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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9A494 it is the complementary color #165B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9A494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9A494 shade: #EEA48F, #FFB6A2, #FFC8B5, #FFDAC8 and #FFECDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9A494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9A494 shade: #E9A494, #D89281, #C7806E, #B66E5B and #A55C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9A494 shade: #E9A595 and #E99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9A494 shade: #E9A595, #E9BB95, #E9D295, #E9E995 and #D2E995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9A494 shade matches the following richer shades: #E9A595, #F39E8A and #FD9880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9A494 shade: #E9A595, #DFAB9F, #D4B1A9, #CAB8B4 and #C0BEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9A494 shade: #E995B2, #E9959C, #E9A495, #E9BB95 and #E9D195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9A494 shade: #DB6A50, #E28772, #E9A595, #F0C2B7 and #F7DFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9A494 shade: #E9A494, #C9E995 and #95A7E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9A494 shade: #E9A494, #95E9A4 and #A495E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9A494 shade: #E9A494, #C9E995, #95D9E9 and #B595E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9A494 shade: #E9A494, #AFE995, #95D9E9 and #CE95E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

Complementary color

CMYK 79 / 15 / 0 / 58

HEX #165B6B

RGB 22 91 107

HSL 191.29, 0.66%, 0.25%

LAB 35.43, -14.86, -15.17

 

CMYK 0 / 31 / 40 / 7

HEX #EEA48F

RGB 238 164 143

HSL 13.26, 0.74%, 0.75%

LAB 74, 24.87, 21.96

 

CMYK 0 / 29 / 36 / 0

HEX #FFB6A2

RGB 255 182 162

HSL 12.9, 1%, 0.82%

LAB 80.36, 24.01, 20.73

 

CMYK 0 / 22 / 29 / 0

HEX #FFC8B5

RGB 255 200 181

HSL 15.41, 1%, 0.85%

LAB 84.95, 16.92, 16.98

 

CMYK 0 / 15 / 22 / 0

HEX #FFDAC8

RGB 255 218 200

HSL 19.64, 1%, 0.89%

LAB 89.66, 10.14, 13.61

 

CMYK 0 / 7 / 14 / 0

HEX #FFECDB

RGB 255 236 219

HSL 28.33, 1%, 0.93%

LAB 94.47, 3.71, 10.55

 

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

CMYK 0 / 32 / 40 / 15

HEX #D89281

RGB 216 146 129

HSL 11.72, 0.53%, 0.68%

LAB 67.08, 24.41, 19.78

 

CMYK 0 / 36 / 45 / 22

HEX #C7806E

RGB 199 128 110

HSL 12.13, 0.44%, 0.61%

LAB 60.52, 25.4, 21.17

 

CMYK 0 / 40 / 50 / 29

HEX #B66E5B

RGB 182 110 91

HSL 12.53, 0.38%, 0.54%

LAB 53.87, 26.53, 22.73

 

CMYK 0 / 44 / 56 / 35

HEX #A55C48

RGB 165 92 72

HSL 12.9, 0.39%, 0.46%

LAB 47.13, 27.79, 24.52

 

CMYK 0 / 29 / 36 / 9

HEX #E9A595

RGB 233 165 149

HSL 11.43, 0.66%, 0.75%

LAB 73.81, 23.11, 18.33

 

CMYK 0 / 36 / 36 / 9

HEX #E99595

RGB 233 149 149

HSL 0, 0.66%, 0.75%

LAB 70.17, 31.61, 13.25

 

CMYK 0 / 29 / 36 / 9

HEX #E9A595

RGB 233 165 149

HSL 11.43, 0.66%, 0.75%

LAB 73.81, 23.11, 18.33

 

CMYK 0 / 20 / 36 / 9

HEX #E9BB95

RGB 233 187 149

HSL 27.14, 0.66%, 0.75%

LAB 79.06, 11.41, 25.52

 

CMYK 0 / 10 / 36 / 9

HEX #E9D295

RGB 233 210 149

HSL 43.57, 0.66%, 0.75%

LAB 84.79, -0.61, 33.18

 

CMYK 0 / 0 / 36 / 9

HEX #E9E995

RGB 233 233 149

HSL 60, 0.66%, 0.75%

LAB 90.68, -12.25, 40.86

 

CMYK 10 / 0 / 36 / 9

HEX #D2E995

RGB 210 233 149

HSL 76.43, 0.66%, 0.75%

LAB 88.99, -20.93, 38.35

 

CMYK 0 / 29 / 36 / 9

HEX #E9A595

RGB 233 165 149

HSL 11.43, 0.66%, 0.75%

LAB 73.81, 23.11, 18.33

 

CMYK 0 / 35 / 43 / 5

HEX #F39E8A

RGB 243 158 138

HSL 11.43, 0.81%, 0.75%

LAB 73.12, 29.42, 23.56

 

CMYK 0 / 40 / 49 / 1

HEX #FD9880

RGB 253 152 128

HSL 11.52, 0.97%, 0.75%

LAB 72.82, 35.38, 28.82

 

CMYK 0 / 29 / 36 / 9

HEX #E9A595

RGB 233 165 149

HSL 11.43, 0.66%, 0.75%

LAB 73.81, 23.11, 18.33

 

CMYK 0 / 23 / 29 / 13

HEX #DFAB9F

RGB 223 171 159

HSL 11.25, 0.5%, 0.75%

LAB 74.39, 17.35, 13.53

 

CMYK 0 / 17 / 20 / 17

HEX #D4B1A9

RGB 212 177 169

HSL 11.16, 0.33%, 0.75%

LAB 75.02, 11.4, 8.81

 

CMYK 0 / 9 / 11 / 21

HEX #CAB8B4

RGB 202 184 180

HSL 10.91, 0.17%, 0.75%

LAB 76.15, 5.71, 4.34

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBE

RGB 192 190 190

HSL 0, 0.02%, 0.75%

LAB 77.13, 0.7, 0.24

 

CMYK 0 / 36 / 24 / 9

HEX #E995B2

RGB 233 149 178

HSL 339.29, 0.66%, 0.75%

LAB 70.89, 35.41, -1.84

 

CMYK 0 / 36 / 33 / 9

HEX #E9959C

RGB 233 149 156

HSL 355, 0.66%, 0.75%

LAB 70.33, 32.47, 9.59

 

CMYK 0 / 30 / 36 / 9

HEX #E9A495

RGB 233 164 149

HSL 10.71, 0.66%, 0.75%

LAB 73.57, 23.64, 18.01

 

CMYK 0 / 20 / 36 / 9

HEX #E9BB95

RGB 233 187 149

HSL 27.14, 0.66%, 0.75%

LAB 79.06, 11.41, 25.52

 

CMYK 0 / 10 / 36 / 9

HEX #E9D195

RGB 233 209 149

HSL 42.86, 0.66%, 0.75%

LAB 84.53, -0.1, 32.84

 

CMYK 0 / 52 / 63 / 14

HEX #DB6A50

RGB 219 106 80

HSL 11.22, 0.66%, 0.59%

LAB 57.99, 42.23, 35.24

 

CMYK 0 / 40 / 50 / 11

HEX #E28772

RGB 226 135 114

HSL 11.25, 0.66%, 0.67%

LAB 65.52, 32.64, 26.21

 

CMYK 0 / 29 / 36 / 9

HEX #E9A595

RGB 233 165 149

HSL 11.43, 0.66%, 0.75%

LAB 73.81, 23.11, 18.33

 

CMYK 0 / 19 / 24 / 6

HEX #F0C2B7

RGB 240 194 183

HSL 11.58, 0.66%, 0.83%

LAB 82.12, 14.78, 11.73

 

CMYK 0 / 10 / 12 / 3

HEX #F7DFD9

RGB 247 223 217

HSL 12, 0.65%, 0.91%

LAB 90.58, 7.26, 5.92

 

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

CMYK 14 / 0 / 36 / 9

HEX #C9E995

RGB 201 233 149

HSL 82.86, 0.66%, 0.75%

LAB 88.38, -24.25, 37.44

 

CMYK 36 / 28 / 0 / 9

HEX #95A7E9

RGB 149 167 233

HSL 227.14, 0.66%, 0.75%

LAB 69.41, 9.42, -35.18

 

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

CMYK 36 / 0 / 30 / 9

HEX #95E9A4

RGB 149 233 164

HSL 130.71, 0.66%, 0.75%

LAB 85.68, -39.45, 25.7

 

CMYK 30 / 36 / 0 / 9

HEX #A495E9

RGB 164 149 233

HSL 250.71, 0.66%, 0.75%

LAB 65.96, 23.8, -40.47

 

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

CMYK 14 / 0 / 36 / 9

HEX #C9E995

RGB 201 233 149

HSL 82.86, 0.66%, 0.75%

LAB 88.38, -24.25, 37.44

 

CMYK 36 / 7 / 0 / 9

HEX #95D9E9

RGB 149 217 233

HSL 191.43, 0.66%, 0.75%

LAB 82.86, -17.4, -14.64

 

CMYK 22 / 36 / 0 / 9

HEX #B595E9

RGB 181 149 233

HSL 262.86, 0.66%, 0.75%

LAB 67.43, 28.68, -38.07

 

CMYK 0 / 30 / 36 / 9

HEX #E9A494

RGB 233 164 148

HSL 11.29, 0.66%, 0.75%

LAB 73.55, 23.52, 18.52

 

CMYK 25 / 0 / 36 / 9

HEX #AFE995

RGB 175 233 149

HSL 101.43, 0.66%, 0.75%

LAB 86.78, -33.45, 35.04

 

CMYK 36 / 7 / 0 / 9

HEX #95D9E9

RGB 149 217 233

HSL 191.43, 0.66%, 0.75%

LAB 82.86, -17.4, -14.64

 

CMYK 12 / 36 / 0 / 9

HEX #CE95E9

RGB 206 149 233

HSL 280.71, 0.66%, 0.75%

LAB 69.82, 36.13, -34.16

 

Description

Color code: HEX #E9A494 | qconv.com Color code: HEX #E9A494 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 164 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 164 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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