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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD76F it is the complementary color #132890. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD76F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD76F shade: #F1D76A, #FFE97D, #FFFB90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD76F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD76F shade: #ECD76F, #DBC55C, #CAB349, #B9A136 and #A88F23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD76F shade: #ECD76E, #ECB56E, #EC936E, #EC716E and #EC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD76F shade: #ECD76E, #DFEC6E, #BDEC6E, #9BEC6E and #79EC6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD76F shade matches the following richer shades: #ECD76E and #F9DF61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD76F shade: #ECD76E, #DFCE7B, #D1C588, #C4BC96 and #B7B4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD76F shade: #EC926E, #ECB36E, #ECD56E, #E1EC6E and #C0EC6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD76F shade: #E2C225, #E7CD4A, #ECD76E, #F0E193 and #F5EBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD76F shade: #ECD76F, #6EEC70 and #A26EEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD76F shade: #ECD76F, #6EECD5 and #D56EEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD76F shade: #ECD76F, #6EEC70, #6E85EC and #EC6EEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD76F shade: #ECD76F, #6EEC96, #6E85EC and #EC6EC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

Complementary color

CMYK 87 / 72 / 0 / 44

HEX #132890

RGB 19 40 144

HSL 229.92, 0.77%, 0.32%

LAB 22.55, 33.61, -58.84

 

CMYK 0 / 11 / 56 / 5

HEX #F1D76A

RGB 241 215 106

HSL 48.44, 0.83%, 0.68%

LAB 86.18, -4.06, 56.2

 

CMYK 0 / 9 / 51 / 0

HEX #FFE97D

RGB 255 233 125

HSL 49.85, 1%, 0.75%

LAB 92.14, -5.98, 54.68

 

CMYK 0 / 2 / 44 / 0

HEX #FFFB90

RGB 255 251 144

HSL 57.84, 1%, 0.78%

LAB 96.93, -13.17, 51.54

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

CMYK 0 / 10 / 58 / 14

HEX #DBC55C

RGB 219 197 92

HSL 49.61, 0.64%, 0.61%

LAB 79.48, -4.96, 54.46

 

CMYK 0 / 11 / 64 / 21

HEX #CAB349

RGB 202 179 73

HSL 49.3, 0.55%, 0.54%

LAB 73.07, -4.07, 55.48

 

CMYK 0 / 13 / 71 / 27

HEX #B9A136

RGB 185 161 54

HSL 49.01, 0.55%, 0.47%

LAB 66.57, -3.02, 56.26

 

CMYK 0 / 15 / 79 / 34

HEX #A88F23

RGB 168 143 35

HSL 48.72, 0.66%, 0.4%

LAB 59.97, -1.75, 56.49

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76E

RGB 236 215 110

HSL 50, 0.77%, 0.68%

LAB 85.79, -5.78, 53.78

 

CMYK 0 / 23 / 53 / 7

HEX #ECB56E

RGB 236 181 110

HSL 33.81, 0.77%, 0.68%

LAB 77.28, 11.85, 43.57

 

CMYK 0 / 38 / 53 / 7

HEX #EC936E

RGB 236 147 110

HSL 17.62, 0.77%, 0.68%

LAB 69.35, 29.86, 33.61

 

CMYK 0 / 52 / 53 / 7

HEX #EC716E

RGB 236 113 110

HSL 1.43, 0.77%, 0.68%

LAB 62.31, 47.21, 24.43

 

CMYK 0 / 53 / 53 / 7

HEX #EC6E6E

RGB 236 110 110

HSL 0, 0.77%, 0.68%

LAB 61.75, 48.66, 23.68

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76E

RGB 236 215 110

HSL 50, 0.77%, 0.68%

LAB 85.79, -5.78, 53.78

 

CMYK 6 / 0 / 53 / 7

HEX #DFEC6E

RGB 223 236 110

HSL 66.19, 0.77%, 0.68%

LAB 90.23, -21.39, 58.69

 

CMYK 20 / 0 / 53 / 7

HEX #BDEC6E

RGB 189 236 110

HSL 82.38, 0.77%, 0.68%

LAB 87.94, -34.41, 55.44

 

CMYK 34 / 0 / 53 / 7

HEX #9BEC6E

RGB 155 236 110

HSL 98.57, 0.77%, 0.68%

LAB 86.05, -46.37, 52.74

 

CMYK 49 / 0 / 53 / 7

HEX #79EC6E

RGB 121 236 110

HSL 114.76, 0.77%, 0.68%

LAB 84.58, -56.67, 50.63

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76E

RGB 236 215 110

HSL 50, 0.77%, 0.68%

LAB 85.79, -5.78, 53.78

 

CMYK 0 / 10 / 61 / 2

HEX #F9DF61

RGB 249 223 97

HSL 49.74, 0.93%, 0.68%

LAB 88.82, -5.46, 63.38

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76E

RGB 236 215 110

HSL 50, 0.77%, 0.68%

LAB 85.79, -5.78, 53.78

 

CMYK 0 / 8 / 45 / 13

HEX #DFCE7B

RGB 223 206 123

HSL 49.8, 0.61%, 0.68%

LAB 82.52, -5.29, 43.27

 

CMYK 0 / 6 / 35 / 18

HEX #D1C588

RGB 209 197 136

HSL 50.14, 0.44%, 0.68%

LAB 79.19, -4.8, 32.15

 

CMYK 0 / 4 / 23 / 23

HEX #C4BC96

RGB 196 188 150

HSL 49.57, 0.28%, 0.68%

LAB 76.01, -3.31, 20.28

 

CMYK 0 / 2 / 11 / 28

HEX #B7B4A3

RGB 183 180 163

HSL 51, 0.12%, 0.68%

LAB 73.12, -1.93, 9.04

 

CMYK 0 / 38 / 53 / 7

HEX #EC926E

RGB 236 146 110

HSL 17.14, 0.77%, 0.68%

LAB 69.12, 30.39, 33.33

 

CMYK 0 / 24 / 53 / 7

HEX #ECB36E

RGB 236 179 110

HSL 32.86, 0.77%, 0.68%

LAB 76.8, 12.91, 42.97

 

CMYK 0 / 10 / 53 / 7

HEX #ECD56E

RGB 236 213 110

HSL 49.05, 0.77%, 0.68%

LAB 85.27, -4.77, 53.18

 

CMYK 5 / 0 / 53 / 7

HEX #E1EC6E

RGB 225 236 110

HSL 65.24, 0.77%, 0.68%

LAB 90.38, -20.6, 58.9

 

CMYK 19 / 0 / 53 / 7

HEX #C0EC6E

RGB 192 236 110

HSL 80.95, 0.77%, 0.68%

LAB 88.12, -33.3, 55.7

 

CMYK 0 / 14 / 84 / 11

HEX #E2C225

RGB 226 194 37

HSL 49.84, 0.77%, 0.52%

LAB 78.98, -3.1, 74.56

 

CMYK 0 / 11 / 68 / 9

HEX #E7CD4A

RGB 231 205 74

HSL 50.06, 0.77%, 0.6%

LAB 82.46, -5.16, 65.71

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76E

RGB 236 215 110

HSL 50, 0.77%, 0.68%

LAB 85.79, -5.78, 53.78

 

CMYK 0 / 6 / 39 / 6

HEX #F0E193

RGB 240 225 147

HSL 50.32, 0.76%, 0.76%

LAB 89.15, -5.76, 40

 

CMYK 0 / 4 / 25 / 4

HEX #F5EBB7

RGB 245 235 183

HSL 50.32, 0.76%, 0.84%

LAB 92.68, -4.56, 26.51

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

CMYK 53 / 0 / 53 / 7

HEX #6EEC70

RGB 110 236 112

HSL 120.95, 0.77%, 0.68%

LAB 84.21, -59.3, 49.18

 

CMYK 31 / 53 / 0 / 7

HEX #A26EEC

RGB 162 110 236

HSL 264.76, 0.77%, 0.68%

LAB 56.97, 45.96, -56.37

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

CMYK 53 / 0 / 10 / 7

HEX #6EECD5

RGB 110 236 213

HSL 169.05, 0.77%, 0.68%

LAB 86.06, -40.55, 0.49

 

CMYK 10 / 53 / 0 / 7

HEX #D56EEC

RGB 213 110 236

HSL 289.05, 0.77%, 0.68%

LAB 62.81, 58.93, -46.73

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

CMYK 53 / 0 / 53 / 7

HEX #6EEC70

RGB 110 236 112

HSL 120.95, 0.77%, 0.68%

LAB 84.21, -59.3, 49.18

 

CMYK 53 / 44 / 0 / 7

HEX #6E85EC

RGB 110 133 236

HSL 229.05, 0.77%, 0.68%

LAB 58.18, 20.55, -54.68

 

CMYK 0 / 53 / 1 / 7

HEX #EC6EEA

RGB 236 110 234

HSL 300.95, 0.77%, 0.68%

LAB 65.69, 64.59, -40.88

 

CMYK 0 / 9 / 53 / 7

HEX #ECD76F

RGB 236 215 111

HSL 49.92, 0.77%, 0.68%

LAB 85.8, -5.7, 53.32

 

CMYK 53 / 0 / 36 / 7

HEX #6EEC96

RGB 110 236 150

HSL 139.05, 0.77%, 0.68%

LAB 84.74, -53.62, 31.31

 

CMYK 53 / 44 / 0 / 7

HEX #6E85EC

RGB 110 133 236

HSL 229.05, 0.77%, 0.68%

LAB 58.18, 20.55, -54.68

 

CMYK 0 / 53 / 17 / 7

HEX #EC6EC4

RGB 236 110 196

HSL 319.05, 0.77%, 0.68%

LAB 64.14, 58.56, -22.02

 

Description

Color code: HEX #ECD76F | qconv.com Color code: HEX #ECD76F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 215 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 215 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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