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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECBAAB it is the complementary color #134554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECBAAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECBAAB shade: #F1BAA6, #FFCCB9, #FFDECC, #FFF0DF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECBAAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECBAAB shade: #ECBAAB, #DBA898, #CA9685, #B98472 and #A8725F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECBAAB shade: #ECBAAB and #ECABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECBAAB shade: #ECBAAB, #ECCCAB, #ECDDAB, #E9ECAB and #D8ECAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECBAAB shade matches the following richer shades: #ECBAAB, #F4B6A3 and #FCB19B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECBAAB shade: #ECBAAB, #E3BFB4, #DBC3BC, #D3C8C4 and #CBCCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECBAAB shade: #ECABC0, #ECABAF, #ECB9AB, #ECCAAB and #ECDCAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECBAAB shade: #DC8368, #E49F8A, #ECBAAB, #F3D6CD and #FBF1EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECBAAB shade: #ECBAAB, #D1ECAB and #ABB7EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECBAAB shade: #ECBAAB, #ABECB9 and #B9ABEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECBAAB shade: #ECBAAB, #D1ECAB, #ABDEEC and #C6ABEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECBAAB shade: #ECBAAB, #BEECAB, #ABDEEC and #D9ABEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

Complementary color

CMYK 77 / 18 / 0 / 67

HEX #134554

RGB 19 69 84

HSL 193.85, 0.63%, 0.2%

LAB 26.83, -10.75, -13.75

 

CMYK 0 / 23 / 31 / 5

HEX #F1BAA6

RGB 241 186 166

HSL 16, 0.73%, 0.8%

LAB 79.94, 17.09, 17.78

 

CMYK 0 / 20 / 27 / 0

HEX #FFCCB9

RGB 255 204 185

HSL 16.29, 1%, 0.86%

LAB 85.98, 15.35, 16.32

 

CMYK 0 / 13 / 20 / 0

HEX #FFDECC

RGB 255 222 204

HSL 21.18, 1%, 0.9%

LAB 90.72, 8.65, 13.01

 

CMYK 0 / 6 / 13 / 0

HEX #FFF0DF

RGB 255 240 223

HSL 31.88, 1%, 0.94%

LAB 95.54, 2.29, 10.02

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 23 / 31 / 14

HEX #DBA898

RGB 219 168 152

HSL 14.33, 0.48%, 0.73%

LAB 73.11, 16.5, 15.5

 

CMYK 0 / 26 / 34 / 21

HEX #CA9685

RGB 202 150 133

HSL 14.78, 0.39%, 0.66%

LAB 66.57, 17.22, 16.6

 

CMYK 0 / 29 / 38 / 27

HEX #B98472

RGB 185 132 114

HSL 15.21, 0.34%, 0.59%

LAB 59.92, 18.04, 17.81

 

CMYK 0 / 32 / 43 / 34

HEX #A8725F

RGB 168 114 95

HSL 15.62, 0.3%, 0.52%

LAB 53.15, 18.97, 19.16

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 28 / 28 / 7

HEX #ECABAB

RGB 236 171 171

HSL 0, 0.63%, 0.8%

LAB 76.01, 23.84, 9.46

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 14 / 28 / 7

HEX #ECCCAB

RGB 236 204 171

HSL 30.46, 0.63%, 0.8%

LAB 83.94, 6.39, 20.61

 

CMYK 0 / 6 / 28 / 7

HEX #ECDDAB

RGB 236 221 171

HSL 46.15, 0.63%, 0.8%

LAB 88.2, -2.4, 26.45

 

CMYK 1 / 0 / 28 / 7

HEX #E9ECAB

RGB 233 236 171

HSL 62.77, 0.63%, 0.8%

LAB 91.8, -11.08, 31.27

 

CMYK 8 / 0 / 28 / 7

HEX #D8ECAB

RGB 216 236 171

HSL 78.46, 0.63%, 0.8%

LAB 90.57, -17.32, 29.4

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 25 / 33 / 4

HEX #F4B6A3

RGB 244 182 163

HSL 14.07, 0.79%, 0.8%

LAB 79.23, 19.97, 18.45

 

CMYK 0 / 30 / 38 / 1

HEX #FCB19B

RGB 252 177 155

HSL 13.61, 0.94%, 0.8%

LAB 78.76, 24.7, 22.22

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 16 / 21 / 11

HEX #E3BFB4

RGB 227 191 180

HSL 14.04, 0.46%, 0.8%

LAB 80.12, 11.13, 10.32

 

CMYK 0 / 11 / 14 / 14

HEX #DBC3BC

RGB 219 195 188

HSL 13.55, 0.3%, 0.8%

LAB 80.58, 7.32, 6.6

 

CMYK 0 / 5 / 7 / 17

HEX #D3C8C4

RGB 211 200 196

HSL 16, 0.15%, 0.8%

LAB 81.37, 3.13, 3.36

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

 

CMYK 0 / 28 / 19 / 7

HEX #ECABC0

RGB 236 171 192

HSL 340.62, 0.63%, 0.8%

LAB 76.54, 26.86, -1.24

 

CMYK 0 / 28 / 26 / 7

HEX #ECABAF

RGB 236 171 175

HSL 356.31, 0.63%, 0.8%

LAB 76.1, 24.39, 7.41

 

CMYK 0 / 22 / 28 / 7

HEX #ECB9AB

RGB 236 185 171

HSL 12.92, 0.63%, 0.8%

LAB 79.31, 16.4, 14.14

 

CMYK 0 / 14 / 28 / 7

HEX #ECCAAB

RGB 236 202 171

HSL 28.62, 0.63%, 0.8%

LAB 83.45, 7.43, 19.92

 

CMYK 0 / 7 / 28 / 7

HEX #ECDCAB

RGB 236 220 171

HSL 45.23, 0.63%, 0.8%

LAB 87.95, -1.88, 26.11

 

CMYK 0 / 40 / 53 / 14

HEX #DC8368

RGB 220 131 104

HSL 13.97, 0.62%, 0.64%

LAB 63.71, 31.52, 29.22

 

CMYK 0 / 30 / 39 / 11

HEX #E49F8A

RGB 228 159 138

HSL 14, 0.63%, 0.72%

LAB 71.64, 23.11, 21.27

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 12 / 16 / 5

HEX #F3D6CD

RGB 243 214 205

HSL 14.21, 0.61%, 0.88%

LAB 87.75, 8.64, 8.12

 

CMYK 0 / 4 / 5 / 2

HEX #FBF1EF

RGB 251 241 239

HSL 10, 0.6%, 0.96%

LAB 95.85, 3.01, 2.15

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 11 / 0 / 28 / 7

HEX #D1ECAB

RGB 209 236 171

HSL 84.92, 0.63%, 0.8%

LAB 90.08, -19.84, 28.67

 

CMYK 28 / 22 / 0 / 7

HEX #ABB7EC

RGB 171 183 236

HSL 228.92, 0.63%, 0.8%

LAB 75.19, 7.5, -27.76

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 28 / 0 / 22 / 7

HEX #ABECB9

RGB 171 236 185

HSL 132.92, 0.63%, 0.8%

LAB 88.04, -30.42, 18.29

 

CMYK 22 / 28 / 0 / 7

HEX #B9ABEC

RGB 185 171 236

HSL 252.92, 0.63%, 0.8%

LAB 73.22, 18.29, -30.71

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 11 / 0 / 28 / 7

HEX #D1ECAB

RGB 209 236 171

HSL 84.92, 0.63%, 0.8%

LAB 90.08, -19.84, 28.67

 

CMYK 28 / 6 / 0 / 7

HEX #ABDEEC

RGB 171 222 236

HSL 192.92, 0.63%, 0.8%

LAB 85.48, -13.19, -12.18

 

CMYK 16 / 28 / 0 / 7

HEX #C6ABEC

RGB 198 171 236

HSL 264.92, 0.63%, 0.8%

LAB 74.31, 22.26, -28.93

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 19 / 0 / 28 / 7

HEX #BEECAB

RGB 190 236 171

HSL 102.46, 0.63%, 0.8%

LAB 88.86, -26.49, 26.81

 

CMYK 28 / 6 / 0 / 7

HEX #ABDEEC

RGB 171 222 236

HSL 192.92, 0.63%, 0.8%

LAB 85.48, -13.19, -12.18

 

CMYK 8 / 28 / 0 / 7

HEX #D9ABEC

RGB 217 171 236

HSL 282.46, 0.63%, 0.8%

LAB 76.03, 28.2, -26.15

 

Description

Color code: HEX #ECBAAB | qconv.com Color code: HEX #ECBAAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 186 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 186 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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