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Color name
HEX #E9E5A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9E5A4 it is the complementary color #161A5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9E5A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9E5A4 shade: #EEE59F, #FFF7B2, #FFFFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9E5A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9E5A4 shade: #E9E5A4, #D8D391, #C7C17E, #B6AF6B and #A59D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9E5A4 shade: #E9E5A4, #E9D2A4, #E9C0A4, #E9ADA4 and #E9A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9E5A4 shade: #E9E5A4, #DAE9A4, #C8E9A4, #B5E9A4 and #A4E9A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9E5A4 shade matches the following richer shades: #E9E5A4, #F2ED9B and #FBF592

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9E5A4 shade: #E9E5A4, #E0DDAD, #D6D5B6, #CDCDBF and #C4C5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9E5A4 shade: #E9C0A4, #E9D2A4, #E9E4A4, #DBE9A4 and #C9E9A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9E5A4 shade: #D9D262, #E1DB83, #E9E5A4, #F1EEC5 and #F9F8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9E5A4 shade: #E9E5A4, #A4E9AD and #C9A4E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9E5A4 shade: #E9E5A4, #A4E9E4 and #E4A4E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9E5A4 shade: #E9E5A4, #A4E9AD, #A4A9E9 and #E9A4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9E5A4 shade: #E9E5A4, #A4E9C2, #A4A9E9 and #E9A4CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

Complementary color

CMYK 76 / 71 / 0 / 64

HEX #161A5B

RGB 22 26 91

HSL 236.52, 0.61%, 0.22%

LAB 13.62, 22.77, -39.42

 

CMYK 0 / 4 / 33 / 7

HEX #EEE59F

RGB 238 229 159

HSL 53.16, 0.7%, 0.78%

LAB 90.19, -7.19, 35.29

 

CMYK 0 / 3 / 30 / 0

HEX #FFF7B2

RGB 255 247 178

HSL 53.77, 1%, 0.85%

LAB 96.41, -7.5, 34.21

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 0 / 2 / 33 / 15

HEX #D8D391

RGB 216 211 145

HSL 55.77, 0.48%, 0.71%

LAB 83.56, -8.19, 33.36

 

CMYK 0 / 3 / 37 / 22

HEX #C7C17E

RGB 199 193 126

HSL 55.07, 0.39%, 0.64%

LAB 77.15, -7.86, 34.51

 

CMYK 0 / 4 / 41 / 29

HEX #B6AF6B

RGB 182 175 107

HSL 54.4, 0.34%, 0.57%

LAB 70.64, -7.46, 35.71

 

CMYK 0 / 5 / 47 / 35

HEX #A59D58

RGB 165 157 88

HSL 53.77, 0.3%, 0.5%

LAB 64.01, -6.98, 36.96

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 0 / 10 / 30 / 9

HEX #E9D2A4

RGB 233 210 164

HSL 40, 0.61%, 0.78%

LAB 85.05, 1.22, 25.75

 

CMYK 0 / 18 / 30 / 9

HEX #E9C0A4

RGB 233 192 164

HSL 24.35, 0.61%, 0.78%

LAB 80.57, 10.63, 19.61

 

CMYK 0 / 26 / 30 / 9

HEX #E9ADA4

RGB 233 173 164

HSL 7.83, 0.61%, 0.78%

LAB 76, 20.72, 13.22

 

CMYK 0 / 30 / 30 / 9

HEX #E9A4A4

RGB 233 164 164

HSL 0, 0.61%, 0.78%

LAB 73.9, 25.52, 10.25

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 6 / 0 / 30 / 9

HEX #DAE9A4

RGB 218 233 164

HSL 73.04, 0.61%, 0.78%

LAB 89.8, -16.06, 31.95

 

CMYK 14 / 0 / 30 / 9

HEX #C8E9A4

RGB 200 233 164

HSL 88.7, 0.61%, 0.78%

LAB 88.56, -22.59, 30.08

 

CMYK 22 / 0 / 30 / 9

HEX #B5E9A4

RGB 181 233 164

HSL 105.22, 0.61%, 0.78%

LAB 87.38, -29.21, 28.29

 

CMYK 30 / 0 / 29 / 9

HEX #A4E9A6

RGB 164 233 166

HSL 121.74, 0.61%, 0.78%

LAB 86.47, -34.49, 25.87

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 0 / 2 / 36 / 5

HEX #F2ED9B

RGB 242 237 155

HSL 56.55, 0.77%, 0.78%

LAB 92.49, -10.12, 40.36

 

CMYK 0 / 2 / 42 / 2

HEX #FBF592

RGB 251 245 146

HSL 56.57, 0.93%, 0.78%

LAB 95.11, -11.58, 48.26

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 0 / 1 / 23 / 12

HEX #E0DDAD

RGB 224 221 173

HSL 56.47, 0.45%, 0.78%

LAB 87.28, -6.61, 24

 

CMYK 0 / 0 / 15 / 16

HEX #D6D5B6

RGB 214 213 182

HSL 58.13, 0.28%, 0.78%

LAB 84.62, -4.86, 15.47

 

CMYK 0 / 0 / 7 / 20

HEX #CDCDBF

RGB 205 205 191

HSL 60, 0.12%, 0.78%

LAB 82.06, -2.47, 6.96

 

CMYK 2 / 1 / 0 / 22

HEX #C4C5C8

RGB 196 197 200

HSL 225, 0.04%, 0.78%

LAB 79.52, 0.22, -1.63

 

CMYK 0 / 18 / 30 / 9

HEX #E9C0A4

RGB 233 192 164

HSL 24.35, 0.61%, 0.78%

LAB 80.57, 10.63, 19.61

 

CMYK 0 / 10 / 30 / 9

HEX #E9D2A4

RGB 233 210 164

HSL 40, 0.61%, 0.78%

LAB 85.05, 1.22, 25.75

 

CMYK 0 / 2 / 30 / 9

HEX #E9E4A4

RGB 233 228 164

HSL 55.65, 0.61%, 0.78%

LAB 89.62, -7.97, 31.92

 

CMYK 6 / 0 / 30 / 9

HEX #DBE9A4

RGB 219 233 164

HSL 72.17, 0.61%, 0.78%

LAB 89.87, -15.69, 32.06

 

CMYK 14 / 0 / 30 / 9

HEX #C9E9A4

RGB 201 233 164

HSL 87.83, 0.61%, 0.78%

LAB 88.63, -22.23, 30.18

 

CMYK 0 / 3 / 55 / 15

HEX #D9D262

RGB 217 210 98

HSL 56.47, 0.61%, 0.62%

LAB 82.77, -11.95, 55.42

 

CMYK 0 / 3 / 42 / 12

HEX #E1DB83

RGB 225 219 131

HSL 56.17, 0.61%, 0.7%

LAB 86.16, -10.29, 43.91

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 0 / 1 / 18 / 5

HEX #F1EEC5

RGB 241 238 197

HSL 55.91, 0.61%, 0.86%

LAB 93.4, -5.58, 20.25

 

CMYK 0 / 0 / 7 / 2

HEX #F9F8E7

RGB 249 248 231

HSL 56.67, 0.6%, 0.94%

LAB 97.25, -2.55, 8.27

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 30 / 0 / 26 / 9

HEX #A4E9AD

RGB 164 233 173

HSL 127.83, 0.61%, 0.78%

LAB 86.6, -33.31, 22.44

 

CMYK 14 / 30 / 0 / 9

HEX #C9A4E9

RGB 201 164 233

HSL 272.17, 0.61%, 0.78%

LAB 72.79, 26.39, -29.61

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 30 / 0 / 2 / 9

HEX #A4E9E4

RGB 164 233 228

HSL 175.65, 0.61%, 0.78%

LAB 87.86, -22.47, -4.49

 

CMYK 2 / 30 / 0 / 9

HEX #E4A4E9

RGB 228 164 233

HSL 295.65, 0.61%, 0.78%

LAB 75.41, 34.87, -25.38

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 30 / 0 / 26 / 9

HEX #A4E9AD

RGB 164 233 173

HSL 127.83, 0.61%, 0.78%

LAB 86.6, -33.31, 22.44

 

CMYK 30 / 27 / 0 / 9

HEX #A4A9E9

RGB 164 169 233

HSL 235.65, 0.61%, 0.78%

LAB 70.98, 12.5, -32.67

 

CMYK 0 / 30 / 4 / 9

HEX #E9A4DF

RGB 233 164 223

HSL 308.7, 0.61%, 0.78%

LAB 75.58, 34.66, -19.63

 

CMYK 0 / 2 / 30 / 9

HEX #E9E5A4

RGB 233 229 164

HSL 56.52, 0.61%, 0.78%

LAB 89.88, -8.47, 32.26

 

CMYK 30 / 0 / 17 / 9

HEX #A4E9C2

RGB 164 233 194

HSL 146.09, 0.61%, 0.78%

LAB 87.03, -29.5, 12.13

 

CMYK 30 / 27 / 0 / 9

HEX #A4A9E9

RGB 164 169 233

HSL 235.65, 0.61%, 0.78%

LAB 70.98, 12.5, -32.67

 

CMYK 0 / 30 / 13 / 9

HEX #E9A4CB

RGB 233 164 203

HSL 326.09, 0.61%, 0.78%

LAB 74.94, 31.27, -9.65

 

Description

Color code: HEX #E9E5A4 | qconv.com Color code: HEX #E9E5A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 229 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 229 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 30% 9% C M Y K

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Provide designers and agencies with accurate color values.

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