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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93477 it is the complementary color #16CB88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93477 shade: #EE3472, #FF4685, #FF5898, #FF6AAB and #FF7CBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93477 shade: #E93477, #D82264, #C71051, #B6003E and #A5002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93477 shade: #E83577, #E83547 and #E83535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93477 shade: #E83577, #E835A7, #E835D8, #C835E8 and #9735E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93477 shade matches the following richer shades: #E83577 and #FA2272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93477 shade: #E83577, #D6477C, #C45980, #B26B85 and #9F7D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93477 shade: #E835D9, #E835A9, #E83579, #E83549 and #E84F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93477 shade: #B61450, #DB1860, #E83577, #EC5A90 and #F07FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93477 shade: #E93477, #E8C735 and #35C1E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93477 shade: #E93477, #79E835 and #3579E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93477 shade: #E93477, #E8C735, #35E8A3 and #3555E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93477 shade: #E93477, #D3E835, #35E8A3 and #4935E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

Complementary color

CMYK 89 / 0 / 33 / 20

HEX #16CB88

RGB 22 203 136

HSL 157.79, 0.8%, 0.44%

LAB 72.67, -57.07, 21.96

 

CMYK 0 / 78 / 52 / 7

HEX #EE3472

RGB 238 52 114

HSL 340, 0.85%, 0.57%

LAB 53.87, 72.06, 10.58

 

CMYK 0 / 73 / 48 / 0

HEX #FF4685

RGB 255 70 133

HSL 339.57, 1%, 0.64%

LAB 59.28, 72.75, 7.4

 

CMYK 0 / 65 / 40 / 0

HEX #FF5898

RGB 255 88 152

HSL 337.01, 1%, 0.67%

LAB 62.09, 68.1, 0.38

 

CMYK 0 / 58 / 33 / 0

HEX #FF6AAB

RGB 255 106 171

HSL 333.83, 1%, 0.71%

LAB 65.36, 62.75, -5.72

 

CMYK 0 / 51 / 25 / 0

HEX #FF7CBE

RGB 255 124 190

HSL 329.77, 1%, 0.74%

LAB 69.03, 56.94, -10.99

 

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

CMYK 0 / 84 / 54 / 15

HEX #D82264

RGB 216 34 100

HSL 338.24, 0.73%, 0.49%

LAB 47.83, 69.74, 10.01

 

CMYK 0 / 92 / 59 / 22

HEX #C71051

RGB 199 16 81

HSL 338.69, 0.85%, 0.42%

LAB 42.92, 67.33, 14.52

 

CMYK 0 / 100 / 66 / 29

HEX #B6003E

RGB 182 0 62

HSL 339.56, 1%, 0.36%

LAB 38.36, 63.87, 19.88

 

CMYK 0 / 100 / 74 / 35

HEX #A5002B

RGB 165 0 43

HSL 344.36, 1%, 0.32%

LAB 34.34, 58.82, 26.24

 

CMYK 0 / 77 / 49 / 9

HEX #E83577

RGB 232 53 119

HSL 337.88, 0.8%, 0.56%

LAB 52.99, 70.6, 6.18

 

CMYK 0 / 77 / 69 / 9

HEX #E83547

RGB 232 53 71

HSL 353.97, 0.8%, 0.56%

LAB 52.01, 67.55, 33.6

 

CMYK 0 / 77 / 77 / 9

HEX #E83535

RGB 232 53 53

HSL 0, 0.8%, 0.56%

LAB 51.79, 66.84, 43.56

 

CMYK 0 / 77 / 49 / 9

HEX #E83577

RGB 232 53 119

HSL 337.88, 0.8%, 0.56%

LAB 52.99, 70.6, 6.18

 

CMYK 0 / 77 / 28 / 9

HEX #E835A7

RGB 232 53 167

HSL 321.79, 0.8%, 0.56%

LAB 54.55, 75.33, -20.06

 

CMYK 0 / 77 / 7 / 9

HEX #E835D8

RGB 232 53 216

HSL 305.36, 0.8%, 0.56%

LAB 56.74, 81.69, -44.91

 

CMYK 14 / 77 / 0 / 9

HEX #C835E8

RGB 200 53 232

HSL 289.27, 0.8%, 0.56%

LAB 52.57, 78.08, -60.92

 

CMYK 35 / 77 / 0 / 9

HEX #9735E8

RGB 151 53 232

HSL 272.85, 0.8%, 0.56%

LAB 45.57, 69.68, -72.59

 

CMYK 0 / 77 / 49 / 9

HEX #E83577

RGB 232 53 119

HSL 337.88, 0.8%, 0.56%

LAB 52.99, 70.6, 6.18

 

CMYK 0 / 86 / 54 / 2

HEX #FA2272

RGB 250 34 114

HSL 337.78, 0.96%, 0.56%

LAB 54.74, 79, 12.15

 

CMYK 0 / 77 / 49 / 9

HEX #E83577

RGB 232 53 119

HSL 337.88, 0.8%, 0.56%

LAB 52.99, 70.6, 6.18

 

CMYK 0 / 67 / 42 / 16

HEX #D6477C

RGB 214 71 124

HSL 337.76, 0.64%, 0.56%

LAB 52.13, 59.97, 1.53

 

CMYK 0 / 55 / 35 / 23

HEX #C45980

RGB 196 89 128

HSL 338.13, 0.48%, 0.56%

LAB 52.33, 46.79, -0.91

 

CMYK 0 / 40 / 25 / 30

HEX #B26B85

RGB 178 107 133

HSL 338.03, 0.32%, 0.56%

LAB 53.68, 31.76, -2.18

 

CMYK 0 / 21 / 13 / 38

HEX #9F7D8A

RGB 159 125 138

HSL 337.06, 0.15%, 0.56%

LAB 55.96, 15.31, -2

 

CMYK 0 / 77 / 6 / 9

HEX #E835D9

RGB 232 53 217

HSL 305.03, 0.8%, 0.56%

LAB 56.79, 81.84, -45.39

 

CMYK 0 / 77 / 27 / 9

HEX #E835A9

RGB 232 53 169

HSL 321.12, 0.8%, 0.56%

LAB 54.62, 75.56, -21.11

 

CMYK 0 / 77 / 48 / 9

HEX #E83579

RGB 232 53 121

HSL 337.21, 0.8%, 0.56%

LAB 53.04, 70.77, 5.05

 

CMYK 0 / 77 / 69 / 9

HEX #E83549

RGB 232 53 73

HSL 353.3, 0.8%, 0.56%

LAB 52.04, 67.65, 32.47

 

CMYK 0 / 66 / 77 / 9

HEX #E84F35

RGB 232 79 53

HSL 8.72, 0.8%, 0.56%

LAB 55.08, 57.78, 46.98

 

CMYK 0 / 89 / 56 / 29

HEX #B61450

RGB 182 20 80

HSL 337.78, 0.8%, 0.4%

LAB 39.62, 62.47, 10.05

 

CMYK 0 / 89 / 56 / 14

HEX #DB1860

RGB 219 24 96

HSL 337.85, 0.8%, 0.48%

LAB 47.7, 72.01, 12.38

 

CMYK 0 / 77 / 49 / 9

HEX #E83577

RGB 232 53 119

HSL 337.88, 0.8%, 0.56%

LAB 52.99, 70.6, 6.18

 

CMYK 0 / 62 / 39 / 7

HEX #EC5A90

RGB 236 90 144

HSL 337.81, 0.79%, 0.64%

LAB 59.12, 60.88, 0.33

 

CMYK 0 / 47 / 30 / 6

HEX #F07FA9

RGB 240 127 169

HSL 337.7, 0.79%, 0.72%

LAB 66.95, 47.91, -2.48

 

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

CMYK 0 / 14 / 77 / 9

HEX #E8C735

RGB 232 199 53

HSL 48.94, 0.8%, 0.56%

LAB 80.88, -2.6, 71.82

 

CMYK 77 / 17 / 0 / 9

HEX #35C1E8

RGB 53 193 232

HSL 193.07, 0.8%, 0.56%

LAB 72.71, -23.63, -29.84

 

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

CMYK 48 / 0 / 77 / 9

HEX #79E835

RGB 121 232 53

HSL 97.21, 0.8%, 0.56%

LAB 82.93, -60.09, 71.16

 

CMYK 77 / 48 / 0 / 9

HEX #3579E8

RGB 53 121 232

HSL 217.21, 0.8%, 0.56%

LAB 52.13, 17.34, -62.29

 

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

CMYK 0 / 14 / 77 / 9

HEX #E8C735

RGB 232 199 53

HSL 48.94, 0.8%, 0.56%

LAB 80.88, -2.6, 71.82

 

CMYK 77 / 0 / 30 / 9

HEX #35E8A3

RGB 53 232 163

HSL 156.87, 0.8%, 0.56%

LAB 82.44, -59.44, 21.3

 

CMYK 77 / 63 / 0 / 9

HEX #3555E8

RGB 53 85 232

HSL 229.27, 0.8%, 0.56%

LAB 42.88, 39.98, -77.32

 

CMYK 0 / 78 / 49 / 9

HEX #E93477

RGB 233 52 119

HSL 337.79, 0.8%, 0.56%

LAB 53.07, 71.14, 6.32

 

CMYK 9 / 0 / 77 / 9

HEX #D3E835

RGB 211 232 53

HSL 67.04, 0.8%, 0.56%

LAB 87.88, -27.69, 77.54

 

CMYK 77 / 0 / 30 / 9

HEX #35E8A3

RGB 53 232 163

HSL 156.87, 0.8%, 0.56%

LAB 82.44, -59.44, 21.3

 

CMYK 69 / 77 / 0 / 9

HEX #4935E8

RGB 73 53 232

HSL 246.7, 0.8%, 0.56%

LAB 37.46, 59.78, -86.21

 

Description

Color code: HEX #E93477 | qconv.com Color code: HEX #E93477 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 52 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 52 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 49% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Globant | We Create ...
Link: https://www.globant.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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