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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E991ED it is the complementary color #166E12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E991ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E991ED shade: #EE91E8, #FFA3FB, #FFB5FF, #FFC7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E991ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E991ED shade: #E991ED, #D87FDA, #C76DC7, #B65BB4 and #A549A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E991ED shade: #E991ED, #ED91D8, #ED91BF, #ED91A6 and #ED9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E991ED shade: #E991ED, #D091ED, #B791ED, #9E91ED and #9191ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E991ED shade matches the following richer shades: #E991ED and #F287F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E991ED shade: #E991ED, #DF9BE2, #D6A5D8, #CCB0CE and #C3BAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E991ED shade: #B791ED, #D091ED, #E891ED, #ED91D9 and #ED91C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E991ED shade: #DB4AE1, #E26DE7, #E991ED, #F0B4F2 and #F7D8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E991ED shade: #E991ED, #ED9F91 and #91EDC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E991ED shade: #E991ED, #EDE891 and #91EDE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E991ED shade: #E991ED, #ED9F91, #95ED91 and #91DFED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E991ED shade: #E991ED, #EDBA91, #95ED91 and #91C3ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

Complementary color

CMYK 80 / 0 / 84 / 57

HEX #166E12

RGB 22 110 18

HSL 117.39, 0.72%, 0.25%

LAB 40.19, -42.94, 40.42

 

CMYK 0 / 39 / 3 / 7

HEX #EE91E8

RGB 238 145 232

HSL 303.87, 0.73%, 0.75%

LAB 72.4, 47.77, -29.35

 

CMYK 0 / 36 / 2 / 0

HEX #FFA3FB

RGB 255 163 251

HSL 302.61, 1%, 0.82%

LAB 78.71, 47.05, -29.81

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 1 / 42 / 0 / 15

HEX #D87FDA

RGB 216 127 218

HSL 298.68, 0.55%, 0.68%

LAB 65.62, 47.9, -32.29

 

CMYK 0 / 45 / 0 / 22

HEX #C76DC7

RGB 199 109 199

HSL 300, 0.45%, 0.6%

LAB 59.16, 48.62, -31.8

 

CMYK 0 / 50 / 1 / 29

HEX #B65BB4

RGB 182 91 180

HSL 301.32, 0.38%, 0.54%

LAB 52.64, 49.29, -31.21

 

CMYK 0 / 56 / 2 / 35

HEX #A549A1

RGB 165 73 161

HSL 302.61, 0.39%, 0.47%

LAB 46.09, 49.84, -30.46

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 0 / 39 / 9 / 7

HEX #ED91D8

RGB 237 145 216

HSL 313.7, 0.72%, 0.75%

LAB 71.7, 44.73, -21.64

 

CMYK 0 / 39 / 19 / 7

HEX #ED91BF

RGB 237 145 191

HSL 330, 0.72%, 0.75%

LAB 70.88, 40.78, -9.03

 

CMYK 0 / 39 / 30 / 7

HEX #ED91A6

RGB 237 145 166

HSL 346.3, 0.72%, 0.75%

LAB 70.18, 37.29, 3.87

 

CMYK 0 / 39 / 39 / 7

HEX #ED9191

RGB 237 145 145

HSL 0, 0.72%, 0.75%

LAB 69.68, 34.74, 14.86

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 12 / 39 / 0 / 7

HEX #D091ED

RGB 208 145 237

HSL 281.09, 0.72%, 0.75%

LAB 69.31, 39.71, -37.13

 

CMYK 23 / 39 / 0 / 7

HEX #B791ED

RGB 183 145 237

HSL 264.78, 0.72%, 0.75%

LAB 66.85, 32.42, -41.16

 

CMYK 33 / 39 / 0 / 7

HEX #9E91ED

RGB 158 145 237

HSL 248.48, 0.72%, 0.75%

LAB 64.67, 25.44, -44.73

 

CMYK 39 / 39 / 0 / 7

HEX #9191ED

RGB 145 145 237

HSL 240, 0.72%, 0.75%

LAB 63.66, 22.01, -46.39

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 2 / 45 / 0 / 3

HEX #F287F7

RGB 242 135 247

HSL 297.32, 0.88%, 0.75%

LAB 71.5, 56.64, -38.9

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 1 / 31 / 0 / 11

HEX #DF9BE2

RGB 223 155 226

HSL 297.46, 0.55%, 0.75%

LAB 72.64, 36.79, -25.83

 

CMYK 1 / 24 / 0 / 15

HEX #D6A5D8

RGB 214 165 216

HSL 297.65, 0.4%, 0.75%

LAB 73.65, 26.61, -18.9

 

CMYK 1 / 15 / 0 / 19

HEX #CCB0CE

RGB 204 176 206

HSL 296, 0.23%, 0.75%

LAB 75.04, 15.38, -11.44

 

CMYK 0 / 5 / 0 / 24

HEX #C3BAC3

RGB 195 186 195

HSL 300, 0.07%, 0.75%

LAB 76.47, 4.81, -3.41

 

CMYK 23 / 39 / 0 / 7

HEX #B791ED

RGB 183 145 237

HSL 264.78, 0.72%, 0.75%

LAB 66.85, 32.42, -41.16

 

CMYK 12 / 39 / 0 / 7

HEX #D091ED

RGB 208 145 237

HSL 281.09, 0.72%, 0.75%

LAB 69.31, 39.71, -37.13

 

CMYK 2 / 39 / 0 / 7

HEX #E891ED

RGB 232 145 237

HSL 296.74, 0.72%, 0.75%

LAB 71.91, 46.86, -32.9

 

CMYK 0 / 39 / 8 / 7

HEX #ED91D9

RGB 237 145 217

HSL 313.04, 0.72%, 0.75%

LAB 71.73, 44.89, -22.13

 

CMYK 0 / 39 / 19 / 7

HEX #ED91C0

RGB 237 145 192

HSL 329.35, 0.72%, 0.75%

LAB 70.91, 40.93, -9.54

 

CMYK 3 / 67 / 0 / 12

HEX #DB4AE1

RGB 219 74 225

HSL 297.62, 0.72%, 0.59%

LAB 57.46, 73.8, -48.99

 

CMYK 2 / 53 / 0 / 9

HEX #E26DE7

RGB 226 109 231

HSL 297.54, 0.72%, 0.67%

LAB 64.06, 61.89, -41.87

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 1 / 26 / 0 / 5

HEX #F0B4F2

RGB 240 180 242

HSL 298.06, 0.7%, 0.83%

LAB 80.5, 31.85, -22.36

 

CMYK 0 / 13 / 0 / 3

HEX #F7D8F8

RGB 247 216 248

HSL 298.13, 0.7%, 0.91%

LAB 89.7, 16.19, -11.64

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 0 / 33 / 39 / 7

HEX #ED9F91

RGB 237 159 145

HSL 9.13, 0.72%, 0.75%

LAB 72.79, 27.36, 19.18

 

CMYK 39 / 0 / 18 / 7

HEX #91EDC3

RGB 145 237 195

HSL 152.61, 0.72%, 0.75%

LAB 87.26, -36.62, 11.8

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 0 / 2 / 39 / 7

HEX #EDE891

RGB 237 232 145

HSL 56.74, 0.72%, 0.75%

LAB 90.67, -10.65, 42.9

 

CMYK 39 / 0 / 2 / 7

HEX #91EDE8

RGB 145 237 232

HSL 176.74, 0.72%, 0.75%

LAB 88.17, -28.52, -6.23

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 0 / 33 / 39 / 7

HEX #ED9F91

RGB 237 159 145

HSL 9.13, 0.72%, 0.75%

LAB 72.79, 27.36, 19.18

 

CMYK 37 / 0 / 39 / 7

HEX #95ED91

RGB 149 237 145

HSL 117.39, 0.72%, 0.75%

LAB 86.51, -44.24, 36.43

 

CMYK 39 / 6 / 0 / 7

HEX #91DFED

RGB 145 223 237

HSL 189.13, 0.72%, 0.75%

LAB 84.44, -20.47, -14.42

 

CMYK 2 / 39 / 0 / 7

HEX #E991ED

RGB 233 145 237

HSL 297.39, 0.72%, 0.75%

LAB 72.02, 47.16, -32.72

 

CMYK 0 / 22 / 39 / 7

HEX #EDBA91

RGB 237 186 145

HSL 26.74, 0.72%, 0.75%

LAB 79.14, 13.03, 27.81

 

CMYK 37 / 0 / 39 / 7

HEX #95ED91

RGB 149 237 145

HSL 117.39, 0.72%, 0.75%

LAB 86.51, -44.24, 36.43

 

CMYK 39 / 18 / 0 / 7

HEX #91C3ED

RGB 145 195 237

HSL 207.39, 0.72%, 0.75%

LAB 76.78, -5.99, -26.01

 

Description

Color code: HEX #E991ED | qconv.com Color code: HEX #E991ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 145 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 145 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 39 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 39% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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