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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E94C92 it is the complementary color #16B36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E94C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E94C92 shade: #EE4C8D, #FF5EA0, #FF70B3, #FF82C6 and #FF94D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E94C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E94C92 shade: #E94C92, #D83A7F, #C7286C, #B61659 and #A50446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E94C92 shade: #E94D93, #E94D69 and #E94D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E94C92 shade: #E94D93, #E94DBC, #E94DE6, #C14DE9 and #974DE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E94C92 shade matches the following richer shades: #E94D93 and #F93D91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E94C92 shade: #E94D93, #D95E94, #C86E96, #B87E98 and #A88E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E94C92 shade: #E94DE6, #E94DBD, #E94D93, #E94D6A and #E95A4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E94C92 shade: #CB1968, #E4297C, #E94D93, #ED72A9 and #F297BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E94C92 shade: #E94C92, #E9C24D and #4DD1E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E94C92 shade: #E94C92, #93E94D and #4D93E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E94C92 shade: #E94C92, #E9C24D, #4DE9A3 and #4D74E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E94C92 shade: #E94C92, #E1E94D, #4DE9A3 and #554DE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

Complementary color

CMYK 88 / 0 / 39 / 30

HEX #16B36D

RGB 22 179 109

HSL 153.25, 0.78%, 0.39%

LAB 64.58, -53.88, 25.38

 

CMYK 0 / 68 / 41 / 7

HEX #EE4C8D

RGB 238 76 141

HSL 335.93, 0.83%, 0.62%

LAB 57.34, 66.69, -0.48

 

CMYK 0 / 63 / 37 / 0

HEX #FF5EA0

RGB 255 94 160

HSL 335.4, 1%, 0.68%

LAB 63.18, 66.56, -2.64

 

CMYK 0 / 56 / 30 / 0

HEX #FF70B3

RGB 255 112 179

HSL 331.89, 1%, 0.72%

LAB 66.6, 61.06, -8.43

 

CMYK 0 / 49 / 22 / 0

HEX #FF82C6

RGB 255 130 198

HSL 327.36, 1%, 0.75%

LAB 70.39, 55.16, -13.43

 

CMYK 0 / 42 / 15 / 0

HEX #FF94D9

RGB 255 148 217

HSL 321.31, 1%, 0.79%

LAB 74.48, 49.07, -17.77

 

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

CMYK 0 / 73 / 41 / 15

HEX #D83A7F

RGB 216 58 127

HSL 333.8, 0.67%, 0.54%

LAB 50.87, 65.52, -2.07

 

CMYK 0 / 80 / 46 / 22

HEX #C7286C

RGB 199 40 108

HSL 334.34, 0.67%, 0.47%

LAB 45.28, 64.62, 0.98

 

CMYK 0 / 88 / 51 / 29

HEX #B61659

RGB 182 22 89

HSL 334.88, 0.78%, 0.4%

LAB 39.98, 62.79, 4.82

 

CMYK 0 / 98 / 58 / 35

HEX #A50446

RGB 165 4 70

HSL 335.4, 0.95%, 0.33%

LAB 35.06, 59.77, 9.62

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 67 / 55 / 9

HEX #E94D69

RGB 233 77 105

HSL 349.23, 0.78%, 0.61%

LAB 55.74, 61.72, 18.4

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 67 / 19 / 9

HEX #E94DBC

RGB 233 77 188

HSL 317.31, 0.78%, 0.61%

LAB 58.29, 70.47, -26.49

 

CMYK 0 / 67 / 1 / 9

HEX #E94DE6

RGB 233 77 230

HSL 301.15, 0.78%, 0.61%

LAB 60.2, 76.64, -47.32

 

CMYK 17 / 67 / 0 / 9

HEX #C14DE9

RGB 193 77 233

HSL 284.62, 0.78%, 0.61%

LAB 54.58, 68.43, -58.3

 

CMYK 35 / 67 / 0 / 9

HEX #974DE9

RGB 151 77 233

HSL 268.46, 0.78%, 0.61%

LAB 49.22, 59.8, -67.22

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 76 / 42 / 2

HEX #F93D91

RGB 249 61 145

HSL 333.19, 0.94%, 0.61%

LAB 57.58, 74.97, -2.26

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 57 / 32 / 15

HEX #D95E94

RGB 217 94 148

HSL 333.66, 0.62%, 0.61%

LAB 56.97, 53.68, -5.5

 

CMYK 0 / 45 / 25 / 22

HEX #C86E96

RGB 200 110 150

HSL 333.33, 0.45%, 0.61%

LAB 57.69, 40.42, -5.87

 

CMYK 0 / 32 / 17 / 28

HEX #B87E98

RGB 184 126 152

HSL 333.1, 0.29%, 0.61%

LAB 59.32, 26.38, -4.82

 

CMYK 0 / 15 / 8 / 34

HEX #A88E9A

RGB 168 142 154

HSL 332.31, 0.13%, 0.61%

LAB 61.66, 11.85, -2.71

 

CMYK 0 / 67 / 1 / 9

HEX #E94DE6

RGB 233 77 230

HSL 301.15, 0.78%, 0.61%

LAB 60.2, 76.64, -47.32

 

CMYK 0 / 67 / 19 / 9

HEX #E94DBD

RGB 233 77 189

HSL 316.92, 0.78%, 0.61%

LAB 58.33, 70.6, -27

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 67 / 55 / 9

HEX #E94D6A

RGB 233 77 106

HSL 348.85, 0.78%, 0.61%

LAB 55.76, 61.8, 17.84

 

CMYK 0 / 61 / 67 / 9

HEX #E95A4D

RGB 233 90 77

HSL 5, 0.78%, 0.61%

LAB 57.24, 54.57, 36.51

 

CMYK 0 / 88 / 49 / 20

HEX #CB1968

RGB 203 25 104

HSL 333.37, 0.78%, 0.45%

LAB 44.79, 68.58, 2.85

 

CMYK 0 / 82 / 46 / 11

HEX #E4297C

RGB 228 41 124

HSL 333.37, 0.78%, 0.53%

LAB 51.31, 73.07, 0.64

 

CMYK 0 / 67 / 37 / 9

HEX #E94D93

RGB 233 77 147

HSL 333.08, 0.78%, 0.61%

LAB 56.82, 65.52, -4.87

 

CMYK 0 / 52 / 29 / 7

HEX #ED72A9

RGB 237 114 169

HSL 333.17, 0.77%, 0.69%

LAB 64.08, 53.27, -6.76

 

CMYK 0 / 38 / 21 / 5

HEX #F297BF

RGB 242 151 191

HSL 333.63, 0.78%, 0.77%

LAB 72.74, 39.36, -6.2

 

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

CMYK 0 / 17 / 67 / 9

HEX #E9C24D

RGB 233 194 77

HSL 45, 0.78%, 0.61%

LAB 79.87, 1.5, 61.86

 

CMYK 67 / 10 / 0 / 9

HEX #4DD1E9

RGB 77 209 233

HSL 189.23, 0.78%, 0.61%

LAB 77.91, -28.33, -22.38

 

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

CMYK 37 / 0 / 67 / 9

HEX #93E94D

RGB 147 233 77

HSL 93.08, 0.78%, 0.61%

LAB 84.49, -50.78, 64.88

 

CMYK 67 / 37 / 0 / 9

HEX #4D93E9

RGB 77 147 233

HSL 213.08, 0.78%, 0.61%

LAB 60.18, 5.11, -49.92

 

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

CMYK 0 / 17 / 67 / 9

HEX #E9C24D

RGB 233 194 77

HSL 45, 0.78%, 0.61%

LAB 79.87, 1.5, 61.86

 

CMYK 67 / 0 / 30 / 9

HEX #4DE9A3

RGB 77 233 163

HSL 153.08, 0.78%, 0.61%

LAB 83.18, -56.55, 22.39

 

CMYK 67 / 50 / 0 / 9

HEX #4D74E9

RGB 77 116 233

HSL 225, 0.78%, 0.61%

LAB 51.78, 23.92, -63.36

 

CMYK 0 / 67 / 37 / 9

HEX #E94C92

RGB 233 76 146

HSL 333.25, 0.78%, 0.61%

LAB 56.65, 65.79, -4.53

 

CMYK 3 / 0 / 67 / 9

HEX #E1E94D

RGB 225 233 77

HSL 63.08, 0.78%, 0.61%

LAB 89.31, -21.39, 71.36

 

CMYK 67 / 0 / 30 / 9

HEX #4DE9A3

RGB 77 233 163

HSL 153.08, 0.78%, 0.61%

LAB 83.18, -56.55, 22.39

 

CMYK 64 / 67 / 0 / 9

HEX #554DE9

RGB 85 77 233

HSL 243.08, 0.78%, 0.61%

LAB 42.95, 48.71, -77.71

 

Description

Color code: HEX #E94C92 | qconv.com Color code: HEX #E94C92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 76 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 76 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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