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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9C243 it is the complementary color #163DBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9C243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9C243 shade: #EEC23E, #FFD451, #FFE664, #FFF877 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9C243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9C243 shade: #E9C243, #D8B030, #C79E1D, #B68C0A and #A57A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9C243 shade: #E9C243, #E99543, #E96943 and #E94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9C243 shade: #E9C243, #E3E943, #B6E943, #8AE943 and #5DE943

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9C243 shade matches the following richer shades: #E9C243 and #F9CB32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9C243 shade: #E9C243, #D8B954, #C7B065, #B6A776 and #A59E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9C243 shade: #E96743, #E99343, #E9BF43, #E6E943 and #BAE943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9C243 shade: #C39A16, #E4B61E, #E9C243, #EDCE68 and #F1DA8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9C243 shade: #E9C243, #4CE943 and #7D43E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9C243 shade: #E9C243, #43E9BF and #BF43E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9C243 shade: #E9C243, #4CE943, #436DE9 and #E043E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9C243 shade: #E9C243, #43E96D, #436DE9 and #E943BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

Complementary color

CMYK 88 / 68 / 0 / 26

HEX #163DBC

RGB 22 61 188

HSL 225.9, 0.79%, 0.41%

LAB 32.12, 36.81, -69.64

 

CMYK 0 / 18 / 74 / 7

HEX #EEC23E

RGB 238 194 62

HSL 45, 0.84%, 0.59%

LAB 80.24, 2.89, 68.32

 

CMYK 0 / 17 / 68 / 0

HEX #FFD451

RGB 255 212 81

HSL 45.17, 1%, 0.66%

LAB 86.47, 1.66, 67.74

 

CMYK 0 / 10 / 61 / 0

HEX #FFE664

RGB 255 230 100

HSL 50.32, 1%, 0.7%

LAB 91.13, -6.33, 64.78

 

CMYK 0 / 3 / 53 / 0

HEX #FFF877

RGB 255 248 119

HSL 56.91, 1%, 0.73%

LAB 95.88, -13.86, 61.82

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 0 / 19 / 78 / 15

HEX #D8B030

RGB 216 176 48

HSL 45.71, 0.68%, 0.52%

LAB 73.46, 2.3, 66.13

 

CMYK 0 / 21 / 85 / 22

HEX #C79E1D

RGB 199 158 29

HSL 45.53, 0.75%, 0.45%

LAB 67.04, 3.84, 65.63

 

CMYK 0 / 23 / 95 / 29

HEX #B68C0A

RGB 182 140 10

HSL 45.35, 0.9%, 0.38%

LAB 60.54, 5.64, 63.76

 

CMYK 0 / 26 / 100 / 35

HEX #A57A00

RGB 165 122 0

HSL 44.36, 1%, 0.32%

LAB 53.94, 7.73, 59.87

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 0 / 36 / 71 / 9

HEX #E99543

RGB 233 149 67

HSL 29.64, 0.79%, 0.59%

LAB 68.91, 24.74, 54.72

 

CMYK 0 / 55 / 71 / 9

HEX #E96943

RGB 233 105 67

HSL 13.73, 0.79%, 0.59%

LAB 59.74, 47.21, 44.8

 

CMYK 0 / 71 / 71 / 9

HEX #E94343

RGB 233 67 67

HSL 0, 0.79%, 0.59%

LAB 53.75, 63.18, 38

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 3 / 0 / 71 / 9

HEX #E3E943

RGB 227 233 67

HSL 62.17, 0.79%, 0.59%

LAB 89.4, -21.07, 75.03

 

CMYK 22 / 0 / 71 / 9

HEX #B6E943

RGB 182 233 67

HSL 78.43, 0.79%, 0.59%

LAB 86.32, -38.91, 70.98

 

CMYK 41 / 0 / 71 / 9

HEX #8AE943

RGB 138 233 67

HSL 94.34, 0.79%, 0.59%

LAB 84.01, -54.42, 67.92

 

CMYK 60 / 0 / 71 / 9

HEX #5DE943

RGB 93 233 67

HSL 110.6, 0.79%, 0.59%

LAB 82.38, -66.83, 65.74

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 0 / 18 / 80 / 2

HEX #F9CB32

RGB 249 203 50

HSL 46.13, 0.94%, 0.59%

LAB 83.49, 2.47, 75.69

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 0 / 14 / 61 / 15

HEX #D8B954

RGB 216 185 84

HSL 45.91, 0.63%, 0.59%

LAB 76.03, -0.55, 54.17

 

CMYK 0 / 12 / 49 / 22

HEX #C7B065

RGB 199 176 101

HSL 45.92, 0.47%, 0.59%

LAB 72.32, -1.58, 41.21

 

CMYK 0 / 8 / 35 / 29

HEX #B6A776

RGB 182 167 118

HSL 45.94, 0.3%, 0.59%

LAB 68.67, -1.93, 27.34

 

CMYK 0 / 4 / 18 / 35

HEX #A59E87

RGB 165 158 135

HSL 46, 0.14%, 0.59%

LAB 65.12, -1.41, 12.94

 

CMYK 0 / 56 / 71 / 9

HEX #E96743

RGB 233 103 67

HSL 13.01, 0.79%, 0.59%

LAB 59.37, 48.16, 44.39

 

CMYK 0 / 37 / 71 / 9

HEX #E99343

RGB 233 147 67

HSL 28.92, 0.79%, 0.59%

LAB 68.46, 25.8, 54.24

 

CMYK 0 / 18 / 71 / 9

HEX #E9BF43

RGB 233 191 67

HSL 44.82, 0.79%, 0.59%

LAB 79.04, 2.55, 65.08

 

CMYK 1 / 0 / 71 / 9

HEX #E6E943

RGB 230 233 67

HSL 61.08, 0.79%, 0.59%

LAB 89.63, -19.85, 75.33

 

CMYK 20 / 0 / 71 / 9

HEX #BAE943

RGB 186 233 67

HSL 76.99, 0.79%, 0.59%

LAB 86.56, -37.38, 71.31

 

CMYK 0 / 21 / 89 / 24

HEX #C39A16

RGB 195 154 22

HSL 45.78, 0.8%, 0.43%

LAB 65.57, 4.06, 65.96

 

CMYK 0 / 20 / 87 / 11

HEX #E4B61E

RGB 228 182 30

HSL 46.06, 0.79%, 0.51%

LAB 76.1, 3.84, 73.96

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 0 / 13 / 56 / 7

HEX #EDCE68

RGB 237 206 104

HSL 46.02, 0.79%, 0.67%

LAB 83.52, -1.25, 53.96

 

CMYK 0 / 10 / 41 / 5

HEX #F1DA8D

RGB 241 218 141

HSL 46.2, 0.78%, 0.75%

LAB 87.37, -2.46, 40.74

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 67 / 0 / 71 / 9

HEX #4CE943

RGB 76 233 67

HSL 116.75, 0.79%, 0.59%

LAB 81.96, -70.34, 65.17

 

CMYK 46 / 71 / 0 / 9

HEX #7D43E9

RGB 125 67 233

HSL 260.96, 0.79%, 0.59%

LAB 44.6, 59.89, -74.87

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 71 / 0 / 18 / 9

HEX #43E9BF

RGB 67 233 191

HSL 164.82, 0.79%, 0.59%

LAB 83.56, -51.8, 8.3

 

CMYK 18 / 71 / 0 / 9

HEX #BF43E9

RGB 191 67 233

HSL 284.82, 0.79%, 0.59%

LAB 52.92, 71.92, -60.98

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 67 / 0 / 71 / 9

HEX #4CE943

RGB 76 233 67

HSL 116.75, 0.79%, 0.59%

LAB 81.96, -70.34, 65.17

 

CMYK 71 / 53 / 0 / 9

HEX #436DE9

RGB 67 109 233

HSL 224.82, 0.79%, 0.59%

LAB 49.51, 26.88, -67.05

 

CMYK 4 / 71 / 0 / 9

HEX #E043E9

RGB 224 67 233

HSL 296.75, 0.79%, 0.59%

LAB 57.79, 78.58, -52.91

 

CMYK 0 / 17 / 71 / 9

HEX #E9C243

RGB 233 194 67

HSL 45.9, 0.79%, 0.59%

LAB 79.79, 0.99, 65.83

 

CMYK 71 / 0 / 53 / 9

HEX #43E96D

RGB 67 233 109

HSL 135.18, 0.79%, 0.59%

LAB 82.15, -67.38, 47.81

 

CMYK 71 / 53 / 0 / 9

HEX #436DE9

RGB 67 109 233

HSL 224.82, 0.79%, 0.59%

LAB 49.51, 26.88, -67.05

 

CMYK 0 / 71 / 18 / 9

HEX #E943BF

RGB 233 67 191

HSL 315.18, 0.79%, 0.59%

LAB 57.17, 74.34, -29.93

 

Description

Color code: HEX #E9C243 | qconv.com Color code: HEX #E9C243 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 194 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 194 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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