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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECBB40 it is the complementary color #1344BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECBB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECBB40 shade: #F1BB3B, #FFCD4E, #FFDF61, #FFF174 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECBB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECBB40 shade: #ECBB40, #DBA92D, #CA971A, #B98507 and #A87300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECBB40 shade: #ECBB40, #EC8D40, #EC5E40 and #EC4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECBB40 shade: #ECBB40, #ECE940, #C0EC40, #92EC40 and #64EC40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECBB40 shade matches the following richer shades: #ECBB40 and #FDC22F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECBB40 shade: #ECBB40, #DBB451, #CAAC62, #B9A573 and #A89E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECBB40 shade: #EC5D40, #EC8B40, #ECB840, #ECE640 and #C4EC40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECBB40 shade: #C69313, #E8AD1B, #ECBB40, #EFC866 and #F3D68B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECBB40 shade: #ECBB40, #51EC40 and #7440EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECBB40 shade: #ECBB40, #40ECB8 and #B840EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECBB40 shade: #ECBB40, #51EC40, #4074EC and #DB40EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECBB40 shade: #ECBB40, #40EC63, #4074EC and #EC40C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

Complementary color

CMYK 90 / 64 / 0 / 25

HEX #1344BF

RGB 19 68 191

HSL 222.91, 0.82%, 0.41%

LAB 34.05, 33.25, -68.23

 

CMYK 0 / 22 / 76 / 5

HEX #F1BB3B

RGB 241 187 59

HSL 42.2, 0.87%, 0.59%

LAB 78.79, 7.68, 68.13

 

CMYK 0 / 20 / 69 / 0

HEX #FFCD4E

RGB 255 205 78

HSL 43.05, 1%, 0.65%

LAB 84.73, 5.09, 67.15

 

CMYK 0 / 13 / 62 / 0

HEX #FFDF61

RGB 255 223 97

HSL 47.85, 1%, 0.69%

LAB 89.35, -3, 64.11

 

CMYK 0 / 5 / 55 / 0

HEX #FFF174

RGB 255 241 116

HSL 53.96, 1%, 0.73%

LAB 94.07, -10.66, 61.07

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 23 / 79 / 14

HEX #DBA92D

RGB 219 169 45

HSL 42.76, 0.71%, 0.52%

LAB 71.98, 7.21, 65.91

 

CMYK 0 / 25 / 87 / 21

HEX #CA971A

RGB 202 151 26

HSL 42.61, 0.77%, 0.45%

LAB 65.56, 8.88, 65.33

 

CMYK 0 / 28 / 96 / 27

HEX #B98507

RGB 185 133 7

HSL 42.47, 0.93%, 0.38%

LAB 59.07, 10.82, 63.31

 

CMYK 0 / 32 / 100 / 34

HEX #A87300

RGB 168 115 0

HSL 41.07, 1%, 0.33%

LAB 52.49, 13.06, 59.06

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 40 / 73 / 7

HEX #EC8D40

RGB 236 141 64

HSL 26.86, 0.82%, 0.59%

LAB 67.47, 30.05, 54.68

 

CMYK 0 / 60 / 73 / 7

HEX #EC5E40

RGB 236 94 64

HSL 10.47, 0.82%, 0.59%

LAB 58.23, 53.21, 44.83

 

CMYK 0 / 73 / 73 / 7

HEX #EC4040

RGB 236 64 64

HSL 0, 0.82%, 0.59%

LAB 53.89, 64.99, 39.99

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 1 / 73 / 7

HEX #ECE940

RGB 236 233 64

HSL 58.95, 0.82%, 0.59%

LAB 90.08, -17.51, 76.91

 

CMYK 19 / 0 / 73 / 7

HEX #C0EC40

RGB 192 236 64

HSL 75.35, 0.82%, 0.59%

LAB 87.76, -36.58, 73.6

 

CMYK 38 / 0 / 73 / 7

HEX #92EC40

RGB 146 236 64

HSL 91.4, 0.82%, 0.59%

LAB 85.24, -53.2, 70.28

 

CMYK 58 / 0 / 73 / 7

HEX #64EC40

RGB 100 236 64

HSL 107.44, 0.82%, 0.59%

LAB 83.48, -66.44, 67.95

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 23 / 81 / 1

HEX #FDC22F

RGB 253 194 47

HSL 42.82, 0.98%, 0.59%

LAB 81.66, 8.72, 75.15

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 18 / 63 / 14

HEX #DBB451

RGB 219 180 81

HSL 43.04, 0.66%, 0.59%

LAB 75.01, 3.15, 54.48

 

CMYK 0 / 15 / 51 / 21

HEX #CAAC62

RGB 202 172 98

HSL 42.69, 0.5%, 0.59%

LAB 71.52, 1.53, 41.81

 

CMYK 0 / 11 / 38 / 27

HEX #B9A573

RGB 185 165 115

HSL 42.86, 0.33%, 0.59%

LAB 68.36, -0, 28.59

 

CMYK 0 / 6 / 21 / 34

HEX #A89E84

RGB 168 158 132

HSL 43.33, 0.17%, 0.59%

LAB 65.31, -0.71, 14.91

 

CMYK 0 / 61 / 73 / 7

HEX #EC5D40

RGB 236 93 64

HSL 10.12, 0.82%, 0.59%

LAB 58.07, 53.66, 44.65

 

CMYK 0 / 41 / 73 / 7

HEX #EC8B40

RGB 236 139 64

HSL 26.16, 0.82%, 0.59%

LAB 67.03, 31.1, 54.23

 

CMYK 0 / 22 / 73 / 7

HEX #ECB840

RGB 236 184 64

HSL 41.86, 0.82%, 0.59%

LAB 77.57, 7.34, 64.89

 

CMYK 0 / 3 / 73 / 7

HEX #ECE640

RGB 236 230 64

HSL 57.91, 0.82%, 0.59%

LAB 89.3, -16.05, 76.17

 

CMYK 17 / 0 / 73 / 7

HEX #C4EC40

RGB 196 236 64

HSL 73.95, 0.82%, 0.59%

LAB 88.02, -35.03, 73.94

 

CMYK 0 / 26 / 90 / 22

HEX #C69313

RGB 198 147 19

HSL 42.91, 0.82%, 0.43%

LAB 64.1, 9.14, 65.6

 

CMYK 0 / 25 / 88 / 9

HEX #E8AD1B

RGB 232 173 27

HSL 42.73, 0.82%, 0.51%

LAB 74.27, 10.25, 73.36

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 0 / 16 / 57 / 6

HEX #EFC866

RGB 239 200 102

HSL 42.92, 0.81%, 0.67%

LAB 82.17, 2.51, 53.38

 

CMYK 0 / 12 / 43 / 5

HEX #F3D68B

RGB 243 214 139

HSL 43.27, 0.81%, 0.75%

LAB 86.51, 0.17, 40.68

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 66 / 0 / 73 / 7

HEX #51EC40

RGB 81 236 64

HSL 114.07, 0.82%, 0.59%

LAB 82.97, -70.58, 67.28

 

CMYK 51 / 73 / 0 / 7

HEX #7440EC

RGB 116 64 236

HSL 258.14, 0.82%, 0.59%

LAB 43.41, 60.71, -78.54

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 73 / 0 / 22 / 7

HEX #40ECB8

RGB 64 236 184

HSL 161.86, 0.82%, 0.59%

LAB 84.25, -55.04, 12.93

 

CMYK 22 / 73 / 0 / 7

HEX #B840EC

RGB 184 64 236

HSL 281.86, 0.82%, 0.59%

LAB 51.74, 72.25, -64.62

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 66 / 0 / 73 / 7

HEX #51EC40

RGB 81 236 64

HSL 114.07, 0.82%, 0.59%

LAB 82.97, -70.58, 67.28

 

CMYK 73 / 51 / 0 / 7

HEX #4074EC

RGB 64 116 236

HSL 221.86, 0.82%, 0.59%

LAB 51.42, 23.2, -65.65

 

CMYK 7 / 73 / 0 / 7

HEX #DB40EC

RGB 219 64 236

HSL 294.07, 0.82%, 0.59%

LAB 56.86, 79.03, -56.12

 

CMYK 0 / 21 / 73 / 7

HEX #ECBB40

RGB 236 187 64

HSL 42.91, 0.82%, 0.59%

LAB 78.31, 5.77, 65.62

 

CMYK 73 / 0 / 58 / 7

HEX #40EC63

RGB 64 236 99

HSL 132.21, 0.82%, 0.59%

LAB 82.9, -70.12, 53.24

 

CMYK 73 / 51 / 0 / 7

HEX #4074EC

RGB 64 116 236

HSL 221.86, 0.82%, 0.59%

LAB 51.42, 23.2, -65.65

 

CMYK 0 / 73 / 15 / 7

HEX #EC40C9

RGB 236 64 201

HSL 312.21, 0.82%, 0.59%

LAB 57.77, 77.34, -34.7

 

Description

Color code: HEX #ECBB40 | qconv.com Color code: HEX #ECBB40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 187 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 187 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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