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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC321 it is the complementary color #133CDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC321. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECC321 shade: #F1C31C, #FFD52F, #FFE742, #FFF955 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC321. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECC321 shade: #ECC321, #DBB10E, #CA9F00, #B98D00 and #A87B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECC321 shade: #EBC322, #EB8C22, #EB5622 and #EB2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECC321 shade: #EBC322, #DEEB22, #A7EB22, #71EB22 and #3BEB22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECC321 shade matches the following richer shades: #EBC322

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECC321 shade: #EBC322, #D8B735, #C5AC49, #B1A05C and #9E9470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECC321 shade: #EB5422, #EB8A22, #EBC022, #E1EB22 and #ACEB22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECC321 shade: #AC8C0F, #D2AB12, #EBC322, #EFCD48 and #F2D76E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECC321 shade: #ECC321, #25EB22 and #6F22EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECC321 shade: #ECC321, #22EBC0 and #C022EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECC321 shade: #ECC321, #25EB22, #224EEB and #E822EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECC321 shade: #ECC321, #22EB5B, #224EEB and #EB22B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

Complementary color

CMYK 91 / 73 / 0 / 13

HEX #133CDE

RGB 19 60 222

HSL 227.88, 0.84%, 0.47%

LAB 35.29, 49.54, -84.17

 

CMYK 0 / 19 / 88 / 5

HEX #F1C31C

RGB 241 195 28

HSL 47.04, 0.88%, 0.53%

LAB 80.64, 2.63, 78.51

 

CMYK 0 / 16 / 82 / 0

HEX #FFD52F

RGB 255 213 47

HSL 47.88, 1%, 0.59%

LAB 86.53, -0.19, 79.41

 

CMYK 0 / 9 / 74 / 0

HEX #FFE742

RGB 255 231 66

HSL 52.38, 1%, 0.63%

LAB 91.15, -8.59, 77.82

 

CMYK 0 / 2 / 67 / 0

HEX #FFF955

RGB 255 249 85

HSL 57.88, 1%, 0.67%

LAB 95.86, -16.53, 75.76

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

CMYK 0 / 19 / 94 / 14

HEX #DBB10E

RGB 219 177 14

HSL 47.71, 0.88%, 0.46%

LAB 73.89, 2.28, 74.77

 

CMYK 0 / 21 / 100 / 21

HEX #CA9F00

RGB 202 159 0

HSL 47.23, 1%, 0.4%

LAB 67.54, 4.19, 71.14

 

CMYK 0 / 24 / 100 / 27

HEX #B98D00

RGB 185 141 0

HSL 45.73, 1%, 0.36%

LAB 61.1, 6.32, 65.84

 

CMYK 0 / 27 / 100 / 34

HEX #A87B00

RGB 168 123 0

HSL 43.93, 1%, 0.33%

LAB 54.54, 8.55, 60.45

 

CMYK 0 / 17 / 86 / 8

HEX #EBC322

RGB 235 195 34

HSL 48.06, 0.83%, 0.53%

LAB 80.07, 0.18, 76.54

 

CMYK 0 / 40 / 86 / 8

HEX #EB8C22

RGB 235 140 34

HSL 31.64, 0.83%, 0.53%

LAB 66.93, 29.14, 65.83

 

CMYK 0 / 63 / 86 / 8

HEX #EB5622

RGB 235 86 34

HSL 15.52, 0.83%, 0.53%

LAB 56.52, 55.36, 57.28

 

CMYK 0 / 86 / 86 / 8

HEX #EB2222

RGB 235 34 34

HSL 0, 0.83%, 0.53%

LAB 50.6, 71.75, 52.37

 

CMYK 0 / 17 / 86 / 8

HEX #EBC322

RGB 235 195 34

HSL 48.06, 0.83%, 0.53%

LAB 80.07, 0.18, 76.54

 

CMYK 6 / 0 / 86 / 8

HEX #DEEB22

RGB 222 235 34

HSL 63.88, 0.83%, 0.53%

LAB 89.42, -25.2, 83.7

 

CMYK 29 / 0 / 86 / 8

HEX #A7EB22

RGB 167 235 34

HSL 80.3, 0.83%, 0.53%

LAB 85.88, -46.76, 79.32

 

CMYK 52 / 0 / 86 / 8

HEX #71EB22

RGB 113 235 34

HSL 96.42, 0.83%, 0.53%

LAB 83.46, -64.28, 76.29

 

CMYK 75 / 0 / 86 / 8

HEX #3BEB22

RGB 59 235 34

HSL 112.54, 0.83%, 0.53%

LAB 82.09, -75.68, 74.56

 

CMYK 0 / 17 / 86 / 8

HEX #EBC322

RGB 235 195 34

HSL 48.06, 0.83%, 0.53%

LAB 80.07, 0.18, 76.54

 

CMYK 0 / 17 / 86 / 8

HEX #EBC322

RGB 235 195 34

HSL 48.06, 0.83%, 0.53%

LAB 80.07, 0.18, 76.54

 

CMYK 0 / 15 / 75 / 15

HEX #D8B735

RGB 216 183 53

HSL 47.85, 0.68%, 0.53%

LAB 75.28, -1.18, 66.09

 

CMYK 0 / 13 / 63 / 23

HEX #C5AC49

RGB 197 172 73

HSL 47.9, 0.52%, 0.53%

LAB 70.77, -2.53, 52.85

 

CMYK 0 / 10 / 48 / 31

HEX #B1A05C

RGB 177 160 92

HSL 48, 0.35%, 0.53%

LAB 65.95, -3.12, 37.52

 

CMYK 0 / 6 / 29 / 38

HEX #9E9470

RGB 158 148 112

HSL 46.96, 0.19%, 0.53%

LAB 61.32, -2.13, 20.41

 

CMYK 0 / 64 / 86 / 8

HEX #EB5422

RGB 235 84 34

HSL 14.93, 0.83%, 0.53%

LAB 56.21, 56.2, 57.02

 

CMYK 0 / 41 / 86 / 8

HEX #EB8A22

RGB 235 138 34

HSL 31.04, 0.83%, 0.53%

LAB 66.49, 30.19, 65.47

 

CMYK 0 / 18 / 86 / 8

HEX #EBC022

RGB 235 192 34

HSL 47.16, 0.83%, 0.53%

LAB 79.32, 1.73, 75.92

 

CMYK 4 / 0 / 86 / 8

HEX #E1EB22

RGB 225 235 34

HSL 62.99, 0.83%, 0.53%

LAB 89.65, -23.97, 83.98

 

CMYK 27 / 0 / 86 / 8

HEX #ACEB22

RGB 172 235 34

HSL 78.81, 0.83%, 0.53%

LAB 86.16, -44.92, 79.66

 

CMYK 0 / 19 / 91 / 33

HEX #AC8C0F

RGB 172 140 15

HSL 47.77, 0.84%, 0.37%

LAB 59.49, 1.16, 61.65

 

CMYK 0 / 19 / 91 / 18

HEX #D2AB12

RGB 210 171 18

HSL 47.81, 0.84%, 0.45%

LAB 71.47, 1.54, 71.95

 

CMYK 0 / 17 / 86 / 8

HEX #EBC322

RGB 235 195 34

HSL 48.06, 0.83%, 0.53%

LAB 80.07, 0.18, 76.54

 

CMYK 0 / 14 / 70 / 6

HEX #EFCD48

RGB 239 205 72

HSL 47.78, 0.84%, 0.61%

LAB 83.17, -1.9, 67.45

 

CMYK 0 / 11 / 55 / 5

HEX #F2D76E

RGB 242 215 110

HSL 47.73, 0.84%, 0.69%

LAB 86.31, -3.35, 54.52

 

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

CMYK 84 / 0 / 86 / 8

HEX #25EB22

RGB 37 235 34

HSL 119.1, 0.83%, 0.53%

LAB 81.8, -78.26, 74.19

 

CMYK 53 / 86 / 0 / 8

HEX #6F22EB

RGB 111 34 235

HSL 262.99, 0.83%, 0.53%

LAB 38.76, 71.52, -85.65

 

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

CMYK 86 / 0 / 18 / 8

HEX #22EBC0

RGB 34 235 192

HSL 167.16, 0.83%, 0.53%

LAB 83.74, -55.58, 7.96

 

CMYK 18 / 86 / 0 / 8

HEX #C022EB

RGB 192 34 235

HSL 287.16, 0.83%, 0.53%

LAB 49.92, 81.96, -66.95

 

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

CMYK 84 / 0 / 86 / 8

HEX #25EB22

RGB 37 235 34

HSL 119.1, 0.83%, 0.53%

LAB 81.8, -78.26, 74.19

 

CMYK 86 / 67 / 0 / 8

HEX #224EEB

RGB 34 78 235

HSL 226.87, 0.83%, 0.53%

LAB 40.88, 43.98, -82.34

 

CMYK 1 / 86 / 0 / 8

HEX #E822EB

RGB 232 34 235

HSL 299.1, 0.83%, 0.53%

LAB 56.38, 88.49, -56.2

 

CMYK 0 / 17 / 86 / 7

HEX #ECC321

RGB 236 195 33

HSL 47.88, 0.84%, 0.53%

LAB 80.16, 0.59, 76.88

 

CMYK 86 / 0 / 61 / 8

HEX #22EB5B

RGB 34 235 91

HSL 137.01, 0.83%, 0.53%

LAB 82.12, -74.15, 55.71

 

CMYK 86 / 67 / 0 / 8

HEX #224EEB

RGB 34 78 235

HSL 226.87, 0.83%, 0.53%

LAB 40.88, 43.98, -82.34

 

CMYK 0 / 86 / 24 / 8

HEX #EB22B2

RGB 235 34 178

HSL 317.01, 0.83%, 0.53%

LAB 54.05, 81.51, -27.21

 

Description

Color code: HEX #ECC321 | qconv.com Color code: HEX #ECC321 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 195 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 195 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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