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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECAC63 it is the complementary color #13539C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECAC63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECAC63 shade: #F1AC5E, #FFBE71, #FFD084, #FFE297 and #FFF4AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECAC63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECAC63 shade: #ECAC63, #DB9A50, #CA883D, #B9762A and #A86417

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECAC63 shade: #EBAC64, #EB8864 and #EB6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECAC63 shade: #EBAC64, #EBD164, #E2EB64, #BDEB64 and #99EB64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECAC63 shade matches the following richer shades: #EBAC64 and #F9AD56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECAC63 shade: #EBAC64, #DDAB72, #CFAA80, #C1A98E and #B3A99C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECAC63 shade: #EB6466, #EB8664, #EBAA64, #EBCE64 and #E5EB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECAC63 shade: #E2851B, #E7993F, #EBAC64, #F0C089 and #F5D3AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECAC63 shade: #ECAC63, #8AEB64 and #7464EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECAC63 shade: #ECAC63, #64EBAA and #AA64EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECAC63 shade: #ECAC63, #8AEB64, #64A6EB and #C564EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECAC63 shade: #ECAC63, #64EB66, #64A6EB and #EB64E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

Complementary color

CMYK 88 / 47 / 0 / 39

HEX #13539C

RGB 19 83 156

HSL 211.97, 0.78%, 0.34%

LAB 35.45, 9.15, -45.15

 

CMYK 0 / 29 / 61 / 5

HEX #F1AC5E

RGB 241 172 94

HSL 31.84, 0.84%, 0.66%

LAB 75.46, 17.44, 49.46

 

CMYK 0 / 25 / 56 / 0

HEX #FFBE71

RGB 255 190 113

HSL 32.54, 1%, 0.72%

LAB 81.44, 15.08, 47.59

 

CMYK 0 / 18 / 48 / 0

HEX #FFD084

RGB 255 208 132

HSL 37.07, 1%, 0.76%

LAB 86.03, 7.34, 43.8

 

CMYK 0 / 11 / 41 / 0

HEX #FFE297

RGB 255 226 151

HSL 43.27, 1%, 0.8%

LAB 90.73, -0.01, 40.29

 

CMYK 0 / 4 / 33 / 0

HEX #FFF4AA

RGB 255 244 170

HSL 52.24, 1%, 0.83%

LAB 95.52, -6.96, 37.04

 

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

CMYK 0 / 30 / 63 / 14

HEX #DB9A50

RGB 219 154 80

HSL 31.94, 0.66%, 0.59%

LAB 68.57, 16.97, 47.72

 

CMYK 0 / 33 / 70 / 21

HEX #CA883D

RGB 202 136 61

HSL 31.91, 0.57%, 0.52%

LAB 62.08, 18.38, 49.12

 

CMYK 0 / 36 / 77 / 27

HEX #B9762A

RGB 185 118 42

HSL 31.89, 0.63%, 0.45%

LAB 55.52, 20.01, 50.3

 

CMYK 0 / 40 / 86 / 34

HEX #A86417

RGB 168 100 23

HSL 31.86, 0.76%, 0.37%

LAB 48.89, 21.92, 50.87

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC64

RGB 235 172 100

HSL 32, 0.77%, 0.66%

LAB 74.88, 15.41, 45.65

 

CMYK 0 / 42 / 57 / 8

HEX #EB8864

RGB 235 136 100

HSL 16, 0.77%, 0.66%

LAB 66.67, 34.43, 35.57

 

CMYK 0 / 57 / 57 / 8

HEX #EB6464

RGB 235 100 100

HSL 0, 0.77%, 0.66%

LAB 59.61, 52.23, 26.54

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC64

RGB 235 172 100

HSL 32, 0.77%, 0.66%

LAB 74.88, 15.41, 45.65

 

CMYK 0 / 11 / 57 / 8

HEX #EBD164

RGB 235 209 100

HSL 48.44, 0.77%, 0.66%

LAB 84.06, -3.91, 56.39

 

CMYK 4 / 0 / 57 / 8

HEX #E2EB64

RGB 226 235 100

HSL 64, 0.77%, 0.66%

LAB 90.09, -20.49, 62.98

 

CMYK 20 / 0 / 57 / 8

HEX #BDEB64

RGB 189 235 100

HSL 80.44, 0.77%, 0.66%

LAB 87.56, -34.85, 59.45

 

CMYK 35 / 0 / 57 / 8

HEX #99EB64

RGB 153 235 100

HSL 96.44, 0.77%, 0.66%

LAB 85.56, -47.64, 56.63

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC64

RGB 235 172 100

HSL 32, 0.77%, 0.66%

LAB 74.88, 15.41, 45.65

 

CMYK 0 / 31 / 65 / 2

HEX #F9AD56

RGB 249 173 86

HSL 32.02, 0.93%, 0.66%

LAB 76.5, 19.7, 54.7

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC64

RGB 235 172 100

HSL 32, 0.77%, 0.66%

LAB 74.88, 15.41, 45.65

 

CMYK 0 / 23 / 48 / 13

HEX #DDAB72

RGB 221 171 114

HSL 31.96, 0.61%, 0.66%

LAB 73.36, 11.39, 36.28

 

CMYK 0 / 18 / 38 / 19

HEX #CFAA80

RGB 207 170 128

HSL 31.9, 0.45%, 0.66%

LAB 71.94, 7.74, 26.73

 

CMYK 0 / 12 / 26 / 24

HEX #C1A98E

RGB 193 169 142

HSL 31.76, 0.29%, 0.66%

LAB 70.64, 4.53, 17.15

 

CMYK 0 / 6 / 13 / 30

HEX #B3A99C

RGB 179 169 156

HSL 33.91, 0.13%, 0.66%

LAB 69.73, 1.34, 7.99

 

CMYK 0 / 57 / 57 / 8

HEX #EB6466

RGB 235 100 102

HSL 359.11, 0.77%, 0.66%

LAB 59.65, 52.38, 25.44

 

CMYK 0 / 43 / 57 / 8

HEX #EB8664

RGB 235 134 100

HSL 15.11, 0.77%, 0.66%

LAB 66.24, 35.47, 35.04

 

CMYK 0 / 28 / 57 / 8

HEX #EBAA64

RGB 235 170 100

HSL 31.11, 0.77%, 0.66%

LAB 74.4, 16.47, 45.08

 

CMYK 0 / 12 / 57 / 8

HEX #EBCE64

RGB 235 206 100

HSL 47.11, 0.77%, 0.66%

LAB 83.3, -2.37, 55.51

 

CMYK 3 / 0 / 57 / 8

HEX #E5EB64

RGB 229 235 100

HSL 62.67, 0.77%, 0.66%

LAB 90.32, -19.29, 63.29

 

CMYK 0 / 41 / 88 / 11

HEX #E2851B

RGB 226 133 27

HSL 31.96, 0.79%, 0.5%

LAB 64.18, 28.94, 65.19

 

CMYK 0 / 34 / 73 / 9

HEX #E7993F

RGB 231 153 63

HSL 32.14, 0.78%, 0.58%

LAB 69.56, 21.6, 57.09

 

CMYK 0 / 27 / 57 / 8

HEX #EBAC64

RGB 235 172 100

HSL 32, 0.77%, 0.66%

LAB 74.88, 15.41, 45.65

 

CMYK 0 / 20 / 43 / 6

HEX #F0C089

RGB 240 192 137

HSL 32.04, 0.77%, 0.74%

LAB 80.76, 10.19, 34.21

 

CMYK 0 / 14 / 29 / 4

HEX #F5D3AE

RGB 245 211 174

HSL 31.27, 0.78%, 0.82%

LAB 86.53, 6.53, 22.73

 

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

CMYK 41 / 0 / 57 / 8

HEX #8AEB64

RGB 138 235 100

HSL 103.11, 0.77%, 0.66%

LAB 84.86, -52.44, 55.65

 

CMYK 51 / 57 / 0 / 8

HEX #7464EB

RGB 116 100 235

HSL 247.11, 0.77%, 0.66%

LAB 50.48, 41.12, -66.46

 

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

CMYK 57 / 0 / 28 / 8

HEX #64EBAA

RGB 100 235 170

HSL 151.11, 0.77%, 0.66%

LAB 84.5, -51.68, 20.68

 

CMYK 28 / 57 / 0 / 8

HEX #AA64EB

RGB 170 100 235

HSL 271.11, 0.77%, 0.66%

LAB 55.74, 52.96, -57.72

 

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

CMYK 41 / 0 / 57 / 8

HEX #8AEB64

RGB 138 235 100

HSL 103.11, 0.77%, 0.66%

LAB 84.86, -52.44, 55.65

 

CMYK 57 / 29 / 0 / 8

HEX #64A6EB

RGB 100 166 235

HSL 210.67, 0.77%, 0.66%

LAB 66.5, -1.08, -41

 

CMYK 16 / 57 / 0 / 8

HEX #C564EB

RGB 197 100 235

HSL 283.11, 0.77%, 0.66%

LAB 58.96, 59.48, -52.4

 

CMYK 0 / 27 / 58 / 7

HEX #ECAC63

RGB 236 172 99

HSL 31.97, 0.78%, 0.66%

LAB 74.98, 15.74, 46.29

 

CMYK 57 / 0 / 57 / 8

HEX #64EB66

RGB 100 235 102

HSL 120.89, 0.77%, 0.66%

LAB 83.49, -62.55, 52.8

 

CMYK 57 / 29 / 0 / 8

HEX #64A6EB

RGB 100 166 235

HSL 210.67, 0.77%, 0.66%

LAB 66.5, -1.08, -41

 

CMYK 0 / 57 / 1 / 8

HEX #EB64E9

RGB 235 100 233

HSL 300.89, 0.77%, 0.66%

LAB 63.88, 68.57, -43.17

 

Description

Color code: HEX #ECAC63 | qconv.com Color code: HEX #ECAC63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 172 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 172 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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