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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93971 it is the complementary color #16C68E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93971. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93971 shade: #EE396C, #FF4B7F, #FF5D92, #FF6FA5 and #FF81B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93971. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93971 shade: #E93971, #D8275E, #C7154B, #B60338 and #A50025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93971 shade: #E93971, #E93942 and #E93939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93971 shade: #E93971, #E939A0, #E939D0, #D239E9 and #A339E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93971 shade matches the following richer shades: #E93971 and #FA276A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93971 shade: #E93971, #D74B77, #C55D7E, #B36E84 and #A2808B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93971 shade: #E939D1, #E939A2, #E93974, #E93945 and #E95C39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93971 shade: #BB1449, #E01858, #E93971, #ED5E8C and #F183A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93971 shade: #E93971, #E9D139 and #39BAE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93971 shade: #E93971, #74E939 and #3974E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93971 shade: #E93971, #E9D139, #39E9AE and #3951E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93971 shade: #E93971, #CBE939, #39E9AE and #5639E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

Complementary color

CMYK 89 / 0 / 28 / 22

HEX #16C68E

RGB 22 198 142

HSL 160.91, 0.8%, 0.43%

LAB 71.22, -53.87, 16.78

 

CMYK 0 / 76 / 55 / 7

HEX #EE396C

RGB 238 57 108

HSL 343.09, 0.84%, 0.58%

LAB 54.22, 70.22, 14.68

 

CMYK 0 / 71 / 50 / 0

HEX #FF4B7F

RGB 255 75 127

HSL 342.67, 1%, 0.65%

LAB 59.73, 70.6, 11.56

 

CMYK 0 / 64 / 43 / 0

HEX #FF5D92

RGB 255 93 146

HSL 340.37, 1%, 0.68%

LAB 62.65, 65.56, 4.66

 

CMYK 0 / 56 / 35 / 0

HEX #FF6FA5

RGB 255 111 165

HSL 337.5, 1%, 0.72%

LAB 66.02, 59.87, -1.34

 

CMYK 0 / 49 / 28 / 0

HEX #FF81B8

RGB 255 129 184

HSL 333.81, 1%, 0.75%

LAB 69.77, 53.78, -6.53

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 82 / 56 / 15

HEX #D8275E

RGB 216 39 94

HSL 341.36, 0.69%, 0.5%

LAB 48.08, 68.2, 14.05

 

CMYK 0 / 89 / 62 / 22

HEX #C7154B

RGB 199 21 75

HSL 341.8, 0.81%, 0.43%

LAB 43.04, 66.25, 18.45

 

CMYK 0 / 98 / 69 / 29

HEX #B60338

RGB 182 3 56

HSL 342.23, 0.97%, 0.36%

LAB 38.37, 63.24, 23.72

 

CMYK 0 / 100 / 78 / 35

HEX #A50025

RGB 165 0 37

HSL 346.55, 1%, 0.32%

LAB 34.26, 58.59, 29.92

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 76 / 72 / 9

HEX #E93942

RGB 233 57 66

HSL 356.93, 0.8%, 0.57%

LAB 52.56, 66.43, 37.18

 

CMYK 0 / 76 / 76 / 9

HEX #E93939

RGB 233 57 57

HSL 0, 0.8%, 0.57%

LAB 52.45, 66.08, 42.12

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 76 / 31 / 9

HEX #E939A0

RGB 233 57 160

HSL 324.89, 0.8%, 0.57%

LAB 54.85, 73.65, -15.46

 

CMYK 0 / 76 / 11 / 9

HEX #E939D0

RGB 233 57 208

HSL 308.52, 0.8%, 0.57%

LAB 56.88, 79.69, -40.12

 

CMYK 10 / 76 / 0 / 9

HEX #D239E9

RGB 210 57 233

HSL 292.16, 0.8%, 0.57%

LAB 54.57, 78.93, -58.19

 

CMYK 30 / 76 / 0 / 9

HEX #A339E9

RGB 163 57 233

HSL 276.14, 0.8%, 0.57%

LAB 47.75, 70.42, -69.54

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 84 / 58 / 2

HEX #FA276A

RGB 250 39 106

HSL 340.95, 0.95%, 0.57%

LAB 54.88, 77.57, 17.14

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 65 / 45 / 16

HEX #D74B77

RGB 215 75 119

HSL 341.14, 0.64%, 0.57%

LAB 52.74, 58.18, 5.43

 

CMYK 0 / 53 / 36 / 23

HEX #C55D7E

RGB 197 93 126

HSL 340.96, 0.47%, 0.57%

LAB 53.17, 44.92, 1.53

 

CMYK 0 / 39 / 26 / 30

HEX #B36E84

RGB 179 110 132

HSL 340.87, 0.31%, 0.57%

LAB 54.45, 30.33, -0.45

 

CMYK 0 / 21 / 14 / 36

HEX #A2808B

RGB 162 128 139

HSL 340.59, 0.15%, 0.57%

LAB 57.06, 14.9, -0.93

 

CMYK 0 / 76 / 10 / 9

HEX #E939D1

RGB 233 57 209

HSL 308.18, 0.8%, 0.57%

LAB 56.93, 79.83, -40.61

 

CMYK 0 / 76 / 30 / 9

HEX #E939A2

RGB 233 57 162

HSL 324.2, 0.8%, 0.57%

LAB 54.93, 73.87, -16.52

 

CMYK 0 / 76 / 50 / 9

HEX #E93974

RGB 233 57 116

HSL 339.89, 0.8%, 0.57%

LAB 53.5, 69.46, 8.74

 

CMYK 0 / 76 / 70 / 9

HEX #E93945

RGB 233 57 69

HSL 355.91, 0.8%, 0.57%

LAB 52.6, 66.56, 35.5

 

CMYK 0 / 61 / 76 / 9

HEX #E95C39

RGB 233 92 57

HSL 11.93, 0.8%, 0.57%

LAB 57.34, 52.77, 47.34

 

CMYK 0 / 89 / 61 / 27

HEX #BB1449

RGB 187 20 73

HSL 340.96, 0.81%, 0.41%

LAB 40.49, 63.27, 15.86

 

CMYK 0 / 89 / 61 / 12

HEX #E01858

RGB 224 24 88

HSL 340.8, 0.81%, 0.49%

LAB 48.52, 72.72, 18.59

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 60 / 41 / 7

HEX #ED5E8C

RGB 237 94 140

HSL 340.7, 0.8%, 0.65%

LAB 59.8, 59.06, 3.67

 

CMYK 0 / 46 / 31 / 5

HEX #F183A6

RGB 241 131 166

HSL 340.91, 0.8%, 0.73%

LAB 67.79, 45.87, 0.45

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 10 / 76 / 9

HEX #E9D139

RGB 233 209 57

HSL 51.82, 0.8%, 0.57%

LAB 83.56, -7.13, 73.01

 

CMYK 76 / 20 / 0 / 9

HEX #39BAE9

RGB 57 186 233

HSL 196.02, 0.8%, 0.57%

LAB 70.78, -19.28, -33.36

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 50 / 0 / 76 / 9

HEX #74E939

RGB 116 233 57

HSL 99.89, 0.8%, 0.57%

LAB 83.07, -61.66, 70

 

CMYK 76 / 50 / 0 / 9

HEX #3974E9

RGB 57 116 233

HSL 219.89, 0.8%, 0.57%

LAB 50.97, 21.28, -64.71

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 0 / 10 / 76 / 9

HEX #E9D139

RGB 233 209 57

HSL 51.82, 0.8%, 0.57%

LAB 83.56, -7.13, 73.01

 

CMYK 76 / 0 / 25 / 9

HEX #39E9AE

RGB 57 233 174

HSL 159.89, 0.8%, 0.57%

LAB 83.02, -56.97, 16.4

 

CMYK 76 / 65 / 0 / 9

HEX #3951E9

RGB 57 81 233

HSL 231.82, 0.8%, 0.57%

LAB 42.21, 43.16, -78.98

 

CMYK 0 / 76 / 52 / 9

HEX #E93971

RGB 233 57 113

HSL 340.91, 0.8%, 0.57%

LAB 53.43, 69.23, 10.44

 

CMYK 13 / 0 / 76 / 9

HEX #CBE939

RGB 203 233 57

HSL 70.23, 0.8%, 0.57%

LAB 87.62, -31.21, 75.92

 

CMYK 76 / 0 / 25 / 9

HEX #39E9AE

RGB 57 233 174

HSL 159.89, 0.8%, 0.57%

LAB 83.02, -56.97, 16.4

 

CMYK 63 / 76 / 0 / 9

HEX #5639E9

RGB 86 57 233

HSL 249.89, 0.8%, 0.57%

LAB 39.22, 59.42, -83.84

 

Description

Color code: HEX #E93971 | qconv.com Color code: HEX #E93971 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 57 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 57 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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