85, -76.77

 

CMYK 9 / 91 / 0 / 9

HEX #D415E9

RGB 212 21 233

HSL 294.06, 0.83%, 0.5%

LAB 52.3, 86.81, -61.81

 

CMYK 0 / 91 / 15 / 9

HEX #E915C6

RGB 233 21 198

HSL 309.91, 0.83%, 0.5%

LAB 53.96, 85.43, -38.99

 

CMYK 0 / 91 / 39 / 9

HEX #E9158D

RGB 233 21 141

HSL 326.04, 0.83%, 0.5%

LAB 51.59, 79.19, -9.08

 

CMYK 0 / 91 / 64 / 9

HEX #E91555

RGB 233 21 85

HSL 341.89, 0.83%, 0.5%

LAB 50.12, 75.14, 22.87

 

CMYK 0 / 91 / 15 / 38

HEX #9D0E85

RGB 157 14 133

HSL 310.07, 0.84%, 0.34%

LAB 36.32, 63.18, -28.9

 

CMYK 0 / 91 / 15 / 24

HEX #C312A5

RGB 195 18 165

HSL 310.17, 0.83%, 0.42%

LAB 45.29, 74.39, -33.75

 

CMYK 0 / 91 / 15 / 9

HEX #E915C5

RGB 233 21 197

HSL 310.19, 0.83%, 0.5%

LAB 53.91, 85.3, -38.49

 

CMYK 0 / 75 / 12 / 7

HEX #EC3BCF

RGB 236 59 207

HSL 309.83, 0.82%, 0.58%

LAB 57.53, 79.63, -38.51

 

CMYK 0 / 60 / 10 / 6

HEX #F061D8

RGB 240 97 216

HSL 310.07, 0.83%, 0.66%

LAB 63.37, 68.41, -34.42

 

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

CMYK 0 / 58 / 91 / 9

HEX #E96315

RGB 233 99 21

HSL 22.08, 0.83%, 0.5%

LAB 58.32, 48.64, 62.94

 

CMYK 91 / 0 / 21 / 9

HEX #15E9B7

RGB 21 233 183

HSL 165.85, 0.83%, 0.5%

LAB 82.84, -57.69, 11.38

 

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

CMYK 15 / 0 / 91 / 9

HEX #C6E915

RGB 198 233 21

HSL 69.91, 0.83%, 0.5%

LAB 87.16, -34.26, 83.28

 

CMYK 91 / 15 / 0 / 9

HEX #15C6E9

RGB 21 198 233

HSL 189.91, 0.83%, 0.5%

LAB 73.82, -28.07, -28.7

 

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

CMYK 0 / 58 / 91 / 9

HEX #E96315

RGB 233 99 21

HSL 22.08, 0.83%, 0.5%

LAB 58.32, 48.64, 62.94

 

CMYK 91 / 0 / 76 / 9

HEX #15E938

RGB 21 233 56

HSL 129.91, 0.83%, 0.5%

LAB 81.14, -77.66, 67.79

 

CMYK 91 / 33 / 0 / 9

HEX #159BE9

RGB 21 155 233

HSL 202.08, 0.83%, 0.5%

LAB 61.21, -5.17, -48.38

 

CMYK 0 / 90 / 15 / 9

HEX #E918C6

RGB 233 24 198

HSL 310.05, 0.83%, 0.5%

LAB 54.08, 85.06, -38.79

 

CMYK 0 / 30 / 91 / 9

HEX #E9A215

RGB 233 162 21

HSL 39.91, 0.83%, 0.5%

LAB 71.7, 16.4, 72.68

 

CMYK 91 / 0 / 76 / 9

HEX #15E938

RGB 21 233 56

HSL 129.91, 0.83%, 0.5%

LAB 81.14, -77.66, 67.79

 

CMYK 91 / 61 / 0 / 9

HEX #155CE9

RGB 21 92 233

HSL 219.91, 0.83%, 0.5%

LAB 43.8, 33.82, -76.42

 

Description

Color code: HEX #E918C6 | qconv.com Color code: HEX #E918C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 24 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 24 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 9% C M Y K

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