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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92E56 it is the complementary color #16D1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92E56 shade: #EE2E51, #FF4064, #FF5277, #FF648A and #FF769D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92E56 shade: #E92E56, #D81C43, #C70A30, #B6001D and #A5000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92E56 shade: #E92F57 and #E92F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92E56 shade: #E92F57, #E92F89, #E92FBB, #E42FE9 and #B22FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92E56 shade matches the following richer shades: #E92F57 and #FB1C4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92E56 shade: #E92F57, #D64161, #C4546C, #B16776 and #9E7981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92E56 shade: #E92FBA, #E92F89, #E92F57, #E9382F and #E96A2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92E56 shade: #B31235, #D81640, #E92F57, #ED5475 and #F17993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92E56 shade: #E92E56, #E9E62F and #2FA1E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92E56 shade: #E92E56, #57E92F and #2F57E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92E56 shade: #E92E56, #E9E62F, #2FE9C0 and #2F32E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92E56 shade: #E92E56, #B4E92F, #2FE9C0 and #632FE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

Complementary color

CMYK 89 / 0 / 19 / 18

HEX #16D1A9

RGB 22 209 169

HSL 167.17, 0.81%, 0.45%

LAB 75.22, -51.67, 7.95

 

CMYK 0 / 81 / 66 / 7

HEX #EE2E51

RGB 238 46 81

HSL 349.06, 0.85%, 0.56%

LAB 52.65, 71.55, 28.74

 

CMYK 0 / 75 / 61 / 0

HEX #FF4064

RGB 255 64 100

HSL 348.69, 1%, 0.63%

LAB 57.89, 72.28, 24.91

 

CMYK 0 / 68 / 53 / 0

HEX #FF5277

RGB 255 82 119

HSL 347.17, 1%, 0.66%

LAB 60.45, 67.5, 17.24

 

CMYK 0 / 61 / 46 / 0

HEX #FF648A

RGB 255 100 138

HSL 345.29, 1%, 0.7%

LAB 63.52, 61.92, 10.51

 

CMYK 0 / 54 / 38 / 0

HEX #FF769D

RGB 255 118 157

HSL 342.92, 1%, 0.73%

LAB 67.01, 55.79, 4.66

 

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

CMYK 0 / 87 / 69 / 15

HEX #D81C43

RGB 216 28 67

HSL 347.55, 0.77%, 0.48%

LAB 46.76, 68.97, 28.86

 

CMYK 0 / 95 / 76 / 22

HEX #C70A30

RGB 199 10 48

HSL 347.94, 0.9%, 0.41%

LAB 42.11, 66.4, 34

 

CMYK 0 / 100 / 84 / 29

HEX #B6001D

RGB 182 0 29

HSL 350.44, 1%, 0.36%

LAB 37.9, 62.62, 39.55

 

CMYK 0 / 100 / 94 / 35

HEX #A5000A

RGB 165 0 10

HSL 356.36, 1%, 0.32%

LAB 34.03, 57.96, 44.17

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 80 / 80 / 9

HEX #E92F2F

RGB 233 47 47

HSL 0, 0.81%, 0.55%

LAB 51.34, 68.59, 46.38

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 80 / 41 / 9

HEX #E92F89

RGB 233 47 137

HSL 330.97, 0.81%, 0.55%

LAB 53.13, 74.02, -4.4

 

CMYK 0 / 80 / 20 / 9

HEX #E92FBB

RGB 233 47 187

HSL 314.84, 0.81%, 0.55%

LAB 55.02, 79.49, -30.98

 

CMYK 2 / 80 / 0 / 9

HEX #E42FE9

RGB 228 47 233

HSL 298.39, 0.81%, 0.55%

LAB 56.5, 84.91, -54.94

 

CMYK 24 / 80 / 0 / 9

HEX #B22FE9

RGB 178 47 233

HSL 282.26, 0.81%, 0.55%

LAB 48.74, 76.19, -67.83

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 89 / 70 / 2

HEX #FB1C4C

RGB 251 28 76

HSL 347.09, 0.97%, 0.55%

LAB 53.88, 78.13, 33.78

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 70 / 55 / 16

HEX #D64161

RGB 214 65 97

HSL 347.11, 0.65%, 0.55%

LAB 50.62, 59.89, 15.65

 

CMYK 0 / 57 / 45 / 23

HEX #C4546C

RGB 196 84 108

HSL 347.14, 0.49%, 0.55%

LAB 50.87, 46.97, 8.94

 

CMYK 0 / 42 / 33 / 31

HEX #B16776

RGB 177 103 118

HSL 347.84, 0.32%, 0.55%

LAB 52.24, 31.49, 4.56

 

CMYK 0 / 23 / 18 / 38

HEX #9E7981

RGB 158 121 129

HSL 347.03, 0.16%, 0.55%

LAB 54.58, 15.69, 1.21

 

CMYK 0 / 80 / 20 / 9

HEX #E92FBA

RGB 233 47 186

HSL 315.16, 0.81%, 0.55%

LAB 54.97, 79.36, -30.46

 

CMYK 0 / 80 / 41 / 9

HEX #E92F89

RGB 233 47 137

HSL 330.97, 0.81%, 0.55%

LAB 53.13, 74.02, -4.4

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 76 / 80 / 9

HEX #E9382F

RGB 233 56 47

HSL 2.9, 0.81%, 0.55%

LAB 52.24, 66.06, 47.27

 

CMYK 0 / 55 / 80 / 9

HEX #E96A2F

RGB 233 106 47

HSL 19.03, 0.81%, 0.55%

LAB 59.74, 45.93, 54.51

 

CMYK 0 / 90 / 70 / 30

HEX #B31235

RGB 179 18 53

HSL 346.96, 0.82%, 0.39%

LAB 38.33, 60.47, 25.42

 

CMYK 0 / 90 / 70 / 15

HEX #D81640

RGB 216 22 64

HSL 347.01, 0.82%, 0.47%

LAB 46.37, 69.82, 30.2

 

CMYK 0 / 80 / 63 / 9

HEX #E92F57

RGB 233 47 87

HSL 347.1, 0.81%, 0.55%

LAB 51.89, 70.28, 23.98

 

CMYK 0 / 65 / 51 / 7

HEX #ED5475

RGB 237 84 117

HSL 347.06, 0.81%, 0.63%

LAB 57.68, 61.13, 14.12

 

CMYK 0 / 50 / 39 / 5

HEX #F17993

RGB 241 121 147

HSL 347, 0.81%, 0.71%

LAB 65.34, 48.6, 7.68

 

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

CMYK 0 / 1 / 80 / 9

HEX #E9E62F

RGB 233 230 47

HSL 59.03, 0.81%, 0.55%

LAB 88.98, -17.91, 80.76

 

CMYK 80 / 31 / 0 / 9

HEX #2FA1E9

RGB 47 161 233

HSL 203.23, 0.81%, 0.55%

LAB 63.32, -6.76, -45.01

 

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

CMYK 63 / 0 / 80 / 9

HEX #57E92F

RGB 87 233 47

HSL 107.1, 0.81%, 0.55%

LAB 82.11, -69.43, 71.7

 

CMYK 80 / 63 / 0 / 9

HEX #2F57E9

RGB 47 87 233

HSL 227.1, 0.81%, 0.55%

LAB 43.22, 38.58, -77.34

 

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

CMYK 0 / 1 / 80 / 9

HEX #E9E62F

RGB 233 230 47

HSL 59.03, 0.81%, 0.55%

LAB 88.98, -17.91, 80.76

 

CMYK 80 / 0 / 18 / 9

HEX #2FE9C0

RGB 47 233 192

HSL 166.77, 0.81%, 0.55%

LAB 83.28, -53.77, 7.32

 

CMYK 80 / 79 / 0 / 9

HEX #2F32E9

RGB 47 50 233

HSL 239.03, 0.81%, 0.55%

LAB 35.54, 59.69, -90.01

 

CMYK 0 / 80 / 63 / 9

HEX #E92E56

RGB 233 46 86

HSL 347.17, 0.81%, 0.55%

LAB 51.78, 70.48, 24.44

 

CMYK 23 / 0 / 80 / 9

HEX #B4E92F

RGB 180 233 47

HSL 77.1, 0.81%, 0.55%

LAB 86.1, -40.6, 76.81

 

CMYK 80 / 0 / 18 / 9

HEX #2FE9C0

RGB 47 233 192

HSL 166.77, 0.81%, 0.55%

LAB 83.28, -53.77, 7.32

 

CMYK 58 / 80 / 0 / 9

HEX #632FE9

RGB 99 47 233

HSL 256.77, 0.81%, 0.55%

LAB 38.84, 65.25, -84.42

 

Description

Color code: HEX #E92E56 | qconv.com Color code: HEX #E92E56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 46 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 46 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 63 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 63% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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