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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E976D6 it is the complementary color #168929. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E976D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E976D6 shade: #EE76D1, #FF88E4, #FF9AF7, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E976D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E976D6 shade: #E976D6, #D864C3, #C752B0, #B6409D and #A52E8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E976D6 shade: #E877D6, #E877B7, #E87798, #E87779 and #E87777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E976D6 shade: #E877D6, #DC77E8, #BE77E8, #9F77E8 and #8077E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E976D6 shade matches the following richer shades: #E877D6 and #F56ADE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E976D6 shade: #E877D6, #DC83CD, #CF90C4, #C29DBC and #B5AAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E976D6 shade: #BD77E8, #DB77E8, #E877D7, #E877B9 and #E8779B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E976D6 shade: #DD30C0, #E353CB, #E877D6, #EE9AE0 and #F4BDEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E976D6 shade: #E976D6, #E89E77 and #77E8CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E976D6 shade: #E976D6, #D7E877 and #77D7E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E976D6 shade: #E976D6, #E89E77, #77E888 and #77C1E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E976D6 shade: #E976D6, #E8C177, #77E888 and #779EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

Complementary color

CMYK 84 / 0 / 70 / 46

HEX #168929

RGB 22 137 41

HSL 129.91, 0.72%, 0.31%

LAB 49.76, -50, 41.27

 

CMYK 0 / 50 / 12 / 7

HEX #EE76D1

RGB 238 118 209

HSL 314.5, 0.78%, 0.7%

LAB 66.32, 57.36, -25.96

 

CMYK 0 / 47 / 11 / 0

HEX #FF88E4

RGB 255 136 228

HSL 313.61, 1%, 0.77%

LAB 72.54, 56.71, -26.76

 

CMYK 0 / 40 / 3 / 0

HEX #FF9AF7

RGB 255 154 247

HSL 304.75, 1%, 0.8%

LAB 76.73, 50.93, -30.68

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

CMYK 0 / 54 / 10 / 15

HEX #D864C3

RGB 216 100 195

HSL 310.86, 0.6%, 0.62%

LAB 59.57, 57.27, -28.71

 

CMYK 0 / 59 / 12 / 22

HEX #C752B0

RGB 199 82 176

HSL 311.79, 0.51%, 0.55%

LAB 53.29, 57.69, -27.7

 

CMYK 0 / 65 / 14 / 29

HEX #B6409D

RGB 182 64 157

HSL 312.71, 0.48%, 0.48%

LAB 47.04, 57.83, -26.42

 

CMYK 0 / 72 / 16 / 35

HEX #A52E8A

RGB 165 46 138

HSL 313.61, 0.56%, 0.41%

LAB 40.88, 57.5, -24.74

 

CMYK 0 / 49 / 8 / 9

HEX #E877D6

RGB 232 119 214

HSL 309.56, 0.71%, 0.69%

LAB 65.91, 55.92, -29.46

 

CMYK 0 / 49 / 21 / 9

HEX #E877B7

RGB 232 119 183

HSL 326.02, 0.71%, 0.69%

LAB 64.78, 51.16, -13.75

 

CMYK 0 / 49 / 34 / 9

HEX #E87798

RGB 232 119 152

HSL 342.48, 0.71%, 0.69%

LAB 63.85, 47.08, 2.52

 

CMYK 0 / 49 / 48 / 9

HEX #E87779

RGB 232 119 121

HSL 358.94, 0.71%, 0.69%

LAB 63.12, 43.78, 19.18

 

CMYK 0 / 49 / 49 / 9

HEX #E87777

RGB 232 119 119

HSL 0, 0.71%, 0.69%

LAB 63.08, 43.59, 20.26

 

CMYK 0 / 49 / 8 / 9

HEX #E877D6

RGB 232 119 214

HSL 309.56, 0.71%, 0.69%

LAB 65.91, 55.92, -29.46

 

CMYK 5 / 49 / 0 / 9

HEX #DC77E8

RGB 220 119 232

HSL 293.63, 0.71%, 0.69%

LAB 65.15, 55.66, -40.77

 

CMYK 18 / 49 / 0 / 9

HEX #BE77E8

RGB 190 119 232

HSL 277.7, 0.71%, 0.69%

LAB 61.63, 47.44, -46.55

 

CMYK 31 / 49 / 0 / 9

HEX #9F77E8

RGB 159 119 232

HSL 261.24, 0.71%, 0.69%

LAB 58.41, 39.23, -51.86

 

CMYK 45 / 49 / 0 / 9

HEX #8077E8

RGB 128 119 232

HSL 244.78, 0.71%, 0.69%

LAB 55.69, 31.65, -56.34

 

CMYK 0 / 49 / 8 / 9

HEX #E877D6

RGB 232 119 214

HSL 309.56, 0.71%, 0.69%

LAB 65.91, 55.92, -29.46

 

CMYK 0 / 57 / 9 / 4

HEX #F56ADE

RGB 245 106 222

HSL 309.93, 0.87%, 0.69%

LAB 65.74, 66.81, -34.04

 

CMYK 0 / 49 / 8 / 9

HEX #E877D6

RGB 232 119 214

HSL 309.56, 0.71%, 0.69%

LAB 65.91, 55.92, -29.46

 

CMYK 0 / 40 / 7 / 14

HEX #DC83CD

RGB 220 131 205

HSL 310.11, 0.56%, 0.69%

LAB 66.41, 44.75, -23.79

 

CMYK 0 / 30 / 5 / 19

HEX #CF90C4

RGB 207 144 196

HSL 310.48, 0.4%, 0.69%

LAB 67.42, 32.03, -17.35

 

CMYK 0 / 19 / 3 / 24

HEX #C29DBC

RGB 194 157 188

HSL 309.73, 0.23%, 0.69%

LAB 68.91, 19, -10.8

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

CMYK 19 / 49 / 0 / 9

HEX #BD77E8

RGB 189 119 232

HSL 277.17, 0.71%, 0.69%

LAB 61.51, 47.17, -46.74

 

CMYK 6 / 49 / 0 / 9

HEX #DB77E8

RGB 219 119 232

HSL 293.1, 0.71%, 0.69%

LAB 65.03, 55.39, -40.97

 

CMYK 0 / 49 / 7 / 9

HEX #E877D7

RGB 232 119 215

HSL 309.03, 0.71%, 0.69%

LAB 65.95, 56.09, -29.96

 

CMYK 0 / 49 / 20 / 9

HEX #E877B9

RGB 232 119 185

HSL 324.96, 0.71%, 0.69%

LAB 64.85, 51.44, -14.78

 

CMYK 0 / 49 / 33 / 9

HEX #E8779B

RGB 232 119 155

HSL 340.88, 0.71%, 0.69%

LAB 63.93, 47.44, 0.92

 

CMYK 0 / 78 / 13 / 13

HEX #DD30C0

RGB 221 48 192

HSL 310.06, 0.72%, 0.53%

LAB 53.27, 77.34, -36.75

 

CMYK 0 / 63 / 11 / 11

HEX #E353CB

RGB 227 83 203

HSL 310, 0.72%, 0.61%

LAB 58.82, 68.8, -34.31

 

CMYK 0 / 49 / 8 / 9

HEX #E877D6

RGB 232 119 214

HSL 309.56, 0.71%, 0.69%

LAB 65.91, 55.92, -29.46

 

CMYK 0 / 35 / 6 / 7

HEX #EE9AE0

RGB 238 154 224

HSL 310, 0.71%, 0.77%

LAB 73.98, 41.72, -22.55

 

CMYK 0 / 23 / 4 / 4

HEX #F4BDEB

RGB 244 189 235

HSL 309.82, 0.71%, 0.85%

LAB 82.71, 27.12, -15.23

 

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

CMYK 0 / 32 / 49 / 9

HEX #E89E77

RGB 232 158 119

HSL 20.71, 0.71%, 0.69%

LAB 71.52, 23.25, 31.49

 

CMYK 49 / 0 / 12 / 9

HEX #77E8CC

RGB 119 232 204

HSL 165.13, 0.71%, 0.69%

LAB 84.99, -38.91, 3.7

 

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

CMYK 7 / 0 / 49 / 9

HEX #D7E877

RGB 215 232 119

HSL 69.03, 0.71%, 0.69%

LAB 88.68, -21.8, 52.6

 

CMYK 49 / 7 / 0 / 9

HEX #77D7E8

RGB 119 215 232

HSL 189.03, 0.71%, 0.69%

LAB 80.93, -23.91, -17.14

 

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

CMYK 0 / 32 / 49 / 9

HEX #E89E77

RGB 232 158 119

HSL 20.71, 0.71%, 0.69%

LAB 71.52, 23.25, 31.49

 

CMYK 49 / 0 / 41 / 9

HEX #77E888

RGB 119 232 136

HSL 129.03, 0.71%, 0.69%

LAB 83.66, -52.06, 36.97

 

CMYK 49 / 17 / 0 / 9

HEX #77C1E8

RGB 119 193 232

HSL 200.71, 0.71%, 0.69%

LAB 74.75, -12.65, -26.53

 

CMYK 0 / 49 / 8 / 9

HEX #E976D6

RGB 233 118 214

HSL 309.91, 0.72%, 0.69%

LAB 65.85, 56.7, -29.53

 

CMYK 0 / 17 / 49 / 9

HEX #E8C177

RGB 232 193 119

HSL 39.29, 0.71%, 0.69%

LAB 79.97, 4.7, 42.27

 

CMYK 49 / 0 / 41 / 9

HEX #77E888

RGB 119 232 136

HSL 129.03, 0.71%, 0.69%

LAB 83.66, -52.06, 36.97

 

CMYK 49 / 32 / 0 / 9

HEX #779EE8

RGB 119 158 232

HSL 219.29, 0.71%, 0.69%

LAB 65.12, 6.66, -41.45

 

Description

Color code: HEX #E976D6 | qconv.com Color code: HEX #E976D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 118 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 118 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 8 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 8% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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