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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E939E3 it is the complementary color #16C61C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E939E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E939E3 shade: #EE39DE, #FF4BF1, #FF5DFF, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E939E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E939E3 shade: #E939E3, #D827D0, #C715BD, #B603AA and #A50097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E939E3 shade: #E939E3, #E939B3, #E93984, #E93955 and #E93939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E939E3 shade: #E939E3, #BF39E9, #9039E9, #6139E9 and #3939E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E939E3 shade matches the following richer shades: #E939E3 and #FA27F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E939E3 shade: #E939E3, #D74BD2, #C55DC2, #B36EB1 and #A280A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E939E3 shade: #9139E9, #C039E9, #E939E3, #E939B4 and #E93985

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E939E3 shade: #BB14B5, #E018D9, #E939E3, #ED5EE8 and #F183ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E939E3 shade: #E939E3, #E96239 and #39E9A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E939E3 shade: #E939E3, #E3E939 and #39E3E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E939E3 shade: #E939E3, #E96239, #39E93F and #39C0E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E939E3 shade: #E939E3, #E99739, #39E93F and #398BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

Complementary color

CMYK 89 / 0 / 86 / 22

HEX #16C61C

RGB 22 198 28

HSL 122.05, 0.8%, 0.43%

LAB 69.92, -69.37, 64.9

 

CMYK 0 / 76 / 7 / 7

HEX #EE39DE

RGB 238 57 222

HSL 305.3, 0.84%, 0.58%

LAB 58.39, 82.72, -45.63

 

CMYK 0 / 71 / 5 / 0

HEX #FF4BF1

RGB 255 75 241

HSL 304.67, 1%, 0.65%

LAB 63.87, 83.77, -47.44

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 82 / 4 / 15

HEX #D827D0

RGB 216 39 208

HSL 302.71, 0.69%, 0.5%

LAB 52.51, 80.71, -47.22

 

CMYK 0 / 89 / 5 / 22

HEX #C715BD

RGB 199 21 189

HSL 303.37, 0.81%, 0.43%

LAB 47.43, 78.02, -44.48

 

CMYK 0 / 98 / 7 / 29

HEX #B603AA

RGB 182 3 170

HSL 304.02, 0.97%, 0.36%

LAB 42.63, 74.25, -41.1

 

CMYK 0 / 100 / 8 / 35

HEX #A50097

RGB 165 0 151

HSL 305.09, 1%, 0.32%

LAB 38.26, 68.89, -36.8

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 76 / 23 / 9

HEX #E939B3

RGB 233 57 179

HSL 318.41, 0.8%, 0.57%

LAB 55.59, 75.87, -25.45

 

CMYK 0 / 76 / 43 / 9

HEX #E93984

RGB 233 57 132

HSL 334.43, 0.8%, 0.57%

LAB 53.94, 70.83, -0.22

 

CMYK 0 / 76 / 64 / 9

HEX #E93955

RGB 233 57 85

HSL 350.45, 0.8%, 0.57%

LAB 52.85, 67.37, 26.42

 

CMYK 0 / 76 / 76 / 9

HEX #E93939

RGB 233 57 57

HSL 0, 0.8%, 0.57%

LAB 52.45, 66.08, 42.12

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 18 / 76 / 0 / 9

HEX #BF39E9

RGB 191 57 233

HSL 285.68, 0.8%, 0.57%

LAB 51.71, 75.39, -62.94

 

CMYK 38 / 76 / 0 / 9

HEX #9039E9

RGB 144 57 233

HSL 269.66, 0.8%, 0.57%

LAB 45.27, 67.28, -73.67

 

CMYK 58 / 76 / 0 / 9

HEX #6139E9

RGB 97 57 233

HSL 253.64, 0.8%, 0.57%

LAB 40.17, 60.66, -82.25

 

CMYK 76 / 76 / 0 / 9

HEX #3939E9

RGB 57 57 233

HSL 240, 0.8%, 0.57%

LAB 37.26, 56.81, -87.14

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 84 / 3 / 2

HEX #FA27F3

RGB 250 39 243

HSL 301.99, 0.95%, 0.57%

LAB 60.11, 91.92, -54.56

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 65 / 2 / 16

HEX #D74BD2

RGB 215 75 210

HSL 302.14, 0.64%, 0.57%

LAB 56.22, 70.07, -42.5

 

CMYK 0 / 53 / 2 / 23

HEX #C55DC2

RGB 197 93 194

HSL 301.73, 0.47%, 0.57%

LAB 55.68, 55.06, -34.39

 

CMYK 0 / 39 / 1 / 30

HEX #B36EB1

RGB 179 110 177

HSL 301.74, 0.31%, 0.57%

LAB 56, 37.87, -24.31

 

CMYK 0 / 21 / 1 / 36

HEX #A280A0

RGB 162 128 160

HSL 303.53, 0.15%, 0.57%

LAB 57.71, 18.75, -12.08

 

CMYK 38 / 76 / 0 / 9

HEX #9139E9

RGB 145 57 233

HSL 270, 0.8%, 0.57%

LAB 45.4, 67.44, -73.46

 

CMYK 18 / 76 / 0 / 9

HEX #C039E9

RGB 192 57 233

HSL 286.02, 0.8%, 0.57%

LAB 51.86, 75.57, -62.69

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 76 / 23 / 9

HEX #E939B4

RGB 233 57 180

HSL 318.07, 0.8%, 0.57%

LAB 55.63, 76, -25.96

 

CMYK 0 / 76 / 43 / 9

HEX #E93985

RGB 233 57 133

HSL 334.09, 0.8%, 0.57%

LAB 53.97, 70.92, -0.77

 

CMYK 0 / 89 / 3 / 27

HEX #BB14B5

RGB 187 20 181

HSL 302.16, 0.81%, 0.41%

LAB 44.8, 74.85, -44.1

 

CMYK 0 / 89 / 3 / 12

HEX #E018D9

RGB 224 24 217

HSL 302.1, 0.81%, 0.49%

LAB 53.5, 86, -50.7

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 60 / 2 / 7

HEX #ED5EE8

RGB 237 94 232

HSL 302.1, 0.8%, 0.65%

LAB 63.21, 71.41, -43.66

 

CMYK 0 / 46 / 2 / 5

HEX #F183ED

RGB 241 131 237

HSL 302.18, 0.8%, 0.73%

LAB 70.21, 56.56, -35.44

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 58 / 76 / 9

HEX #E96239

RGB 233 98 57

HSL 13.98, 0.8%, 0.57%

LAB 58.37, 50.06, 48.42

 

CMYK 76 / 0 / 28 / 9

HEX #39E9A8

RGB 57 233 168

HSL 157.84, 0.8%, 0.57%

LAB 82.9, -58.29, 19.36

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 3 / 0 / 76 / 9

HEX #E3E939

RGB 227 233 57

HSL 62.05, 0.8%, 0.57%

LAB 89.35, -21.49, 78.15

 

CMYK 76 / 3 / 0 / 9

HEX #39E3E9

RGB 57 227 233

HSL 182.05, 0.8%, 0.57%

LAB 82.75, -39.25, -15.11

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 58 / 76 / 9

HEX #E96239

RGB 233 98 57

HSL 13.98, 0.8%, 0.57%

LAB 58.37, 50.06, 48.42

 

CMYK 76 / 0 / 73 / 9

HEX #39E93F

RGB 57 233 63

HSL 122.05, 0.8%, 0.57%

LAB 81.57, -73.73, 66.05

 

CMYK 76 / 18 / 0 / 9

HEX #39C0E9

RGB 57 192 233

HSL 193.98, 0.8%, 0.57%

LAB 72.53, -22.38, -30.66

 

CMYK 0 / 76 / 3 / 9

HEX #E939E3

RGB 233 57 227

HSL 302.05, 0.8%, 0.57%

LAB 57.84, 82.45, -49.37

 

CMYK 0 / 35 / 76 / 9

HEX #E99739

RGB 233 151 57

HSL 32.05, 0.8%, 0.57%

LAB 69.29, 23.24, 59.45

 

CMYK 76 / 0 / 73 / 9

HEX #39E93F

RGB 57 233 63

HSL 122.05, 0.8%, 0.57%

LAB 81.57, -73.73, 66.05

 

CMYK 76 / 40 / 0 / 9

HEX #398BE9

RGB 57 139 233

HSL 212.05, 0.8%, 0.57%

LAB 57.29, 7.12, -54.57

 

Description

Color code: HEX #E939E3 | qconv.com Color code: HEX #E939E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 57 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 57 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 3% 9% C M Y K

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Provide designers and agencies with accurate color values.

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