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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9B195 it is the complementary color #164E6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9B195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9B195 shade: #EEB190, #FFC3A3, #FFD5B6, #FFE7C9 and #FFF9DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9B195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9B195 shade: #E9B195, #D89F82, #C78D6F, #B67B5C and #A56949

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9B195 shade: #E9B195, #E99A95 and #E99595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9B195 shade: #E9B195, #E9C795, #E9DE95, #DDE995 and #C6E995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9B195 shade matches the following richer shades: #E9B195, #F3AD8A and #FDAA80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9B195 shade: #E9B195, #DFB49F, #D4B8A9, #CABBB4 and #C0BEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9B195 shade: #E995A6, #E99A95, #E9B195, #E9C795 and #E9DE95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9B195 shade: #DB7E50, #E29872, #E9B195, #F0CAB7 and #F7E3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9B195 shade: #E9B195, #BCE995 and #959AE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9B195 shade: #E9B195, #95E9B1 and #B195E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9B195 shade: #E9B195, #BCE995, #95CDE9 and #C295E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9B195 shade: #E9B195, #A3E995, #95CDE9 and #DB95E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

Complementary color

CMYK 79 / 26 / 0 / 58

HEX #164E6A

RGB 22 78 106

HSL 200, 0.66%, 0.25%

LAB 31.02, -7.46, -21.35

 

CMYK 0 / 26 / 39 / 7

HEX #EEB190

RGB 238 177 144

HSL 21.06, 0.73%, 0.75%

LAB 77.06, 18.08, 25.57

 

CMYK 0 / 24 / 36 / 0

HEX #FFC3A3

RGB 255 195 163

HSL 20.87, 1%, 0.82%

LAB 83.41, 17.31, 24.38

 

CMYK 0 / 16 / 29 / 0

HEX #FFD5B6

RGB 255 213 182

HSL 25.48, 1%, 0.86%

LAB 88.08, 10.28, 20.82

 

CMYK 0 / 9 / 21 / 0

HEX #FFE7C9

RGB 255 231 201

HSL 33.33, 1%, 0.89%

LAB 92.85, 3.6, 17.59

 

CMYK 0 / 2 / 14 / 0

HEX #FFF9DC

RGB 255 249 220

HSL 49.71, 1%, 0.93%

LAB 97.7, -2.72, 14.64

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 26 / 40 / 15

HEX #D89F82

RGB 216 159 130

HSL 20.23, 0.52%, 0.68%

LAB 70.18, 17.5, 23.44

 

CMYK 0 / 29 / 44 / 22

HEX #C78D6F

RGB 199 141 111

HSL 20.45, 0.44%, 0.61%

LAB 63.62, 18.39, 24.77

 

CMYK 0 / 32 / 49 / 29

HEX #B67B5C

RGB 182 123 92

HSL 20.67, 0.38%, 0.54%

LAB 56.96, 19.41, 26.22

 

CMYK 0 / 36 / 56 / 35

HEX #A56949

RGB 165 105 73

HSL 20.87, 0.39%, 0.47%

LAB 50.2, 20.6, 27.85

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 34 / 36 / 9

HEX #E99A95

RGB 233 154 149

HSL 3.57, 0.66%, 0.75%

LAB 71.29, 28.96, 14.82

 

CMYK 0 / 36 / 36 / 9

HEX #E99595

RGB 233 149 149

HSL 0, 0.66%, 0.75%

LAB 70.17, 31.61, 13.25

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 15 / 36 / 9

HEX #E9C795

RGB 233 199 149

HSL 35.71, 0.66%, 0.75%

LAB 82.02, 5.1, 29.51

 

CMYK 0 / 5 / 36 / 9

HEX #E9DE95

RGB 233 222 149

HSL 52.14, 0.66%, 0.75%

LAB 87.84, -6.74, 37.19

 

CMYK 5 / 0 / 36 / 9

HEX #DDE995

RGB 221 233 149

HSL 68.57, 0.66%, 0.75%

LAB 89.78, -16.81, 39.52

 

CMYK 15 / 0 / 36 / 9

HEX #C6E995

RGB 198 233 149

HSL 85, 0.66%, 0.75%

LAB 88.19, -25.34, 37.15

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 29 / 43 / 5

HEX #F3AD8A

RGB 243 173 138

HSL 20, 0.81%, 0.75%

LAB 76.54, 21.5, 28.17

 

CMYK 0 / 33 / 49 / 1

HEX #FDAA80

RGB 253 170 128

HSL 20.16, 0.97%, 0.75%

LAB 76.79, 26.01, 34.02

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 19 / 29 / 13

HEX #DFB49F

RGB 223 180 159

HSL 19.69, 0.5%, 0.75%

LAB 76.58, 12.53, 16.59

 

CMYK 0 / 13 / 20 / 17

HEX #D4B8A9

RGB 212 184 169

HSL 20.93, 0.33%, 0.75%

LAB 76.77, 7.65, 11.3

 

CMYK 0 / 7 / 11 / 21

HEX #CABBB4

RGB 202 187 180

HSL 19.09, 0.17%, 0.75%

LAB 76.92, 4.11, 5.44

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBE

RGB 192 190 190

HSL 0, 0.02%, 0.75%

LAB 77.13, 0.7, 0.24

 

CMYK 0 / 36 / 29 / 9

HEX #E995A6

RGB 233 149 166

HSL 347.86, 0.66%, 0.75%

LAB 70.57, 33.76, 4.37

 

CMYK 0 / 34 / 36 / 9

HEX #E99A95

RGB 233 154 149

HSL 3.57, 0.66%, 0.75%

LAB 71.29, 28.96, 14.82

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 15 / 36 / 9

HEX #E9C795

RGB 233 199 149

HSL 35.71, 0.66%, 0.75%

LAB 82.02, 5.1, 29.51

 

CMYK 0 / 5 / 36 / 9

HEX #E9DE95

RGB 233 222 149

HSL 52.14, 0.66%, 0.75%

LAB 87.84, -6.74, 37.19

 

CMYK 0 / 42 / 63 / 14

HEX #DB7E50

RGB 219 126 80

HSL 19.86, 0.66%, 0.59%

LAB 62.14, 31.95, 40.23

 

CMYK 0 / 33 / 50 / 11

HEX #E29872

RGB 226 152 114

HSL 20.36, 0.66%, 0.67%

LAB 69.36, 23.6, 31.24

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 0 / 16 / 24 / 6

HEX #F0CAB7

RGB 240 202 183

HSL 20, 0.66%, 0.83%

LAB 84.06, 10.57, 14.47

 

CMYK 0 / 8 / 12 / 3

HEX #F7E3D9

RGB 247 227 217

HSL 20, 0.65%, 0.91%

LAB 91.56, 5.2, 7.34

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 19 / 0 / 36 / 9

HEX #BCE995

RGB 188 233 149

HSL 92.14, 0.66%, 0.75%

LAB 87.55, -28.93, 36.2

 

CMYK 36 / 34 / 0 / 9

HEX #959AE9

RGB 149 154 233

HSL 236.43, 0.66%, 0.75%

LAB 66.05, 16.81, -40.42

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 36 / 0 / 24 / 9

HEX #95E9B1

RGB 149 233 177

HSL 140, 0.66%, 0.75%

LAB 85.93, -37.15, 19.32

 

CMYK 24 / 36 / 0 / 9

HEX #B195E9

RGB 177 149 233

HSL 260, 0.66%, 0.75%

LAB 67.07, 27.51, -38.65

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 19 / 0 / 36 / 9

HEX #BCE995

RGB 188 233 149

HSL 92.14, 0.66%, 0.75%

LAB 87.55, -28.93, 36.2

 

CMYK 36 / 12 / 0 / 9

HEX #95CDE9

RGB 149 205 233

HSL 200, 0.66%, 0.75%

LAB 79.58, -11.23, -19.59

 

CMYK 17 / 36 / 0 / 9

HEX #C295E9

RGB 194 149 233

HSL 272.14, 0.66%, 0.75%

LAB 68.64, 32.52, -36.09

 

CMYK 0 / 24 / 36 / 9

HEX #E9B195

RGB 233 177 149

HSL 20, 0.66%, 0.75%

LAB 76.64, 16.71, 22.23

 

CMYK 30 / 0 / 36 / 9

HEX #A3E995

RGB 163 233 149

HSL 110, 0.66%, 0.75%

LAB 86.12, -37.46, 34.06

 

CMYK 36 / 12 / 0 / 9

HEX #95CDE9

RGB 149 205 233

HSL 200, 0.66%, 0.75%

LAB 79.58, -11.23, -19.59

 

CMYK 6 / 36 / 0 / 9

HEX #DB95E9

RGB 219 149 233

HSL 290, 0.66%, 0.75%

LAB 71.17, 40.08, -31.96

 

Description

Color code: HEX #E9B195 | qconv.com Color code: HEX #E9B195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 177 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 177 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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