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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC5C6 it is the complementary color #133A39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC5C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECC5C6 shade: #F1C5C1, #FFD7D4, #FFE9E7 and #FFFBFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC5C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECC5C6 shade: #ECC5C6, #DBB3B3, #CAA1A0, #B98F8D and #A87D7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECC5C6 shade: #ECC5C6 and #ECC5C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECC5C6 shade: #ECC5C6, #ECC5D0, #ECC5DB, #ECC5E5 and #E8C5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECC5C6 shade matches the following richer shades: #ECC5C6, #F2BFC0, #F8B8BA and #FEB2B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECC5C6 shade: #ECC5C6, #E6CBCC, #DFD1D1, #D9D7D7 and #D3DDDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECC5C6 shade: #ECC5DB, #ECC5D0, #ECC5C6, #ECCEC5 and #ECD8C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECC5C6 shade: #D88689, #E2A6A7, #ECC5C6 and #F6E4E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECC5C6 shade: #ECC5C6, #E5ECC5 and #C5D6EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECC5C6 shade: #ECC5C6, #C6ECC5 and #C5C6EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECC5C6 shade: #ECC5C6, #E5ECC5, #C5ECEA and #CBC5EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECC5C6 shade: #ECC5C6, #DAECC5, #C5ECEA and #D7C5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

Complementary color

CMYK 67 / 0 / 2 / 77

HEX #133A39

RGB 19 58 57

HSL 178.46, 0.51%, 0.15%

LAB 21.8, -13.83, -3.49

 

CMYK 0 / 18 / 20 / 5

HEX #F1C5C1

RGB 241 197 193

HSL 5, 0.63%, 0.85%

LAB 83.17, 15.01, 7.89

 

CMYK 0 / 16 / 17 / 0

HEX #FFD7D4

RGB 255 215 212

HSL 4.19, 1%, 0.92%

LAB 89.21, 13.46, 6.67

 

CMYK 0 / 9 / 9 / 0

HEX #FFE9E7

RGB 255 233 231

HSL 5, 1%, 0.95%

LAB 94.02, 7.15, 3.67

 

CMYK 0 / 2 / 2 / 0

HEX #FFFBFA

RGB 255 251 250

HSL 12, 1%, 0.99%

LAB 98.89, 1.16, 0.94

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 18 / 18 / 14

HEX #DBB3B3

RGB 219 179 179

HSL 0, 0.36%, 0.78%

LAB 76.41, 14.44, 5.45

 

CMYK 0 / 20 / 21 / 21

HEX #CAA1A0

RGB 202 161 160

HSL 1.43, 0.28%, 0.71%

LAB 69.88, 14.97, 6.28

 

CMYK 0 / 23 / 24 / 27

HEX #B98F8D

RGB 185 143 141

HSL 2.73, 0.24%, 0.64%

LAB 63.25, 15.57, 7.17

 

CMYK 0 / 26 / 27 / 34

HEX #A87D7A

RGB 168 125 122

HSL 3.91, 0.21%, 0.57%

LAB 56.48, 16.24, 8.15

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 17 / 17 / 7

HEX #ECC5C5

RGB 236 197 197

HSL 0, 0.51%, 0.85%

LAB 82.81, 13.81, 5.17

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 17 / 12 / 7

HEX #ECC5D0

RGB 236 197 208

HSL 343.08, 0.51%, 0.85%

LAB 83.08, 15.56, -0.31

 

CMYK 0 / 17 / 7 / 7

HEX #ECC5DB

RGB 236 197 219

HSL 326.15, 0.51%, 0.85%

LAB 83.38, 17.39, -5.76

 

CMYK 0 / 17 / 3 / 7

HEX #ECC5E5

RGB 236 197 229

HSL 310.77, 0.51%, 0.85%

LAB 83.66, 19.14, -10.68

 

CMYK 2 / 17 / 0 / 7

HEX #E8C5EC

RGB 232 197 236

HSL 293.85, 0.51%, 0.85%

LAB 83.52, 19.08, -14.67

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 21 / 21 / 5

HEX #F2BFC0

RGB 242 191 192

HSL 358.82, 0.66%, 0.85%

LAB 81.81, 18.39, 6.48

 

CMYK 0 / 26 / 25 / 3

HEX #F8B8BA

RGB 248 184 186

HSL 358.13, 0.82%, 0.85%

LAB 80.62, 23.41, 8.08

 

CMYK 0 / 30 / 29 / 0

HEX #FEB2B4

RGB 254 178 180

HSL 358.42, 0.97%, 0.85%

LAB 79.73, 27.95, 10.14

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 12 / 11 / 10

HEX #E6CBCC

RGB 230 203 204

HSL 357.78, 0.35%, 0.85%

LAB 83.91, 9.61, 2.96

 

CMYK 0 / 6 / 6 / 13

HEX #DFD1D1

RGB 223 209 209

HSL 0, 0.18%, 0.85%

LAB 84.94, 4.84, 1.73

 

CMYK 0 / 1 / 1 / 15

HEX #D9D7D7

RGB 217 215 215

HSL 0, 0.03%, 0.85%

LAB 86.14, 0.69, 0.23

 

CMYK 5 / 0 / 0 / 13

HEX #D3DDDD

RGB 211 221 221

HSL 180, 0.13%, 0.85%

LAB 87.38, -3.35, -1.17

 

CMYK 0 / 17 / 7 / 7

HEX #ECC5DB

RGB 236 197 219

HSL 326.15, 0.51%, 0.85%

LAB 83.38, 17.39, -5.76

 

CMYK 0 / 17 / 12 / 7

HEX #ECC5D0

RGB 236 197 208

HSL 343.08, 0.51%, 0.85%

LAB 83.08, 15.56, -0.31

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 13 / 17 / 7

HEX #ECCEC5

RGB 236 206 197

HSL 13.85, 0.51%, 0.85%

LAB 85, 9.07, 8.33

 

CMYK 0 / 8 / 17 / 7

HEX #ECD8C5

RGB 236 216 197

HSL 29.23, 0.51%, 0.85%

LAB 87.47, 3.86, 11.86

 

CMYK 0 / 38 / 37 / 15

HEX #D88689

RGB 216 134 137

HSL 357.8, 0.51%, 0.69%

LAB 64.53, 31.79, 11.74

 

CMYK 0 / 27 / 26 / 11

HEX #E2A6A7

RGB 226 166 167

HSL 359, 0.51%, 0.77%

LAB 73.7, 22.26, 8.2

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 0 / 7 / 7 / 4

HEX #F6E4E4

RGB 246 228 228

HSL 0, 0.5%, 0.93%

LAB 91.99, 6.13, 2.2

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 3 / 0 / 17 / 7

HEX #E5ECC5

RGB 229 236 197

HSL 70.77, 0.51%, 0.85%

LAB 91.99, -8.86, 18.15

 

CMYK 17 / 9 / 0 / 7

HEX #C5D6EC

RGB 197 214 236

HSL 213.85, 0.51%, 0.85%

LAB 85.01, -1.25, -12.72

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 16 / 0 / 17 / 7

HEX #C6ECC5

RGB 198 236 197

HSL 118.46, 0.51%, 0.85%

LAB 89.87, -19.56, 14.87

 

CMYK 17 / 16 / 0 / 7

HEX #C5C6EC

RGB 197 198 236

HSL 238.46, 0.51%, 0.85%

LAB 80.91, 7.24, -18.88

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 3 / 0 / 17 / 7

HEX #E5ECC5

RGB 229 236 197

HSL 70.77, 0.51%, 0.85%

LAB 91.99, -8.86, 18.15

 

CMYK 17 / 0 / 1 / 7

HEX #C5ECEA

RGB 197 236 234

HSL 176.92, 0.51%, 0.85%

LAB 90.69, -12.96, -3.25

 

CMYK 14 / 17 / 0 / 7

HEX #CBC5EC

RGB 203 197 236

HSL 249.23, 0.51%, 0.85%

LAB 81.12, 9.67, -18.52

 

CMYK 0 / 17 / 16 / 7

HEX #ECC5C6

RGB 236 197 198

HSL 358.46, 0.51%, 0.85%

LAB 82.83, 13.96, 4.67

 

CMYK 8 / 0 / 17 / 7

HEX #DAECC5

RGB 218 236 197

HSL 87.69, 0.51%, 0.85%

LAB 91.2, -12.73, 16.93

 

CMYK 17 / 0 / 1 / 7

HEX #C5ECEA

RGB 197 236 234

HSL 176.92, 0.51%, 0.85%

LAB 90.69, -12.96, -3.25

 

CMYK 9 / 17 / 0 / 7

HEX #D7C5EC

RGB 215 197 236

HSL 267.69, 0.51%, 0.85%

LAB 82.07, 13.52, -16.99

 

Description

Color code: HEX #ECC5C6 | qconv.com Color code: HEX #ECC5C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 197 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 197 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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