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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9B8C7 it is the complementary color #164738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9B8C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9B8C7 shade: #EEB8C2, #FFCAD5, #FFDCE8 and #FFEEFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9B8C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9B8C7 shade: #E9B8C7, #D8A6B4, #C794A1, #B6828E and #A5707B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9B8C7 shade: #E9B8C7, #E9B8BA and #E9B8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9B8C7 shade: #E9B8C7, #E9B8D4, #E9B8E1, #E3B8E9 and #D6B8E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9B8C7 shade matches the following richer shades: #E9B8C7, #F0B1C4 and #F8A9C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9B8C7 shade: #E9B8C7, #E2C0CA, #DAC7CD, #D3CFD0 and #CBD6D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9B8C7 shade: #E9B8E2, #E9B8D5, #E9B8C8, #E9B8BB and #E9C3B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9B8C7 shade: #D67995, #DF99AE, #E9B8C7, #F3D8E0 and #FCF7F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9B8C7 shade: #E9B8C7, #E9E3B8 and #B8DBE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9B8C7 shade: #E9B8C7, #C8E9B8 and #B8C8E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9B8C7 shade: #E9B8C7, #E9E3B8, #B8E9DA and #B8BEE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9B8C7 shade: #E9B8C7, #E0E9B8, #B8E9DA and #C1B8E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

Complementary color

CMYK 69 / 0 / 21 / 72

HEX #164738

RGB 22 71 56

HSL 161.63, 0.53%, 0.18%

LAB 26.63, -20.66, 4.22

 

CMYK 0 / 23 / 18 / 7

HEX #EEB8C2

RGB 238 184 194

HSL 348.89, 0.61%, 0.83%

LAB 79.81, 20.96, 2.48

 

CMYK 0 / 21 / 16 / 0

HEX #FFCAD5

RGB 255 202 213

HSL 347.55, 1%, 0.9%

LAB 86.16, 20.4, 1.72

 

CMYK 0 / 14 / 9 / 0

HEX #FFDCE8

RGB 255 220 232

HSL 339.43, 1%, 0.93%

LAB 90.9, 14.03, -1.39

 

CMYK 0 / 7 / 2 / 0

HEX #FFEEFB

RGB 255 238 251

HSL 314.12, 1%, 0.97%

LAB 95.74, 7.96, -4.2

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 23 / 17 / 15

HEX #D8A6B4

RGB 216 166 180

HSL 343.2, 0.39%, 0.75%

LAB 73, 20.52, -0.08

 

CMYK 0 / 26 / 19 / 22

HEX #C794A1

RGB 199 148 161

HSL 344.71, 0.31%, 0.68%

LAB 66.44, 21.14, 0.7

 

CMYK 0 / 29 / 22 / 29

HEX #B6828E

RGB 182 130 142

HSL 346.15, 0.26%, 0.61%

LAB 59.77, 21.83, 1.55

 

CMYK 0 / 32 / 25 / 35

HEX #A5707B

RGB 165 112 123

HSL 347.55, 0.23%, 0.54%

LAB 52.97, 22.59, 2.48

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 21 / 20 / 9

HEX #E9B8BA

RGB 233 184 186

HSL 357.55, 0.53%, 0.82%

LAB 79.13, 17.95, 5.74

 

CMYK 0 / 21 / 21 / 9

HEX #E9B8B8

RGB 233 184 184

HSL 0, 0.53%, 0.82%

LAB 79.08, 17.65, 6.76

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 21 / 9 / 9

HEX #E9B8D4

RGB 233 184 212

HSL 325.71, 0.53%, 0.82%

LAB 79.82, 22.09, -7.3

 

CMYK 0 / 21 / 3 / 9

HEX #E9B8E1

RGB 233 184 225

HSL 309.8, 0.53%, 0.82%

LAB 80.2, 24.34, -13.74

 

CMYK 3 / 21 / 0 / 9

HEX #E3B8E9

RGB 227 184 233

HSL 292.65, 0.53%, 0.82%

LAB 79.89, 23.82, -18.56

 

CMYK 8 / 21 / 0 / 9

HEX #D6B8E9

RGB 214 184 233

HSL 276.73, 0.53%, 0.82%

LAB 78.73, 19.6, -20.44

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 26 / 18 / 6

HEX #F0B1C4

RGB 240 177 196

HSL 341.9, 0.68%, 0.82%

LAB 78.44, 25.7, -0.59

 

CMYK 0 / 32 / 22 / 3

HEX #F8A9C1

RGB 248 169 193

HSL 341.77, 0.85%, 0.82%

LAB 77.39, 32.31, -0.39

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 15 / 11 / 11

HEX #E2C0CA

RGB 226 192 202

HSL 342.35, 0.37%, 0.82%

LAB 80.81, 13.7, -0.52

 

CMYK 0 / 9 / 6 / 15

HEX #DAC7CD

RGB 218 199 205

HSL 341.05, 0.2%, 0.82%

LAB 81.93, 7.67, -0.59

 

CMYK 0 / 2 / 1 / 17

HEX #D3CFD0

RGB 211 207 208

HSL 345, 0.04%, 0.82%

LAB 83.46, 1.56, -0.02

 

CMYK 5 / 0 / 1 / 16

HEX #CBD6D3

RGB 203 214 211

HSL 163.64, 0.12%, 0.82%

LAB 84.74, -4.26, 0.18

 

CMYK 0 / 21 / 3 / 9

HEX #E9B8E2

RGB 233 184 226

HSL 308.57, 0.53%, 0.82%

LAB 80.23, 24.52, -14.23

 

CMYK 0 / 21 / 9 / 9

HEX #E9B8D5

RGB 233 184 213

HSL 324.49, 0.53%, 0.82%

LAB 79.85, 22.26, -7.8

 

CMYK 0 / 21 / 14 / 9

HEX #E9B8C8

RGB 233 184 200

HSL 340.41, 0.53%, 0.82%

LAB 79.49, 20.11, -1.31

 

CMYK 0 / 21 / 20 / 9

HEX #E9B8BB

RGB 233 184 187

HSL 356.33, 0.53%, 0.82%

LAB 79.15, 18.1, 5.24

 

CMYK 0 / 16 / 21 / 9

HEX #E9C3B8

RGB 233 195 184

HSL 13.47, 0.53%, 0.82%

LAB 81.74, 11.82, 10.56

 

CMYK 0 / 43 / 30 / 16

HEX #D67995

RGB 214 121 149

HSL 341.94, 0.53%, 0.66%

LAB 61.78, 39.44, 0.93

 

CMYK 0 / 31 / 22 / 13

HEX #DF99AE

RGB 223 153 174

HSL 342, 0.52%, 0.74%

LAB 70.54, 29.15, -0.26

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 11 / 8 / 5

HEX #F3D8E0

RGB 243 216 224

HSL 342.22, 0.53%, 0.9%

LAB 88.71, 10.65, -0.51

 

CMYK 0 / 2 / 1 / 1

HEX #FCF7F9

RGB 252 247 249

HSL 336, 0.45%, 0.98%

LAB 97.65, 2.01, -0.38

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 3 / 21 / 9

HEX #E9E3B8

RGB 233 227 184

HSL 52.65, 0.53%, 0.82%

LAB 89.73, -4.79, 21.78

 

CMYK 21 / 6 / 0 / 9

HEX #B8DBE9

RGB 184 219 233

HSL 197.14, 0.53%, 0.82%

LAB 85.37, -8.49, -10.68

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 14 / 0 / 21 / 9

HEX #C8E9B8

RGB 200 233 184

HSL 100.41, 0.53%, 0.82%

LAB 88.93, -19.57, 20.31

 

CMYK 21 / 14 / 0 / 9

HEX #B8C8E9

RGB 184 200 233

HSL 220.41, 0.53%, 0.82%

LAB 80.39, 1.49, -18.15

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 0 / 3 / 21 / 9

HEX #E9E3B8

RGB 233 227 184

HSL 52.65, 0.53%, 0.82%

LAB 89.73, -4.79, 21.78

 

CMYK 21 / 0 / 6 / 9

HEX #B8E9DA

RGB 184 233 218

HSL 161.63, 0.53%, 0.82%

LAB 88.7, -18.69, 2.12

 

CMYK 21 / 18 / 0 / 9

HEX #B8BEE9

RGB 184 190 233

HSL 232.65, 0.53%, 0.82%

LAB 77.82, 6.87, -22.05

 

CMYK 0 / 21 / 15 / 9

HEX #E9B8C7

RGB 233 184 199

HSL 341.63, 0.53%, 0.82%

LAB 79.46, 19.95, -0.8

 

CMYK 4 / 0 / 21 / 9

HEX #E0E9B8

RGB 224 233 184

HSL 71.02, 0.53%, 0.82%

LAB 90.59, -11.09, 22.86

 

CMYK 21 / 0 / 6 / 9

HEX #B8E9DA

RGB 184 233 218

HSL 161.63, 0.53%, 0.82%

LAB 88.7, -18.69, 2.12

 

CMYK 17 / 21 / 0 / 9

HEX #C1B8E9

RGB 193 184 233

HSL 251.02, 0.53%, 0.82%

LAB 76.98, 12.92, -23.26

 

Description

Color code: HEX #E9B8C7 | qconv.com Color code: HEX #E9B8C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 184 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 184 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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