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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E97A9A it is the complementary color #168565. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E97A9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E97A9A shade: #EE7A95, #FF8CA8, #FF9EBB, #FFB0CE and #FFC2E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E97A9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E97A9A shade: #E97A9A, #D86887, #C75674, #B64461 and #A5324E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E97A9A shade: #E97B9B, #E97B7D and #E97B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E97A9A shade: #E97B9B, #E97BB8, #E97BD6, #DE7BE9 and #C17BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E97A9A shade matches the following richer shades: #E97B9B and #F56F95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E97A9A shade: #E97B9B, #DD87A0, #D094A5, #C4A0AA and #B8ACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E97A9A shade: #E97BD7, #E97BB9, #E97B9C, #E97B7F and #E9957B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E97A9A shade: #DE3465, #E35780, #E97B9B, #EF9EB6 and #F5C2D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E97A9A shade: #E97A9A, #E9DE7B and #7BC8E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E97A9A shade: #E97A9A, #9CE97B and #7B9CE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E97A9A shade: #E97A9A, #E9DE7B, #7BE9C8 and #7B86E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E97A9A shade: #E97A9A, #D3E97B, #7BE9C8 and #917BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

Complementary color

CMYK 83 / 0 / 24 / 48

HEX #168565

RGB 22 133 101

HSL 162.7, 0.72%, 0.3%

LAB 49.36, -37.55, 8.98

 

CMYK 0 / 49 / 37 / 7

HEX #EE7A95

RGB 238 122 149

HSL 346.03, 0.77%, 0.71%

LAB 65.17, 47.3, 6.24

 

CMYK 0 / 45 / 34 / 0

HEX #FF8CA8

RGB 255 140 168

HSL 345.39, 1%, 0.77%

LAB 71.45, 46.4, 4.87

 

CMYK 0 / 38 / 27 / 0

HEX #FF9EBB

RGB 255 158 187

HSL 342.06, 1%, 0.81%

LAB 75.64, 39.65, 0.43

 

CMYK 0 / 31 / 19 / 0

HEX #FFB0CE

RGB 255 176 206

HSL 337.22, 1%, 0.85%

LAB 80.05, 32.98, -3.46

 

CMYK 0 / 24 / 12 / 0

HEX #FFC2E1

RGB 255 194 225

HSL 329.51, 1%, 0.88%

LAB 84.63, 26.49, -6.92

 

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

CMYK 0 / 52 / 38 / 15

HEX #D86887

RGB 216 104 135

HSL 343.39, 0.59%, 0.63%

LAB 58.27, 47.04, 3.97

 

CMYK 0 / 57 / 42 / 22

HEX #C75674

RGB 199 86 116

HSL 344.07, 0.5%, 0.56%

LAB 51.9, 47.87, 5.68

 

CMYK 0 / 63 / 47 / 29

HEX #B64461

RGB 182 68 97

HSL 344.74, 0.46%, 0.49%

LAB 45.56, 48.57, 7.76

 

CMYK 0 / 70 / 53 / 35

HEX #A5324E

RGB 165 50 78

HSL 345.39, 0.53%, 0.42%

LAB 39.29, 48.97, 10.37

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9B

RGB 233 123 155

HSL 342.55, 0.71%, 0.7%

LAB 64.85, 45.79, 2.27

 

CMYK 0 / 47 / 46 / 9

HEX #E97B7D

RGB 233 123 125

HSL 358.91, 0.71%, 0.7%

LAB 64.14, 42.51, 18.32

 

CMYK 0 / 47 / 47 / 9

HEX #E97B7B

RGB 233 123 123

HSL 0, 0.71%, 0.7%

LAB 64.1, 42.32, 19.4

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9B

RGB 233 123 155

HSL 342.55, 0.71%, 0.7%

LAB 64.85, 45.79, 2.27

 

CMYK 0 / 47 / 21 / 9

HEX #E97BB8

RGB 233 123 184

HSL 326.73, 0.71%, 0.7%

LAB 65.71, 49.64, -12.9

 

CMYK 0 / 47 / 8 / 9

HEX #E97BD6

RGB 233 123 214

HSL 310.36, 0.71%, 0.7%

LAB 66.78, 54.27, -28.1

 

CMYK 5 / 47 / 0 / 9

HEX #DE7BE9

RGB 222 123 233

HSL 294, 0.71%, 0.7%

LAB 66.2, 54.42, -39.67

 

CMYK 17 / 47 / 0 / 9

HEX #C17BE9

RGB 193 123 233

HSL 278.18, 0.71%, 0.7%

LAB 62.83, 46.36, -45.18

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9B

RGB 233 123 155

HSL 342.55, 0.71%, 0.7%

LAB 64.85, 45.79, 2.27

 

CMYK 0 / 55 / 39 / 4

HEX #F56F95

RGB 245 111 149

HSL 342.99, 0.87%, 0.7%

LAB 64.12, 54.93, 4.86

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9B

RGB 233 123 155

HSL 342.55, 0.71%, 0.7%

LAB 64.85, 45.79, 2.27

 

CMYK 0 / 39 / 28 / 13

HEX #DD87A0

RGB 221 135 160

HSL 342.56, 0.56%, 0.7%

LAB 65.93, 36.04, 0.83

 

CMYK 0 / 29 / 21 / 18

HEX #D094A5

RGB 208 148 165

HSL 343, 0.39%, 0.7%

LAB 67.51, 25.06, 0.13

 

CMYK 0 / 18 / 13 / 23

HEX #C4A0AA

RGB 196 160 170

HSL 343.33, 0.23%, 0.7%

LAB 69.31, 14.89, -0.17

 

CMYK 0 / 7 / 4 / 28

HEX #B8ACB0

RGB 184 172 176

HSL 340, 0.08%, 0.7%

LAB 71.44, 5.02, -0.51

 

CMYK 0 / 47 / 8 / 9

HEX #E97BD7

RGB 233 123 215

HSL 309.82, 0.71%, 0.7%

LAB 66.82, 54.43, -28.6

 

CMYK 0 / 47 / 21 / 9

HEX #E97BB9

RGB 233 123 185

HSL 326.18, 0.71%, 0.7%

LAB 65.74, 49.79, -13.41

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9C

RGB 233 123 156

HSL 342, 0.71%, 0.7%

LAB 64.88, 45.91, 1.74

 

CMYK 0 / 47 / 45 / 9

HEX #E97B7F

RGB 233 123 127

HSL 357.82, 0.71%, 0.7%

LAB 64.18, 42.7, 17.25

 

CMYK 0 / 36 / 47 / 9

HEX #E9957B

RGB 233 149 123

HSL 14.18, 0.71%, 0.7%

LAB 69.65, 28.81, 26.88

 

CMYK 0 / 77 / 55 / 13

HEX #DE3465

RGB 222 52 101

HSL 342.71, 0.72%, 0.54%

LAB 50.6, 66.83, 13.43

 

CMYK 0 / 62 / 44 / 11

HEX #E35780

RGB 227 87 128

HSL 342.43, 0.71%, 0.62%

LAB 56.79, 57.75, 6.15

 

CMYK 0 / 47 / 33 / 9

HEX #E97B9B

RGB 233 123 155

HSL 342.55, 0.71%, 0.7%

LAB 64.85, 45.79, 2.27

 

CMYK 0 / 34 / 24 / 6

HEX #EF9EB6

RGB 239 158 182

HSL 342.22, 0.72%, 0.78%

LAB 73.66, 33.35, 0.08

 

CMYK 0 / 21 / 15 / 4

HEX #F5C2D1

RGB 245 194 209

HSL 342.35, 0.72%, 0.86%

LAB 83.23, 20.47, -0.53

 

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

CMYK 0 / 5 / 47 / 9

HEX #E9DE7B

RGB 233 222 123

HSL 54, 0.71%, 0.7%

LAB 87.48, -9.41, 49.58

 

CMYK 47 / 14 / 0 / 9

HEX #7BC8E9

RGB 123 200 233

HSL 198, 0.71%, 0.7%

LAB 76.92, -15.12, -23.74

 

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

CMYK 33 / 0 / 47 / 9

HEX #9CE97B

RGB 156 233 123

HSL 102, 0.71%, 0.7%

LAB 85.39, -43.26, 45.86

 

CMYK 47 / 33 / 0 / 9

HEX #7B9CE9

RGB 123 156 233

HSL 222, 0.71%, 0.7%

LAB 64.86, 9.04, -42.4

 

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

CMYK 0 / 5 / 47 / 9

HEX #E9DE7B

RGB 233 222 123

HSL 54, 0.71%, 0.7%

LAB 87.48, -9.41, 49.58

 

CMYK 47 / 0 / 14 / 9

HEX #7BE9C8

RGB 123 233 200

HSL 162, 0.71%, 0.7%

LAB 85.33, -39.34, 6.31

 

CMYK 47 / 42 / 0 / 9

HEX #7B86E9

RGB 123 134 233

HSL 234, 0.71%, 0.7%

LAB 59.11, 21.91, -51.48

 

CMYK 0 / 48 / 34 / 9

HEX #E97A9A

RGB 233 122 154

HSL 342.7, 0.72%, 0.7%

LAB 64.62, 46.17, 2.52

 

CMYK 9 / 0 / 47 / 9

HEX #D3E97B

RGB 211 233 123

HSL 72, 0.71%, 0.7%

LAB 88.71, -23.44, 50.69

 

CMYK 47 / 0 / 14 / 9

HEX #7BE9C8

RGB 123 233 200

HSL 162, 0.71%, 0.7%

LAB 85.33, -39.34, 6.31

 

CMYK 38 / 47 / 0 / 9

HEX #917BE9

RGB 145 123 233

HSL 252, 0.71%, 0.7%

LAB 58.1, 33.67, -52.98

 

Description

Color code: HEX #E97A9A | qconv.com Color code: HEX #E97A9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 122 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 122 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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