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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E93AF2 it is the complementary color #16C50D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E93AF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E93AF2 shade: #EE3AED, #FF4CFF, #FF5EFF, #FF70FF and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E93AF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E93AF2 shade: #E93AF2, #D828DF, #C716CC, #B604B9 and #A500A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E93AF2 shade: #E93AF2, #F23AC9, #F23A98, #F23A66 and #F23A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E93AF2 shade: #E93AF2, #B73AF2, #863AF2, #543AF2 and #3A3AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E93AF2 shade matches the following richer shades: #E93AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E93AF2 shade: #E93AF2, #DA4BE1, #CA5CD0, #BB6DBF and #AC7EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E93AF2 shade: #873AF2, #B83AF2, #E93AF2, #F23ACA and #F23A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E93AF2 shade: #C30DCD, #E513EF, #E93AF2, #ED61F4 and #F188F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E93AF2 shade: #E93AF2, #F2563A and #3AF29F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E93AF2 shade: #E93AF2, #F2E93A and #3AF2E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E93AF2 shade: #E93AF2, #F2563A, #43F23A and #3AD6F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E93AF2 shade: #E93AF2, #F28D3A, #43F23A and #3A9FF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

Complementary color

CMYK 89 / 0 / 93 / 23

HEX #16C50D

RGB 22 197 13

HSL 117.07, 0.88%, 0.41%

LAB 69.56, -69.59, 67.2

 

CMYK 0 / 76 / 0 / 7

HEX #EE3AED

RGB 238 58 237

HSL 300.33, 0.84%, 0.58%

LAB 59.27, 84.67, -52.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 3 / 82 / 0 / 13

HEX #D828DF

RGB 216 40 223

HSL 297.7, 0.74%, 0.52%

LAB 53.43, 82.76, -54.3

 

CMYK 2 / 89 / 0 / 20

HEX #C716CC

RGB 199 22 204

HSL 298.35, 0.81%, 0.44%

LAB 48.36, 80.1, -51.72

 

CMYK 2 / 98 / 0 / 27

HEX #B604B9

RGB 182 4 185

HSL 299.01, 0.96%, 0.37%

LAB 43.56, 76.34, -48.5

 

CMYK 1 / 100 / 0 / 35

HEX #A500A6

RGB 165 0 166

HSL 299.64, 1%, 0.33%

LAB 39.16, 71.08, -44.42

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 76 / 17 / 5

HEX #F23AC9

RGB 242 58 201

HSL 313.37, 0.88%, 0.59%

LAB 58.15, 80.41, -34.03

 

CMYK 0 / 76 / 37 / 5

HEX #F23A98

RGB 242 58 152

HSL 329.35, 0.88%, 0.59%

LAB 56.26, 74.74, -8.48

 

CMYK 0 / 76 / 58 / 5

HEX #F23A66

RGB 242 58 102

HSL 345.65, 0.88%, 0.59%

LAB 54.93, 70.6, 19.35

 

CMYK 0 / 76 / 76 / 5

HEX #F23A3A

RGB 242 58 58

HSL 0, 0.88%, 0.59%

LAB 54.25, 68.42, 44.01

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 24 / 76 / 0 / 5

HEX #B73AF2

RGB 183 58 242

HSL 280.76, 0.88%, 0.59%

LAB 51.27, 75.34, -68.76

 

CMYK 45 / 76 / 0 / 5

HEX #863AF2

RGB 134 58 242

HSL 264.78, 0.88%, 0.59%

LAB 44.95, 67.47, -79.33

 

CMYK 65 / 76 / 0 / 5

HEX #543AF2

RGB 84 58 242

HSL 248.48, 0.88%, 0.59%

LAB 40.12, 61.33, -87.45

 

CMYK 76 / 76 / 0 / 5

HEX #3A3AF2

RGB 58 58 242

HSL 240, 0.88%, 0.59%

LAB 38.44, 59.15, -90.28

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 3 / 67 / 0 / 12

HEX #DA4BE1

RGB 218 75 225

HSL 297.2, 0.71%, 0.59%

LAB 57.44, 73.21, -49.03

 

CMYK 3 / 56 / 0 / 18

HEX #CA5CD0

RGB 202 92 208

HSL 296.9, 0.55%, 0.59%

LAB 56.85, 59.36, -40.5

 

CMYK 2 / 43 / 0 / 25

HEX #BB6DBF

RGB 187 109 191

HSL 297.07, 0.39%, 0.59%

LAB 57.33, 43.54, -30.2

 

CMYK 1 / 28 / 0 / 32

HEX #AC7EAE

RGB 172 126 174

HSL 297.5, 0.23%, 0.59%

LAB 58.74, 26.09, -18.45

 

CMYK 44 / 76 / 0 / 5

HEX #873AF2

RGB 135 58 242

HSL 265.11, 0.88%, 0.59%

LAB 45.06, 67.62, -79.14

 

CMYK 24 / 76 / 0 / 5

HEX #B83AF2

RGB 184 58 242

HSL 281.09, 0.88%, 0.59%

LAB 51.41, 75.52, -68.52

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 76 / 17 / 5

HEX #F23ACA

RGB 242 58 202

HSL 313.04, 0.88%, 0.59%

LAB 58.2, 80.54, -34.53

 

CMYK 0 / 76 / 37 / 5

HEX #F23A99

RGB 242 58 153

HSL 329.02, 0.88%, 0.59%

LAB 56.29, 74.84, -9.02

 

CMYK 5 / 94 / 0 / 20

HEX #C30DCD

RGB 195 13 205

HSL 296.88, 0.88%, 0.43%

LAB 47.36, 80.67, -53.92

 

CMYK 4 / 92 / 0 / 6

HEX #E513EF

RGB 229 19 239

HSL 297.27, 0.87%, 0.51%

LAB 55.44, 90.6, -60

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 3 / 60 / 0 / 4

HEX #ED61F4

RGB 237 97 244

HSL 297.14, 0.87%, 0.67%

LAB 64.23, 72.17, -48.7

 

CMYK 2 / 45 / 0 / 3

HEX #F188F7

RGB 241 136 247

HSL 296.76, 0.87%, 0.75%

LAB 71.57, 55.86, -38.8

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 64 / 76 / 5

HEX #F2563A

RGB 242 86 58

HSL 9.13, 0.88%, 0.59%

LAB 57.88, 58.43, 47.86

 

CMYK 76 / 0 / 34 / 5

HEX #3AF29F

RGB 58 242 159

HSL 152.93, 0.88%, 0.59%

LAB 85.46, -63.39, 27.49

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 4 / 76 / 5

HEX #F2E93A

RGB 242 233 58

HSL 57.07, 0.88%, 0.59%

LAB 90.53, -15.27, 79.37

 

CMYK 76 / 0 / 4 / 5

HEX #3AF2E9

RGB 58 242 233

HSL 177.07, 0.88%, 0.59%

LAB 87.14, -45.82, -8.56

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 64 / 76 / 5

HEX #F2563A

RGB 242 86 58

HSL 9.13, 0.88%, 0.59%

LAB 57.88, 58.43, 47.86

 

CMYK 72 / 0 / 76 / 5

HEX #43F23A

RGB 67 242 58

HSL 117.07, 0.88%, 0.59%

LAB 84.49, -75.32, 70.62

 

CMYK 76 / 12 / 0 / 5

HEX #3AD6F2

RGB 58 214 242

HSL 189.13, 0.88%, 0.59%

LAB 79.27, -30.37, -25.15

 

CMYK 4 / 76 / 0 / 5

HEX #E93AF2

RGB 233 58 242

HSL 297.07, 0.88%, 0.59%

LAB 58.75, 84.48, -56.33

 

CMYK 0 / 42 / 76 / 5

HEX #F28D3A

RGB 242 141 58

HSL 27.07, 0.88%, 0.59%

LAB 68.19, 32.23, 58.33

 

CMYK 72 / 0 / 76 / 5

HEX #43F23A

RGB 67 242 58

HSL 117.07, 0.88%, 0.59%

LAB 84.49, -75.32, 70.62

 

CMYK 76 / 34 / 0 / 5

HEX #3A9FF2

RGB 58 159 242

HSL 207.07, 0.88%, 0.59%

LAB 63.43, -1.3, -49.78

 

Description

Color code: HEX #E93AF2 | qconv.com Color code: HEX #E93AF2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 58 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 58 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 76 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 76% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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