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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9B595 it is the complementary color #164A6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9B595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9B595 shade: #EEB590, #FFC7A3, #FFD9B6, #FFEBC9 and #FFFDDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9B595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9B595 shade: #E9B595, #D8A382, #C7916F, #B67F5C and #A56D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9B595 shade: #E9B595, #E99E95 and #E99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9B595 shade: #E9B595, #E9CB95, #E9E295, #D9E995 and #C2E995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9B595 shade matches the following richer shades: #E9B595, #F3B28A and #FDB080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9B595 shade: #E9B595, #DFB79F, #D4BAA9, #CABCB4 and #C0BFBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9B595 shade: #E995A3, #E99D95, #E9B495, #E9CA95 and #E9E095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9B595 shade: #DB8550, #E29D72, #E9B595, #F0CDB7 and #F7E4D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9B595 shade: #E9B595, #B9E995 and #9597E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9B595 shade: #E9B595, #95E9B4 and #B495E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9B595 shade: #E9B595, #B9E995, #95CAE9 and #C495E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9B595 shade: #E9B595, #A0E995, #95CAE9 and #DE95E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

Complementary color

CMYK 79 / 30 / 0 / 58

HEX #164A6A

RGB 22 74 106

HSL 202.86, 0.66%, 0.25%

LAB 29.69, -4.93, -23.44

 

CMYK 0 / 24 / 39 / 7

HEX #EEB590

RGB 238 181 144

HSL 23.62, 0.73%, 0.75%

LAB 78.02, 15.96, 26.85

 

CMYK 0 / 22 / 36 / 0

HEX #FFC7A3

RGB 255 199 163

HSL 23.48, 1%, 0.82%

LAB 84.36, 15.23, 25.67

 

CMYK 0 / 15 / 29 / 0

HEX #FFD9B6

RGB 255 217 182

HSL 28.77, 1%, 0.86%

LAB 89.05, 8.21, 22.16

 

CMYK 0 / 8 / 21 / 0

HEX #FFEBC9

RGB 255 235 201

HSL 37.78, 1%, 0.89%

LAB 93.84, 1.56, 18.97

 

CMYK 0 / 1 / 14 / 0

HEX #FFFDDC

RGB 255 253 220

HSL 56.57, 1%, 0.93%

LAB 98.7, -4.72, 16.05

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 25 / 40 / 15

HEX #D8A382

RGB 216 163 130

HSL 23.02, 0.52%, 0.68%

LAB 71.15, 15.34, 24.75

 

CMYK 0 / 27 / 44 / 22

HEX #C7916F

RGB 199 145 111

HSL 23.18, 0.44%, 0.61%

LAB 64.6, 16.19, 26.06

 

CMYK 0 / 30 / 49 / 29

HEX #B67F5C

RGB 182 127 92

HSL 23.33, 0.38%, 0.54%

LAB 57.94, 17.18, 27.49

 

CMYK 0 / 34 / 56 / 35

HEX #A56D49

RGB 165 109 73

HSL 23.48, 0.39%, 0.47%

LAB 51.17, 18.33, 29.08

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 32 / 36 / 9

HEX #E99E95

RGB 233 158 149

HSL 6.43, 0.66%, 0.75%

LAB 72.19, 26.84, 16.09

 

CMYK 0 / 36 / 36 / 9

HEX #E99595

RGB 233 149 149

HSL 0, 0.66%, 0.75%

LAB 70.17, 31.61, 13.25

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 13 / 36 / 9

HEX #E9CB95

RGB 233 203 149

HSL 38.57, 0.66%, 0.75%

LAB 83.02, 3.01, 30.84

 

CMYK 0 / 3 / 36 / 9

HEX #E9E295

RGB 233 226 149

HSL 55, 0.66%, 0.75%

LAB 88.87, -8.75, 38.52

 

CMYK 7 / 0 / 36 / 9

HEX #D9E995

RGB 217 233 149

HSL 71.43, 0.66%, 0.75%

LAB 89.49, -18.32, 39.09

 

CMYK 17 / 0 / 36 / 9

HEX #C2E995

RGB 194 233 149

HSL 87.86, 0.66%, 0.75%

LAB 87.93, -26.79, 36.76

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 27 / 43 / 5

HEX #F3B28A

RGB 243 178 138

HSL 22.86, 0.81%, 0.75%

LAB 77.72, 18.86, 29.73

 

CMYK 0 / 30 / 49 / 1

HEX #FDB080

RGB 253 176 128

HSL 23.04, 0.97%, 0.75%

LAB 78.16, 22.87, 35.8

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 18 / 29 / 13

HEX #DFB79F

RGB 223 183 159

HSL 22.5, 0.5%, 0.75%

LAB 77.32, 10.93, 17.62

 

CMYK 0 / 12 / 20 / 17

HEX #D4BAA9

RGB 212 186 169

HSL 23.72, 0.33%, 0.75%

LAB 77.27, 6.58, 12.01

 

CMYK 0 / 7 / 11 / 21

HEX #CABCB4

RGB 202 188 180

HSL 21.82, 0.17%, 0.75%

LAB 77.17, 3.57, 5.81

 

CMYK 0 / 1 / 1 / 25

HEX #C0BFBE

RGB 192 191 190

HSL 30, 0.02%, 0.75%

LAB 77.39, 0.17, 0.62

 

CMYK 0 / 36 / 30 / 9

HEX #E995A3

RGB 233 149 163

HSL 350, 0.66%, 0.75%

LAB 70.5, 33.36, 5.94

 

CMYK 0 / 33 / 36 / 9

HEX #E99D95

RGB 233 157 149

HSL 5.71, 0.66%, 0.75%

LAB 71.97, 27.37, 15.77

 

CMYK 0 / 23 / 36 / 9

HEX #E9B495

RGB 233 180 149

HSL 22.14, 0.66%, 0.75%

LAB 77.36, 15.12, 23.21

 

CMYK 0 / 13 / 36 / 9

HEX #E9CA95

RGB 233 202 149

HSL 37.86, 0.66%, 0.75%

LAB 82.77, 3.53, 30.51

 

CMYK 0 / 4 / 36 / 9

HEX #E9E095

RGB 233 224 149

HSL 53.57, 0.66%, 0.75%

LAB 88.35, -7.75, 37.86

 

CMYK 0 / 39 / 63 / 14

HEX #DB8550

RGB 219 133 80

HSL 22.88, 0.66%, 0.59%

LAB 63.68, 28.24, 42.06

 

CMYK 0 / 31 / 50 / 11

HEX #E29D72

RGB 226 157 114

HSL 23.04, 0.66%, 0.67%

LAB 70.52, 20.92, 32.75

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 0 / 15 / 24 / 6

HEX #F0CDB7

RGB 240 205 183

HSL 23.16, 0.66%, 0.83%

LAB 84.8, 9, 15.51

 

CMYK 0 / 8 / 12 / 3

HEX #F7E4D9

RGB 247 228 217

HSL 22, 0.65%, 0.91%

LAB 91.81, 4.68, 7.69

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 21 / 0 / 36 / 9

HEX #B9E995

RGB 185 233 149

HSL 94.29, 0.66%, 0.75%

LAB 87.37, -29.99, 35.93

 

CMYK 36 / 35 / 0 / 9

HEX #9597E9

RGB 149 151 233

HSL 238.57, 0.66%, 0.75%

LAB 65.28, 18.53, -41.61

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 36 / 0 / 23 / 9

HEX #95E9B4

RGB 149 233 180

HSL 142.14, 0.66%, 0.75%

LAB 85.99, -36.59, 17.85

 

CMYK 23 / 36 / 0 / 9

HEX #B495E9

RGB 180 149 233

HSL 262.14, 0.66%, 0.75%

LAB 67.34, 28.39, -38.21

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 21 / 0 / 36 / 9

HEX #B9E995

RGB 185 233 149

HSL 94.29, 0.66%, 0.75%

LAB 87.37, -29.99, 35.93

 

CMYK 36 / 13 / 0 / 9

HEX #95CAE9

RGB 149 202 233

HSL 202.14, 0.66%, 0.75%

LAB 78.76, -9.66, -20.83

 

CMYK 16 / 36 / 0 / 9

HEX #C495E9

RGB 196 149 233

HSL 273.57, 0.66%, 0.75%

LAB 68.83, 33.12, -35.77

 

CMYK 0 / 22 / 36 / 9

HEX #E9B595

RGB 233 181 149

HSL 22.86, 0.66%, 0.75%

LAB 77.6, 14.59, 23.54

 

CMYK 31 / 0 / 36 / 9

HEX #A0E995

RGB 160 233 149

HSL 112.14, 0.66%, 0.75%

LAB 85.97, -38.43, 33.82

 

CMYK 36 / 13 / 0 / 9

HEX #95CAE9

RGB 149 202 233

HSL 202.14, 0.66%, 0.75%

LAB 78.76, -9.66, -20.83

 

CMYK 5 / 36 / 0 / 9

HEX #DE95E9

RGB 222 149 233

HSL 292.14, 0.66%, 0.75%

LAB 71.49, 40.99, -31.44

 

Description

Color code: HEX #E9B595 | qconv.com Color code: HEX #E9B595 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 181 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 181 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 36% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 11854616095bca1fc5l....
Link: http://f5.topit.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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