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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E92F82 it is the complementary color #16D07D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E92F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E92F82 shade: #EE2F7D, #FF4190, #FF53A3, #FF65B6 and #FF77C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E92F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E92F82 shade: #E92F82, #D81D6F, #C70B5C, #B60049 and #A50036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E92F82 shade: #E92F82, #E92F50 and #E92F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E92F82 shade: #E92F82, #E92FB4, #E92FE6, #B92FE9 and #872FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E92F82 shade matches the following richer shades: #E92F82 and #FB1C80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E92F82 shade: #E92F82, #D64184, #C45486, #B16788 and #9E798A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E92F82 shade: #E92FE6, #E92FB4, #E92F82, #E92F51 and #E93E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E92F82 shade: #B3125A, #D8166D, #E92F82, #ED5498 and #F179AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E92F82 shade: #E92F82, #E9BA2F and #2FCDE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E92F82 shade: #E92F82, #82E92F and #2F82E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E92F82 shade: #E92F82, #E9BA2F, #2FE995 and #2F5DE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E92F82 shade: #E92F82, #DFE92F, #2FE995 and #382FE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

Complementary color

CMYK 89 / 0 / 40 / 18

HEX #16D07D

RGB 22 208 125

HSL 153.23, 0.81%, 0.45%

LAB 74.04, -61.09, 29.55

 

CMYK 0 / 80 / 47 / 7

HEX #EE2F7D

RGB 238 47 125

HSL 335.5, 0.85%, 0.56%

LAB 53.7, 74.21, 3.74

 

CMYK 0 / 75 / 44 / 0

HEX #FF4190

RGB 255 65 144

HSL 335.05, 1%, 0.63%

LAB 59.02, 75.24, 0.57

 

CMYK 0 / 67 / 36 / 0

HEX #FF53A3

RGB 255 83 163

HSL 332.09, 1%, 0.66%

LAB 61.73, 71.1, -6.51

 

CMYK 0 / 60 / 29 / 0

HEX #FF65B6

RGB 255 101 182

HSL 328.44, 1%, 0.7%

LAB 64.92, 66.19, -12.64

 

CMYK 0 / 53 / 21 / 0

HEX #FF77C9

RGB 255 119 201

HSL 323.82, 1%, 0.73%

LAB 68.51, 60.75, -17.93

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 87 / 49 / 15

HEX #D81D6F

RGB 216 29 111

HSL 333.69, 0.76%, 0.48%

LAB 47.78, 71.55, 3.17

 

CMYK 0 / 94 / 54 / 22

HEX #C70B5C

RGB 199 11 92

HSL 334.15, 0.9%, 0.41%

LAB 42.99, 68.63, 7.69

 

CMYK 0 / 100 / 60 / 29

HEX #B60049

RGB 182 0 73

HSL 335.93, 1%, 0.36%

LAB 38.6, 64.49, 13.12

 

CMYK 0 / 100 / 67 / 35

HEX #A50036

RGB 165 0 54

HSL 340.36, 1%, 0.32%

LAB 34.53, 59.32, 19.37

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 80 / 66 / 9

HEX #E92F50

RGB 233 47 80

HSL 349.35, 0.81%, 0.55%

LAB 51.76, 69.9, 28.02

 

CMYK 0 / 80 / 80 / 9

HEX #E92F2F

RGB 233 47 47

HSL 0, 0.81%, 0.55%

LAB 51.34, 68.59, 46.38

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 80 / 23 / 9

HEX #E92FB4

RGB 233 47 180

HSL 317.1, 0.81%, 0.55%

LAB 54.71, 78.62, -27.38

 

CMYK 0 / 80 / 1 / 9

HEX #E92FE6

RGB 233 47 230

HSL 300.97, 0.81%, 0.55%

LAB 57.14, 85.38, -52.17

 

CMYK 21 / 80 / 0 / 9

HEX #B92FE9

RGB 185 47 233

HSL 284.52, 0.81%, 0.55%

LAB 49.77, 77.35, -66.1

 

CMYK 42 / 80 / 0 / 9

HEX #872FE9

RGB 135 47 233

HSL 268.39, 0.81%, 0.55%

LAB 42.86, 69.66, -77.66

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 89 / 49 / 2

HEX #FB1C80

RGB 251 28 128

HSL 333.09, 0.97%, 0.55%

LAB 54.97, 81.17, 4.08

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 70 / 38 / 16

HEX #D64184

RGB 214 65 132

HSL 333.02, 0.65%, 0.55%

LAB 51.55, 63.05, -4.12

 

CMYK 0 / 57 / 32 / 23

HEX #C45486

RGB 196 84 134

HSL 333.21, 0.49%, 0.55%

LAB 51.61, 49.92, -5.55

 

CMYK 0 / 42 / 23 / 31

HEX #B16788

RGB 177 103 136

HSL 333.24, 0.32%, 0.55%

LAB 52.76, 34.03, -5.32

 

CMYK 0 / 23 / 13 / 38

HEX #9E798A

RGB 158 121 138

HSL 332.43, 0.16%, 0.55%

LAB 54.84, 17.23, -3.66

 

CMYK 0 / 80 / 1 / 9

HEX #E92FE6

RGB 233 47 230

HSL 300.97, 0.81%, 0.55%

LAB 57.14, 85.38, -52.17

 

CMYK 0 / 80 / 23 / 9

HEX #E92FB4

RGB 233 47 180

HSL 317.1, 0.81%, 0.55%

LAB 54.71, 78.62, -27.38

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 80 / 65 / 9

HEX #E92F51

RGB 233 47 81

HSL 349.03, 0.81%, 0.55%

LAB 51.78, 69.96, 27.44

 

CMYK 0 / 73 / 80 / 9

HEX #E93E2F

RGB 233 62 47

HSL 4.84, 0.81%, 0.55%

LAB 52.92, 64.15, 47.94

 

CMYK 0 / 90 / 50 / 30

HEX #B3125A

RGB 179 18 90

HSL 333.17, 0.82%, 0.39%

LAB 39.16, 62.82, 2.93

 

CMYK 0 / 90 / 50 / 15

HEX #D8166D

RGB 216 22 109

HSL 333.09, 0.82%, 0.47%

LAB 47.34, 72.52, 3.76

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 65 / 36 / 7

HEX #ED5498

RGB 237 84 152

HSL 333.33, 0.81%, 0.63%

LAB 58.61, 64.48, -5.07

 

CMYK 0 / 50 / 27 / 5

HEX #F179AF

RGB 241 121 175

HSL 333, 0.81%, 0.71%

LAB 66.11, 51.97, -7.09

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 20 / 80 / 9

HEX #E9BA2F

RGB 233 186 47

HSL 44.84, 0.81%, 0.55%

LAB 77.67, 4.36, 70.88

 

CMYK 80 / 12 / 0 / 9

HEX #2FCDE9

RGB 47 205 233

HSL 189.03, 0.81%, 0.55%

LAB 76.16, -29.84, -25.1

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 44 / 0 / 80 / 9

HEX #82E92F

RGB 130 233 47

HSL 93.23, 0.81%, 0.55%

LAB 83.56, -58.06, 73.57

 

CMYK 80 / 44 / 0 / 9

HEX #2F82E9

RGB 47 130 233

HSL 213.23, 0.81%, 0.55%

LAB 54.5, 11.53, -59.04

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 0 / 20 / 80 / 9

HEX #E9BA2F

RGB 233 186 47

HSL 44.84, 0.81%, 0.55%

LAB 77.67, 4.36, 70.88

 

CMYK 80 / 0 / 36 / 9

HEX #2FE995

RGB 47 233 149

HSL 152.9, 0.81%, 0.55%

LAB 82.41, -63.29, 28.44

 

CMYK 80 / 60 / 0 / 9

HEX #2F5DE9

RGB 47 93 233

HSL 225.16, 0.81%, 0.55%

LAB 44.68, 34.81, -74.95

 

CMYK 0 / 80 / 44 / 9

HEX #E92F82

RGB 233 47 130

HSL 333.23, 0.81%, 0.55%

LAB 52.91, 73.38, -0.52

 

CMYK 4 / 0 / 80 / 9

HEX #DFE92F

RGB 223 233 47

HSL 63.23, 0.81%, 0.55%

LAB 89, -23.48, 80.48

 

CMYK 80 / 0 / 36 / 9

HEX #2FE995

RGB 47 233 149

HSL 152.9, 0.81%, 0.55%

LAB 82.41, -63.29, 28.44

 

CMYK 76 / 80 / 0 / 9

HEX #382FE9

RGB 56 47 233

HSL 242.9, 0.81%, 0.55%

LAB 35.51, 61.63, -90.04

 

Description

Color code: HEX #E92F82 | qconv.com Color code: HEX #E92F82 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 47 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 47 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 44% 9% C M Y K

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Provide designers and agencies with accurate color values.

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