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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9E6B6 it is the complementary color #161949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9E6B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9E6B6 shade: #EEE6B1, #FFF8C4, #FFFFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9E6B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9E6B6 shade: #E9E6B6, #D8D4A3, #C7C290, #B6B07D and #A59E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9E6B6 shade: #E8E5B4, #E8D7B4, #E8C9B4, #E8BBB4 and #E8B4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9E6B6 shade: #E8E5B4, #DDE8B4, #CFE8B4, #C1E8B4 and #B4E8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9E6B6 shade matches the following richer shades: #E8E5B4, #F0ECAC and #F8F3A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9E6B6 shade: #E8E5B4, #E0DEBC, #D9D7C4, #D1D0CB and #C9C9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9E6B6 shade: #E8C9B4, #E8D7B4, #E8E5B4, #DEE8B4 and #D0E8B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9E6B6 shade: #D5D074, #DFDA94, #E8E5B4, #F2F0D4 and #FBFBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9E6B6 shade: #E9E6B6, #B4E8BB and #D0B4E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9E6B6 shade: #E9E6B6, #B4E8E5 and #E5B4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9E6B6 shade: #E9E6B6, #B4E8BB, #B4B7E8 and #E8B4E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9E6B6 shade: #E9E6B6, #B4E8CB, #B4B7E8 and #E8B4D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

Complementary color

CMYK 70 / 66 / 0 / 71

HEX #161949

RGB 22 25 73

HSL 236.47, 0.54%, 0.19%

LAB 11.6, 16.28, -30.44

 

CMYK 0 / 3 / 26 / 7

HEX #EEE6B1

RGB 238 230 177

HSL 52.13, 0.64%, 0.81%

LAB 90.75, -5.43, 26.86

 

CMYK 0 / 3 / 23 / 0

HEX #FFF8C4

RGB 255 248 196

HSL 52.88, 1%, 0.88%

LAB 96.98, -5.67, 25.88

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

CMYK 0 / 2 / 25 / 15

HEX #D8D4A3

RGB 216 212 163

HSL 55.47, 0.4%, 0.74%

LAB 84.14, -6.38, 24.8

 

CMYK 0 / 3 / 28 / 22

HEX #C7C290

RGB 199 194 144

HSL 54.55, 0.33%, 0.67%

LAB 77.72, -6.13, 25.85

 

CMYK 0 / 3 / 31 / 29

HEX #B6B07D

RGB 182 176 125

HSL 53.68, 0.28%, 0.6%

LAB 71.2, -5.84, 26.95

 

CMYK 0 / 4 / 36 / 35

HEX #A59E6A

RGB 165 158 106

HSL 52.88, 0.25%, 0.53%

LAB 64.56, -5.5, 28.12

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 0 / 7 / 22 / 9

HEX #E8D7B4

RGB 232 215 180

HSL 40.38, 0.53%, 0.81%

LAB 86.53, 0.42, 19.41

 

CMYK 0 / 13 / 22 / 9

HEX #E8C9B4

RGB 232 201 180

HSL 24.23, 0.53%, 0.81%

LAB 83.03, 7.71, 14.51

 

CMYK 0 / 19 / 22 / 9

HEX #E8BBB4

RGB 232 187 180

HSL 8.08, 0.53%, 0.81%

LAB 79.61, 15.1, 9.66

 

CMYK 0 / 22 / 22 / 9

HEX #E8B4B4

RGB 232 180 180

HSL 0, 0.53%, 0.81%

LAB 77.93, 18.83, 7.26

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 5 / 0 / 22 / 9

HEX #DDE8B4

RGB 221 232 180

HSL 72.69, 0.53%, 0.81%

LAB 90.04, -12.25, 24.12

 

CMYK 11 / 0 / 22 / 9

HEX #CFE8B4

RGB 207 232 180

HSL 88.85, 0.53%, 0.81%

LAB 89.05, -17.26, 22.61

 

CMYK 17 / 0 / 22 / 9

HEX #C1E8B4

RGB 193 232 180

HSL 105, 0.53%, 0.81%

LAB 88.13, -22.13, 21.2

 

CMYK 22 / 0 / 22 / 9

HEX #B4E8B5

RGB 180 232 181

HSL 121.15, 0.53%, 0.81%

LAB 87.36, -26.32, 19.5

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 0 / 2 / 28 / 6

HEX #F0ECAC

RGB 240 236 172

HSL 56.47, 0.69%, 0.81%

LAB 92.35, -8.35, 31.6

 

CMYK 0 / 2 / 34 / 3

HEX #F8F3A4

RGB 248 243 164

HSL 56.43, 0.86%, 0.81%

LAB 94.63, -9.8, 38.75

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 0 / 1 / 16 / 12

HEX #E0DEBC

RGB 224 222 188

HSL 56.67, 0.37%, 0.81%

LAB 87.83, -4.93, 16.95

 

CMYK 0 / 1 / 10 / 15

HEX #D9D7C4

RGB 217 215 196

HSL 54.29, 0.22%, 0.81%

LAB 85.67, -2.58, 9.61

 

CMYK 0 / 0 / 3 / 18

HEX #D1D0CB

RGB 209 208 203

HSL 50, 0.06%, 0.81%

LAB 83.43, -0.55, 2.59

 

CMYK 5 / 5 / 0 / 17

HEX #C9C9D3

RGB 201 201 211

HSL 240, 0.1%, 0.81%

LAB 81.23, 1.88, -4.98

 

CMYK 0 / 13 / 22 / 9

HEX #E8C9B4

RGB 232 201 180

HSL 24.23, 0.53%, 0.81%

LAB 83.03, 7.71, 14.51

 

CMYK 0 / 7 / 22 / 9

HEX #E8D7B4

RGB 232 215 180

HSL 40.38, 0.53%, 0.81%

LAB 86.53, 0.42, 19.41

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 4 / 0 / 22 / 9

HEX #DEE8B4

RGB 222 232 180

HSL 71.54, 0.53%, 0.81%

LAB 90.11, -11.89, 24.24

 

CMYK 10 / 0 / 22 / 9

HEX #D0E8B4

RGB 208 232 180

HSL 87.69, 0.53%, 0.81%

LAB 89.12, -16.9, 22.72

 

CMYK 0 / 2 / 46 / 16

HEX #D5D074

RGB 213 208 116

HSL 56.91, 0.54%, 0.65%

LAB 82.12, -11, 46.05

 

CMYK 0 / 2 / 34 / 13

HEX #DFDA94

RGB 223 218 148

HSL 56, 0.54%, 0.73%

LAB 85.99, -8.69, 35.12

 

CMYK 0 / 1 / 22 / 9

HEX #E8E5B4

RGB 232 229 180

HSL 56.54, 0.53%, 0.81%

LAB 90.09, -6.73, 24.33

 

CMYK 0 / 1 / 12 / 5

HEX #F2F0D4

RGB 242 240 212

HSL 56, 0.54%, 0.89%

LAB 94.29, -3.97, 13.78

 

CMYK 0 / 0 / 3 / 2

HEX #FBFBF3

RGB 251 251 243

HSL 60, 0.5%, 0.97%

LAB 98.42, -1.38, 3.82

 

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

CMYK 22 / 0 / 19 / 9

HEX #B4E8BB

RGB 180 232 187

HSL 128.08, 0.53%, 0.81%

LAB 87.49, -25.29, 16.55

 

CMYK 10 / 22 / 0 / 9

HEX #D0B4E8

RGB 208 180 232

HSL 272.31, 0.53%, 0.81%

LAB 77.21, 19.64, -22.26

 

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

CMYK 22 / 0 / 1 / 9

HEX #B4E8E5

RGB 180 232 229

HSL 176.54, 0.53%, 0.81%

LAB 88.48, -17.14, -3.99

 

CMYK 1 / 22 / 0 / 9

HEX #E5B4E8

RGB 229 180 232

HSL 296.54, 0.53%, 0.81%

LAB 79.11, 26.44, -19.19

 

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

CMYK 22 / 0 / 19 / 9

HEX #B4E8BB

RGB 180 232 187

HSL 128.08, 0.53%, 0.81%

LAB 87.49, -25.29, 16.55

 

CMYK 22 / 21 / 0 / 9

HEX #B4B7E8

RGB 180 183 232

HSL 236.54, 0.53%, 0.81%

LAB 75.7, 9.24, -24.77

 

CMYK 0 / 22 / 3 / 9

HEX #E8B4E1

RGB 232 180 225

HSL 308.08, 0.53%, 0.81%

LAB 79.18, 26.15, -15.29

 

CMYK 0 / 1 / 22 / 9

HEX #E9E6B6

RGB 233 230 182

HSL 56.47, 0.54%, 0.81%

LAB 90.46, -6.59, 23.82

 

CMYK 22 / 0 / 13 / 9

HEX #B4E8CB

RGB 180 232 203

HSL 146.54, 0.53%, 0.81%

LAB 87.84, -22.36, 8.7

 

CMYK 22 / 21 / 0 / 9

HEX #B4B7E8

RGB 180 183 232

HSL 236.54, 0.53%, 0.81%

LAB 75.7, 9.24, -24.77

 

CMYK 0 / 22 / 9 / 9

HEX #E8B4D2

RGB 232 180 210

HSL 325.38, 0.53%, 0.81%

LAB 78.72, 23.54, -7.85

 

Description

Color code: HEX #E9E6B6 | qconv.com Color code: HEX #E9E6B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 230 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 230 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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