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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E985DA it is the complementary color #167A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E985DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E985DA shade: #EE85D5, #FF97E8, #FFA9FB, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E985DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E985DA shade: #E985DA, #D873C7, #C761B4, #B64FA1 and #A53D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E985DA shade: #E886DA, #E886BF, #E886A4, #E8868A and #E88686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E985DA shade: #E886DA, #DD86E8, #C286E8, #A786E8 and #8D86E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E985DA shade matches the following richer shades: #E886DA and #F47AE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E985DA shade: #E886DA, #DD91D1, #D19DC9, #C6A8C1 and #BAB4B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E985DA shade: #C386E8, #DD86E8, #E886DA, #E886BF and #E886A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E985DA shade: #DC40C4, #E263CF, #E886DA, #EFA9E4 and #F5CCEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E985DA shade: #E985DA, #E8A886 and #86E8D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E985DA shade: #E985DA, #DAE886 and #86DAE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E985DA shade: #E985DA, #E8A886, #86E895 and #86C6E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E985DA shade: #E985DA, #E8C686, #86E895 and #86A8E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

Complementary color

CMYK 82 / 0 / 70 / 52

HEX #167A25

RGB 22 122 37

HSL 129, 0.69%, 0.28%

LAB 44.55, -45.36, 37.4

 

CMYK 0 / 44 / 11 / 7

HEX #EE85D5

RGB 238 133 213

HSL 314.29, 0.76%, 0.73%

LAB 69.3, 50.66, -23.63

 

CMYK 0 / 41 / 9 / 0

HEX #FF97E8

RGB 255 151 232

HSL 313.27, 1%, 0.8%

LAB 75.59, 49.93, -24.29

 

CMYK 0 / 34 / 2 / 0

HEX #FFA9FB

RGB 255 169 251

HSL 302.79, 1%, 0.83%

LAB 79.95, 43.96, -27.89

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

CMYK 0 / 47 / 8 / 15

HEX #D873C7

RGB 216 115 199

HSL 310.1, 0.56%, 0.65%

LAB 62.49, 50.66, -26.47

 

CMYK 0 / 51 / 10 / 22

HEX #C761B4

RGB 199 97 180

HSL 311.18, 0.48%, 0.58%

LAB 56.07, 51.32, -25.71

 

CMYK 0 / 57 / 12 / 29

HEX #B64FA1

RGB 182 79 161

HSL 312.23, 0.41%, 0.51%

LAB 49.63, 51.86, -24.77

 

CMYK 0 / 63 / 14 / 35

HEX #A53D8E

RGB 165 61 142

HSL 313.27, 0.46%, 0.44%

LAB 43.2, 52.15, -23.58

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 0 / 42 / 18 / 9

HEX #E886BF

RGB 232 134 191

HSL 325.1, 0.68%, 0.72%

LAB 68, 44.8, -13.41

 

CMYK 0 / 42 / 29 / 9

HEX #E886A4

RGB 232 134 164

HSL 341.63, 0.68%, 0.72%

LAB 67.19, 40.98, 0.57

 

CMYK 0 / 42 / 41 / 9

HEX #E8868A

RGB 232 134 138

HSL 357.55, 0.68%, 0.72%

LAB 66.55, 37.85, 14.31

 

CMYK 0 / 42 / 42 / 9

HEX #E88686

RGB 232 134 134

HSL 0, 0.68%, 0.72%

LAB 66.46, 37.42, 16.44

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 5 / 42 / 0 / 9

HEX #DD86E8

RGB 221 134 232

HSL 293.27, 0.68%, 0.72%

LAB 68.2, 48.36, -36

 

CMYK 16 / 42 / 0 / 9

HEX #C286E8

RGB 194 134 232

HSL 276.73, 0.68%, 0.72%

LAB 65.24, 40.52, -40.85

 

CMYK 28 / 42 / 0 / 9

HEX #A786E8

RGB 167 134 232

HSL 260.2, 0.68%, 0.72%

LAB 62.59, 32.9, -45.2

 

CMYK 39 / 42 / 0 / 9

HEX #8D86E8

RGB 141 134 232

HSL 244.29, 0.68%, 0.72%

LAB 60.37, 26, -48.84

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 0 / 50 / 7 / 4

HEX #F47AE2

RGB 244 122 226

HSL 308.85, 0.85%, 0.72%

LAB 68.49, 59.9, -32.01

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 0 / 34 / 5 / 13

HEX #DD91D1

RGB 221 145 209

HSL 309.47, 0.53%, 0.72%

LAB 69.63, 38.4, -21.09

 

CMYK 0 / 25 / 4 / 18

HEX #D19DC9

RGB 209 157 201

HSL 309.23, 0.36%, 0.72%

LAB 70.79, 26.52, -15.02

 

CMYK 0 / 15 / 3 / 22

HEX #C6A8C1

RGB 198 168 193

HSL 310, 0.21%, 0.72%

LAB 72.14, 15.26, -8.71

 

CMYK 0 / 3 / 1 / 27

HEX #BAB4B9

RGB 186 180 185

HSL 310, 0.04%, 0.72%

LAB 73.92, 3.04, -1.79

 

CMYK 16 / 42 / 0 / 9

HEX #C386E8

RGB 195 134 232

HSL 277.35, 0.68%, 0.72%

LAB 65.34, 40.81, -40.68

 

CMYK 5 / 42 / 0 / 9

HEX #DD86E8

RGB 221 134 232

HSL 293.27, 0.68%, 0.72%

LAB 68.2, 48.36, -36

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 0 / 42 / 18 / 9

HEX #E886BF

RGB 232 134 191

HSL 325.1, 0.68%, 0.72%

LAB 68, 44.8, -13.41

 

CMYK 0 / 42 / 29 / 9

HEX #E886A5

RGB 232 134 165

HSL 341.02, 0.68%, 0.72%

LAB 67.22, 41.11, 0.05

 

CMYK 0 / 71 / 11 / 14

HEX #DC40C4

RGB 220 64 196

HSL 309.23, 0.69%, 0.56%

LAB 54.94, 72.99, -36.46

 

CMYK 0 / 56 / 8 / 11

HEX #E263CF

RGB 226 99 207

HSL 308.98, 0.69%, 0.64%

LAB 61.31, 62.42, -32.72

 

CMYK 0 / 42 / 6 / 9

HEX #E886DA

RGB 232 134 218

HSL 308.57, 0.68%, 0.72%

LAB 68.94, 49.14, -27.01

 

CMYK 0 / 29 / 5 / 6

HEX #EFA9E4

RGB 239 169 228

HSL 309.43, 0.69%, 0.8%

LAB 77.48, 34.84, -19.41

 

CMYK 0 / 17 / 2 / 4

HEX #F5CCEF

RGB 245 204 239

HSL 308.78, 0.67%, 0.88%

LAB 86.42, 20.22, -11.81

 

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

CMYK 0 / 28 / 42 / 9

HEX #E8A886

RGB 232 168 134

HSL 20.82, 0.68%, 0.72%

LAB 74.11, 19.42, 26.86

 

CMYK 42 / 0 / 10 / 9

HEX #86E8D0

RGB 134 232 208

HSL 165.31, 0.68%, 0.72%

LAB 85.67, -34.42, 2.66

 

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

CMYK 6 / 0 / 42 / 9

HEX #DAE886

RGB 218 232 134

HSL 68.57, 0.68%, 0.72%

LAB 89.08, -19.14, 45.98

 

CMYK 42 / 6 / 0 / 9

HEX #86DAE8

RGB 134 218 232

HSL 188.57, 0.68%, 0.72%

LAB 82.4, -21.94, -14.88

 

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

CMYK 0 / 28 / 42 / 9

HEX #E8A886

RGB 232 168 134

HSL 20.82, 0.68%, 0.72%

LAB 74.11, 19.42, 26.86

 

CMYK 42 / 0 / 36 / 9

HEX #86E895

RGB 134 232 149

HSL 129.18, 0.68%, 0.72%

LAB 84.46, -45.89, 31.6

 

CMYK 42 / 15 / 0 / 9

HEX #86C6E8

RGB 134 198 232

HSL 200.82, 0.68%, 0.72%

LAB 76.85, -11.7, -23.27

 

CMYK 0 / 43 / 6 / 9

HEX #E985DA

RGB 233 133 218

HSL 309, 0.69%, 0.72%

LAB 68.87, 49.95, -27.12

 

CMYK 0 / 15 / 42 / 9

HEX #E8C686

RGB 232 198 134

HSL 39.18, 0.68%, 0.72%

LAB 81.44, 3.56, 36.5

 

CMYK 42 / 0 / 36 / 9

HEX #86E895

RGB 134 232 149

HSL 129.18, 0.68%, 0.72%

LAB 84.46, -45.89, 31.6

 

CMYK 42 / 28 / 0 / 9

HEX #86A8E8

RGB 134 168 232

HSL 219.18, 0.68%, 0.72%

LAB 68.68, 4.64, -35.84

 

Description

Color code: HEX #E985DA | qconv.com Color code: HEX #E985DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 133 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 133 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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