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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E94DDE it is the complementary color #16B221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E94DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E94DDE shade: #EE4DD9, #FF5FEC, #FF71FF, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E94DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E94DDE shade: #E94DDE, #D83BCB, #C729B8, #B617A5 and #A50592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E94DDE shade: #E94DDE, #E94DB4, #E94D8A, #E94D60 and #E94D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E94DDE shade: #E94DDE, #CA4DE9, #A04DE9, #764DE9 and #4D4DE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E94DDE shade matches the following richer shades: #E94DDE and #F93DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E94DDE shade: #E94DDE, #D95ED0, #C86EC2, #B87EB4 and #A88EA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E94DDE shade: #A04DE9, #CA4DE9, #E94DDE, #E94DB5 and #E94D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E94DDE shade: #CB19BE, #E429D7, #E94DDE, #ED72E4 and #F297EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E94DDE shade: #E94DDE, #E9774D and #4DE9B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E94DDE shade: #E94DDE, #DEE94D and #4DDEE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E94DDE shade: #E94DDE, #E9774D, #4DE958 and #4DBFE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E94DDE shade: #E94DDE, #E9A54D, #4DE958 and #4D91E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

Complementary color

CMYK 88 / 0 / 81 / 30

HEX #16B221

RGB 22 178 33

HSL 124.23, 0.78%, 0.39%

LAB 63.44, -63.36, 57.75

 

CMYK 0 / 68 / 9 / 7

HEX #EE4DD9

RGB 238 77 217

HSL 307.83, 0.83%, 0.62%

LAB 60.33, 75.78, -39.75

 

CMYK 0 / 63 / 7 / 0

HEX #FF5FEC

RGB 255 95 236

HSL 307.13, 1%, 0.69%

LAB 66.14, 76, -41.1

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 73 / 6 / 15

HEX #D83BCB

RGB 216 59 203

HSL 304.97, 0.67%, 0.54%

LAB 54.07, 74.73, -41.89

 

CMYK 0 / 79 / 8 / 22

HEX #C729B8

RGB 199 41 184

HSL 305.7, 0.66%, 0.47%

LAB 48.5, 73.41, -39.87

 

CMYK 0 / 87 / 9 / 29

HEX #B617A5

RGB 182 23 165

HSL 306.42, 0.78%, 0.4%

LAB 43.17, 71.13, -37.25

 

CMYK 0 / 97 / 12 / 35

HEX #A50592

RGB 165 5 146

HSL 307.13, 0.94%, 0.33%

LAB 38.17, 67.63, -33.89

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 67 / 23 / 9

HEX #E94DB4

RGB 233 77 180

HSL 320.38, 0.78%, 0.61%

LAB 57.97, 69.41, -22.37

 

CMYK 0 / 67 / 41 / 9

HEX #E94D8A

RGB 233 77 138

HSL 336.54, 0.78%, 0.61%

LAB 56.55, 64.59, 0.04

 

CMYK 0 / 67 / 59 / 9

HEX #E94D60

RGB 233 77 96

HSL 352.69, 0.78%, 0.61%

LAB 55.56, 61.09, 23.46

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 13 / 67 / 0 / 9

HEX #CA4DE9

RGB 202 77 233

HSL 288.08, 0.78%, 0.61%

LAB 55.83, 70.36, -56.22

 

CMYK 31 / 67 / 0 / 9

HEX #A04DE9

RGB 160 77 233

HSL 271.92, 0.78%, 0.61%

LAB 50.29, 61.58, -65.43

 

CMYK 49 / 67 / 0 / 9

HEX #764DE9

RGB 118 77 233

HSL 255.77, 0.78%, 0.61%

LAB 45.69, 53.73, -73.11

 

CMYK 67 / 67 / 0 / 9

HEX #4D4DE9

RGB 77 77 233

HSL 240, 0.78%, 0.61%

LAB 42.41, 47.7, -78.61

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 76 / 5 / 2

HEX #F93DEC

RGB 249 61 236

HSL 304.15, 0.94%, 0.61%

LAB 61.25, 85.88, -48.86

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 57 / 4 / 15

HEX #D95ED0

RGB 217 94 208

HSL 304.39, 0.62%, 0.61%

LAB 59.26, 62.4, -36.57

 

CMYK 0 / 45 / 3 / 22

HEX #C86EC2

RGB 200 110 194

HSL 304, 0.45%, 0.61%

LAB 59.28, 47.51, -28.77

 

CMYK 0 / 32 / 2 / 28

HEX #B87EB4

RGB 184 126 180

HSL 304.14, 0.29%, 0.61%

LAB 60.25, 31.28, -19.46

 

CMYK 0 / 15 / 1 / 34

HEX #A88EA6

RGB 168 142 166

HSL 304.62, 0.13%, 0.61%

LAB 62.02, 14.08, -8.99

 

CMYK 31 / 67 / 0 / 9

HEX #A04DE9

RGB 160 77 233

HSL 271.92, 0.78%, 0.61%

LAB 50.29, 61.58, -65.43

 

CMYK 13 / 67 / 0 / 9

HEX #CA4DE9

RGB 202 77 233

HSL 288.08, 0.78%, 0.61%

LAB 55.83, 70.36, -56.22

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 67 / 22 / 9

HEX #E94DB5

RGB 233 77 181

HSL 320, 0.78%, 0.61%

LAB 58.01, 69.54, -22.88

 

CMYK 0 / 67 / 40 / 9

HEX #E94D8C

RGB 233 77 140

HSL 335.77, 0.78%, 0.61%

LAB 56.61, 64.79, -1.06

 

CMYK 0 / 88 / 6 / 20

HEX #CB19BE

RGB 203 25 190

HSL 304.38, 0.78%, 0.45%

LAB 48.4, 78.3, -43.49

 

CMYK 0 / 82 / 6 / 11

HEX #E429D7

RGB 228 41 215

HSL 304.17, 0.78%, 0.53%

LAB 55.06, 83.57, -47.05

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 52 / 4 / 7

HEX #ED72E4

RGB 237 114 228

HSL 304.39, 0.77%, 0.69%

LAB 66.24, 62.02, -36.68

 

CMYK 0 / 38 / 3 / 5

HEX #F297EB

RGB 242 151 235

HSL 304.62, 0.78%, 0.77%

LAB 74.2, 46.44, -28.19

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 49 / 67 / 9

HEX #E9774D

RGB 233 119 77

HSL 16.15, 0.78%, 0.61%

LAB 62.55, 40.86, 42.78

 

CMYK 67 / 0 / 22 / 9

HEX #4DE9B5

RGB 77 233 181

HSL 160, 0.78%, 0.61%

LAB 83.54, -52.69, 13.53

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 5 / 0 / 67 / 9

HEX #DEE94D

RGB 222 233 77

HSL 64.23, 0.78%, 0.61%

LAB 89.08, -22.6, 71.06

 

CMYK 67 / 5 / 0 / 9

HEX #4DDEE9

RGB 77 222 233

HSL 184.23, 0.78%, 0.61%

LAB 81.68, -34.55, -16.68

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 49 / 67 / 9

HEX #E9774D

RGB 233 119 77

HSL 16.15, 0.78%, 0.61%

LAB 62.55, 40.86, 42.78

 

CMYK 67 / 0 / 62 / 9

HEX #4DE958

RGB 77 233 88

HSL 124.23, 0.78%, 0.61%

LAB 82.14, -68.22, 57.19

 

CMYK 67 / 18 / 0 / 9

HEX #4DBFE9

RGB 77 191 233

HSL 196.15, 0.78%, 0.61%

LAB 72.71, -19.27, -30.34

 

CMYK 0 / 67 / 5 / 9

HEX #E94DDE

RGB 233 77 222

HSL 304.23, 0.78%, 0.61%

LAB 59.8, 75.39, -43.46

 

CMYK 0 / 29 / 67 / 9

HEX #E9A54D

RGB 233 165 77

HSL 33.85, 0.78%, 0.61%

LAB 72.74, 16.77, 54.24

 

CMYK 67 / 0 / 62 / 9

HEX #4DE958

RGB 77 233 88

HSL 124.23, 0.78%, 0.61%

LAB 82.14, -68.22, 57.19

 

CMYK 67 / 38 / 0 / 9

HEX #4D91E9

RGB 77 145 233

HSL 213.85, 0.78%, 0.61%

LAB 59.63, 6.29, -50.8

 

Description

Color code: HEX #E94DDE | qconv.com Color code: HEX #E94DDE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 77 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 77 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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