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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E97CF5 it is the complementary color #16830A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E97CF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E97CF5 shade: #EE7CF0, #FF8EFF, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E97CF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E97CF5 shade: #E97CF5, #D86AE2, #C758CF, #B646BC and #A534A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E97CF5 shade: #E87AF5, #F57AE0, #F57ABE, #F57A9D and #F57A7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E97CF5 shade: #E87AF5, #C77AF5, #A67AF5, #857AF5 and #7A7AF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E97CF5 shade matches the following richer shades: #E87AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E97CF5 shade: #E87AF5, #DF85E9, #D691DD, #CD9CD2 and #C3A8C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E97CF5 shade: #A77AF5, #C77AF5, #E87AF5, #F57AE0 and #F57ABF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E97CF5 shade: #DC2DEF, #E253F2, #E87AF5, #EFA0F7 and #F5C6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E97CF5 shade: #E97CF5, #F5867A and #7AF5B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E97CF5 shade: #E97CF5, #F5E87A and #7AF5E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E97CF5 shade: #E97CF5, #F5867A, #86F57A and #7AE8F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E97CF5 shade: #E97CF5, #F5AB7A, #86F57A and #7AC3F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

Complementary color

CMYK 83 / 0 / 92 / 49

HEX #16830A

RGB 22 131 10

HSL 114.05, 0.86%, 0.28%

LAB 47.53, -50.21, 49.06

 

CMYK 1 / 48 / 0 / 6

HEX #EE7CF0

RGB 238 124 240

HSL 298.97, 0.79%, 0.71%

LAB 68.67, 59.63, -39.52

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

CMYK 4 / 53 / 0 / 11

HEX #D86AE2

RGB 216 106 226

HSL 295, 0.67%, 0.65%

LAB 62, 59.76, -42.41

 

CMYK 4 / 57 / 0 / 19

HEX #C758CF

RGB 199 88 207

HSL 295.97, 0.55%, 0.58%

LAB 55.71, 60.22, -41.75

 

CMYK 3 / 63 / 0 / 26

HEX #B646BC

RGB 182 70 188

HSL 296.95, 0.47%, 0.51%

LAB 49.44, 60.45, -40.88

 

CMYK 2 / 69 / 0 / 34

HEX #A534A9

RGB 165 52 169

HSL 297.95, 0.53%, 0.43%

LAB 43.24, 60.27, -39.71

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 0 / 50 / 9 / 4

HEX #F57AE0

RGB 245 122 224

HSL 310.24, 0.86%, 0.72%

LAB 68.54, 59.86, -30.81

 

CMYK 0 / 50 / 22 / 4

HEX #F57ABE

RGB 245 122 190

HSL 326.83, 0.86%, 0.72%

LAB 67.31, 54.77, -13.71

 

CMYK 0 / 50 / 36 / 4

HEX #F57A9D

RGB 245 122 157

HSL 342.93, 0.86%, 0.72%

LAB 66.34, 50.59, 3.5

 

CMYK 0 / 50 / 49 / 4

HEX #F57A7C

RGB 245 122 124

HSL 359.02, 0.86%, 0.72%

LAB 65.58, 47.22, 21.14

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 19 / 50 / 0 / 4

HEX #C77AF5

RGB 199 122 245

HSL 277.56, 0.86%, 0.72%

LAB 63.88, 51.06, -50.12

 

CMYK 32 / 50 / 0 / 4

HEX #A67AF5

RGB 166 122 245

HSL 261.46, 0.86%, 0.72%

LAB 60.44, 42.58, -55.79

 

CMYK 46 / 50 / 0 / 4

HEX #857AF5

RGB 133 122 245

HSL 245.37, 0.86%, 0.72%

LAB 57.56, 34.77, -60.57

 

CMYK 50 / 50 / 0 / 4

HEX #7A7AF5

RGB 122 122 245

HSL 240, 0.86%, 0.72%

LAB 56.73, 32.39, -61.94

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 4 / 43 / 0 / 9

HEX #DF85E9

RGB 223 133 233

HSL 294, 0.69%, 0.72%

LAB 68.28, 49.65, -36.42

 

CMYK 3 / 34 / 0 / 13

HEX #D691DD

RGB 214 145 221

HSL 294.47, 0.53%, 0.72%

LAB 69.3, 38.37, -28.29

 

CMYK 2 / 26 / 0 / 18

HEX #CD9CD2

RGB 205 156 210

HSL 294.44, 0.38%, 0.72%

LAB 70.46, 27.41, -20.53

 

CMYK 2 / 15 / 0 / 22

HEX #C3A8C6

RGB 195 168 198

HSL 294, 0.21%, 0.72%

LAB 72.02, 15.16, -11.66

 

CMYK 32 / 50 / 0 / 4

HEX #A77AF5

RGB 167 122 245

HSL 261.95, 0.86%, 0.72%

LAB 60.54, 42.83, -55.63

 

CMYK 19 / 50 / 0 / 4

HEX #C77AF5

RGB 199 122 245

HSL 277.56, 0.86%, 0.72%

LAB 63.88, 51.06, -50.12

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 0 / 50 / 9 / 4

HEX #F57AE0

RGB 245 122 224

HSL 310.24, 0.86%, 0.72%

LAB 68.54, 59.86, -30.81

 

CMYK 0 / 50 / 22 / 4

HEX #F57ABF

RGB 245 122 191

HSL 326.34, 0.86%, 0.72%

LAB 67.35, 54.91, -14.22

 

CMYK 8 / 81 / 0 / 6

HEX #DC2DEF

RGB 220 45 239

HSL 294.12, 0.86%, 0.56%

LAB 55.4, 84.88, -60.13

 

CMYK 7 / 66 / 0 / 5

HEX #E253F2

RGB 226 83 242

HSL 293.96, 0.86%, 0.64%

LAB 60.57, 74.86, -53.49

 

CMYK 5 / 50 / 0 / 4

HEX #E87AF5

RGB 232 122 245

HSL 293.66, 0.86%, 0.72%

LAB 67.77, 59.86, -43.72

 

CMYK 3 / 35 / 0 / 3

HEX #EFA0F7

RGB 239 160 247

HSL 294.48, 0.84%, 0.8%

LAB 76.2, 43.02, -31.66

 

CMYK 2 / 21 / 0 / 2

HEX #F5C6FA

RGB 245 198 250

HSL 294.23, 0.84%, 0.88%

LAB 85.35, 25.39, -19.24

 

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

CMYK 0 / 45 / 50 / 4

HEX #F5867A

RGB 245 134 122

HSL 5.85, 0.86%, 0.72%

LAB 67.92, 41.07, 25.41

 

CMYK 50 / 0 / 25 / 4

HEX #7AF5B7

RGB 122 245 183

HSL 149.76, 0.86%, 0.72%

LAB 88.38, -48.39, 19.47

 

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

CMYK 0 / 5 / 50 / 4

HEX #F5E87A

RGB 245 232 122

HSL 53.66, 0.86%, 0.72%

LAB 91.02, -9.71, 54.55

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E8

RGB 122 245 232

HSL 173.66, 0.86%, 0.72%

LAB 89.52, -37.55, -4.34

 

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

CMYK 0 / 45 / 50 / 4

HEX #F5867A

RGB 245 134 122

HSL 5.85, 0.86%, 0.72%

LAB 67.92, 41.07, 25.41

 

CMYK 45 / 0 / 50 / 4

HEX #86F57A

RGB 134 245 122

HSL 114.15, 0.86%, 0.72%

LAB 87.86, -55.13, 49.16

 

CMYK 50 / 5 / 0 / 4

HEX #7AE8F5

RGB 122 232 245

HSL 186.34, 0.86%, 0.72%

LAB 86.23, -28.15, -16.05

 

CMYK 5 / 49 / 0 / 4

HEX #E97CF5

RGB 233 124 245

HSL 294.05, 0.86%, 0.72%

LAB 68.26, 59.16, -42.94

 

CMYK 0 / 30 / 50 / 4

HEX #F5AB7A

RGB 245 171 122

HSL 23.9, 0.86%, 0.72%

LAB 76.03, 21.8, 36.02

 

CMYK 45 / 0 / 50 / 4

HEX #86F57A

RGB 134 245 122

HSL 114.15, 0.86%, 0.72%

LAB 87.86, -55.13, 49.16

 

CMYK 50 / 20 / 0 / 4

HEX #7AC3F5

RGB 122 195 245

HSL 204.39, 0.86%, 0.72%

LAB 75.92, -9.36, -31.73

 

Description

Color code: HEX #E97CF5 | qconv.com Color code: HEX #E97CF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 124 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 124 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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