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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9DE4F it is the complementary color #1621B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9DE4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9DE4F shade: #EEDE4A, #FFF05D, #FFFF70, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9DE4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9DE4F shade: #E9DE4F, #D8CC3C, #C7BA29, #B6A816 and #A59603

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9DE4F shade: #E9DE4D, #E9B44D, #E98A4D, #E9604D and #E94D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9DE4F shade: #E9DE4D, #CAE94D, #A0E94D, #76E94D and #4DE94F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9DE4F shade matches the following richer shades: #E9DE4D and #F9EB3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9DE4F shade: #E9DE4D, #D9D05E, #C8C26E, #B8B47E and #A8A68E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9DE4F shade: #E9894D, #E9B24D, #E9DC4D, #CCE94D and #A3E94D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9DE4F shade: #CBBE19, #E4D729, #E9DE4D, #EDE472 and #F2EB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9DE4F shade: #E9DE4F, #4DE960 and #9E4DE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9DE4F shade: #E9DE4F, #4DE9DC and #DC4DE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9DE4F shade: #E9DE4F, #4DE960, #4D5AE9 and #E94DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9DE4F shade: #E9DE4F, #4DE98E, #4D5AE9 and #E94DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

Complementary color

CMYK 88 / 81 / 0 / 31

HEX #1621B0

RGB 22 33 176

HSL 235.71, 0.78%, 0.39%

LAB 24.93, 49.01, -74.4

 

CMYK 0 / 7 / 69 / 7

HEX #EEDE4A

RGB 238 222 74

HSL 54.15, 0.83%, 0.61%

LAB 87.44, -10.81, 70.94

 

CMYK 0 / 6 / 64 / 0

HEX #FFF05D

RGB 255 240 93

HSL 54.44, 1%, 0.68%

LAB 93.61, -11.71, 70.36

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

CMYK 0 / 6 / 72 / 15

HEX #D8CC3C

RGB 216 204 60

HSL 55.38, 0.67%, 0.54%

LAB 80.8, -11.67, 68.88

 

CMYK 0 / 7 / 79 / 22

HEX #C7BA29

RGB 199 186 41

HSL 55.06, 0.66%, 0.47%

LAB 74.46, -10.55, 68.64

 

CMYK 0 / 8 / 88 / 29

HEX #B6A816

RGB 182 168 22

HSL 54.75, 0.78%, 0.4%

LAB 68.03, -9.21, 67.38

 

CMYK 0 / 9 / 98 / 35

HEX #A59603

RGB 165 150 3

HSL 54.44, 0.96%, 0.33%

LAB 61.5, -7.65, 64.73

 

CMYK 0 / 5 / 67 / 9

HEX #E9DE4D

RGB 233 222 77

HSL 55.77, 0.78%, 0.61%

LAB 87.05, -12.73, 69.27

 

CMYK 0 / 23 / 67 / 9

HEX #E9B44D

RGB 233 180 77

HSL 39.62, 0.78%, 0.61%

LAB 76.38, 8.83, 58.16

 

CMYK 0 / 41 / 67 / 9

HEX #E98A4D

RGB 233 138 77

HSL 23.46, 0.78%, 0.61%

LAB 66.55, 31.07, 47.36

 

CMYK 0 / 59 / 67 / 9

HEX #E9604D

RGB 233 96 77

HSL 7.31, 0.78%, 0.61%

LAB 58.25, 51.9, 37.72

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 5 / 67 / 9

HEX #E9DE4D

RGB 233 222 77

HSL 55.77, 0.78%, 0.61%

LAB 87.05, -12.73, 69.27

 

CMYK 13 / 0 / 67 / 9

HEX #CAE94D

RGB 202 233 77

HSL 71.92, 0.78%, 0.61%

LAB 87.66, -30.59, 69.16

 

CMYK 31 / 0 / 67 / 9

HEX #A0E94D

RGB 160 233 77

HSL 88.08, 0.78%, 0.61%

LAB 85.14, -46.33, 65.76

 

CMYK 49 / 0 / 67 / 9

HEX #76E94D

RGB 118 233 77

HSL 104.23, 0.78%, 0.61%

LAB 83.27, -59.69, 63.21

 

CMYK 67 / 0 / 66 / 9

HEX #4DE94F

RGB 77 233 79

HSL 120.77, 0.78%, 0.61%

LAB 82.07, -69.12, 60.78

 

CMYK 0 / 5 / 67 / 9

HEX #E9DE4D

RGB 233 222 77

HSL 55.77, 0.78%, 0.61%

LAB 87.05, -12.73, 69.27

 

CMYK 0 / 6 / 76 / 2

HEX #F9EB3D

RGB 249 235 61

HSL 55.53, 0.94%, 0.61%

LAB 91.64, -13.24, 79.68

 

CMYK 0 / 5 / 67 / 9

HEX #E9DE4D

RGB 233 222 77

HSL 55.77, 0.78%, 0.61%

LAB 87.05, -12.73, 69.27

 

CMYK 0 / 4 / 57 / 15

HEX #D9D05E

RGB 217 208 94

HSL 55.61, 0.62%, 0.61%

LAB 82.2, -11.25, 56.59

 

CMYK 0 / 3 / 45 / 22

HEX #C8C26E

RGB 200 194 110

HSL 56, 0.45%, 0.61%

LAB 77.27, -9.69, 42.81

 

CMYK 0 / 2 / 32 / 28

HEX #B8B47E

RGB 184 180 126

HSL 55.86, 0.29%, 0.61%

LAB 72.45, -7.03, 28.12

 

CMYK 0 / 1 / 15 / 34

HEX #A8A68E

RGB 168 166 142

HSL 55.38, 0.13%, 0.61%

LAB 67.69, -3.48, 12.7

 

CMYK 0 / 41 / 67 / 9

HEX #E9894D

RGB 233 137 77

HSL 23.08, 0.78%, 0.61%

LAB 66.33, 31.6, 47.11

 

CMYK 0 / 24 / 67 / 9

HEX #E9B24D

RGB 233 178 77

HSL 38.85, 0.78%, 0.61%

LAB 75.88, 9.88, 57.64

 

CMYK 0 / 6 / 67 / 9

HEX #E9DC4D

RGB 233 220 77

HSL 55, 0.78%, 0.61%

LAB 86.53, -11.73, 68.74

 

CMYK 12 / 0 / 67 / 9

HEX #CCE94D

RGB 204 233 77

HSL 71.15, 0.78%, 0.61%

LAB 87.8, -29.8, 69.34

 

CMYK 30 / 0 / 67 / 9

HEX #A3E94D

RGB 163 233 77

HSL 86.92, 0.78%, 0.61%

LAB 85.3, -45.27, 65.97

 

CMYK 0 / 6 / 88 / 20

HEX #CBBE19

RGB 203 190 25

HSL 55.62, 0.78%, 0.45%

LAB 75.82, -11.29, 73.8

 

CMYK 0 / 6 / 82 / 11

HEX #E4D729

RGB 228 215 41

HSL 55.83, 0.78%, 0.53%

LAB 84.61, -12.79, 78.38

 

CMYK 0 / 5 / 67 / 9

HEX #E9DE4D

RGB 233 222 77

HSL 55.77, 0.78%, 0.61%

LAB 87.05, -12.73, 69.27

 

CMYK 0 / 4 / 52 / 7

HEX #EDE472

RGB 237 228 114

HSL 55.61, 0.77%, 0.69%

LAB 89.26, -11.58, 56.02

 

CMYK 0 / 3 / 38 / 5

HEX #F2EB97

RGB 242 235 151

HSL 55.38, 0.78%, 0.77%

LAB 91.92, -9.57, 41.61

 

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

CMYK 67 / 0 / 59 / 9

HEX #4DE960

RGB 77 233 96

HSL 127.31, 0.78%, 0.61%

LAB 82.22, -67.34, 53.83

 

CMYK 32 / 67 / 0 / 9

HEX #9E4DE9

RGB 158 77 233

HSL 271.15, 0.78%, 0.61%

LAB 50.05, 61.18, -65.83

 

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

CMYK 67 / 0 / 6 / 9

HEX #4DE9DC

RGB 77 233 220

HSL 175, 0.78%, 0.61%

LAB 84.5, -43.13, -5.6

 

CMYK 6 / 67 / 0 / 9

HEX #DC4DE9

RGB 220 77 233

HSL 295, 0.78%, 0.61%

LAB 58.42, 74.26, -51.95

 

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

CMYK 67 / 0 / 59 / 9

HEX #4DE960

RGB 77 233 96

HSL 127.31, 0.78%, 0.61%

LAB 82.22, -67.34, 53.83

 

CMYK 67 / 61 / 0 / 9

HEX #4D5AE9

RGB 77 90 233

HSL 235, 0.78%, 0.61%

LAB 45.32, 39.98, -73.85

 

CMYK 0 / 67 / 8 / 9

HEX #E94DD7

RGB 233 77 215

HSL 306.92, 0.78%, 0.61%

LAB 59.47, 74.32, -40.03

 

CMYK 0 / 5 / 66 / 9

HEX #E9DE4F

RGB 233 222 79

HSL 55.71, 0.78%, 0.61%

LAB 87.06, -12.62, 68.52

 

CMYK 67 / 0 / 39 / 9

HEX #4DE98E

RGB 77 233 142

HSL 145, 0.78%, 0.61%

LAB 82.81, -60.56, 32.63

 

CMYK 67 / 61 / 0 / 9

HEX #4D5AE9

RGB 77 90 233

HSL 235, 0.78%, 0.61%

LAB 45.32, 39.98, -73.85

 

CMYK 0 / 67 / 28 / 9

HEX #E94DA8

RGB 233 77 168

HSL 325, 0.78%, 0.61%

LAB 57.52, 67.91, -16.09

 

Description

Color code: HEX #E9DE4F | qconv.com Color code: HEX #E9DE4F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 222 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 222 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 66 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 66% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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