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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECD9EC it is the complementary color #132613. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECD9EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECD9EC shade: #F1D9E7, #FFEBFA and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECD9EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECD9EC shade: #ECD9EC, #DBC7D9, #CAB5C6, #B9A3B3 and #A891A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECD9EC shade: #ECD9EC, #ECD9E7, #ECD9E2, #ECD9DD and #ECD9D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECD9EC shade: #ECD9EC, #E7D9EC, #E2D9EC, #DDD9EC and #D9D9EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECD9EC shade matches the following richer shades: #ECD9EC, #F0D5F0, #F5D0F5, #F9CCF9 and #FEC7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECD9EC shade: #ECD9EC, #E7DEE7, #E3E2E3, #DEE7DE and #DAEBDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECD9EC shade: #E2D9EC, #E7D9EC, #ECD9EC, #ECD9E7 and #ECD9E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECD9EC shade: #D0A2D0, #DEBEDE, #ECD9EC and #FAF5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECD9EC shade: #ECD9EC, #ECDDD9 and #D9ECE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECD9EC shade: #ECD9EC, #ECECD9 and #D9ECEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECD9EC shade: #ECD9EC, #ECDDD9, #D9ECD9 and #D9E8EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECD9EC shade: #ECD9EC, #ECE2D9, #D9ECD9 and #D9E2EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

Complementary color

CMYK 50 / 0 / 50 / 85

HEX #132613

RGB 19 38 19

HSL 120, 0.33%, 0.11%

LAB 13.06, -12.86, 10.17

 

CMYK 0 / 10 / 4 / 5

HEX #F1D9E7

RGB 241 217 231

HSL 325, 0.46%, 0.9%

LAB 88.97, 10.64, -3.84

 

CMYK 0 / 8 / 2 / 0

HEX #FFEBFA

RGB 255 235 250

HSL 315, 1%, 0.96%

LAB 94.98, 9.32, -4.79

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 9 / 1 / 14

HEX #DBC7D9

RGB 219 199 217

HSL 306, 0.22%, 0.82%

LAB 82.33, 10.15, -6.4

 

CMYK 0 / 10 / 2 / 21

HEX #CAB5C6

RGB 202 181 198

HSL 311.43, 0.17%, 0.75%

LAB 75.87, 10.49, -5.86

 

CMYK 0 / 12 / 3 / 27

HEX #B9A3B3

RGB 185 163 179

HSL 316.36, 0.14%, 0.68%

LAB 69.3, 10.86, -5.3

 

CMYK 0 / 14 / 5 / 34

HEX #A891A0

RGB 168 145 160

HSL 320.87, 0.12%, 0.61%

LAB 62.6, 11.26, -4.72

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 8 / 2 / 7

HEX #ECD9E7

RGB 236 217 231

HSL 315.79, 0.33%, 0.89%

LAB 88.56, 8.95, -4.49

 

CMYK 0 / 8 / 4 / 7

HEX #ECD9E2

RGB 236 217 226

HSL 331.58, 0.33%, 0.89%

LAB 88.42, 8.07, -2.05

 

CMYK 0 / 8 / 6 / 7

HEX #ECD9DD

RGB 236 217 221

HSL 347.37, 0.33%, 0.89%

LAB 88.29, 7.21, 0.39

 

CMYK 0 / 8 / 8 / 7

HEX #ECD9D9

RGB 236 217 217

HSL 0, 0.33%, 0.89%

LAB 88.19, 6.53, 2.36

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 2 / 8 / 0 / 7

HEX #E7D9EC

RGB 231 217 236

HSL 284.21, 0.33%, 0.89%

LAB 88.29, 8.17, -7.57

 

CMYK 4 / 8 / 0 / 7

HEX #E2D9EC

RGB 226 217 236

HSL 268.42, 0.33%, 0.89%

LAB 87.9, 6.52, -8.19

 

CMYK 6 / 8 / 0 / 7

HEX #DDD9EC

RGB 221 217 236

HSL 252.63, 0.33%, 0.89%

LAB 87.51, 4.87, -8.81

 

CMYK 8 / 8 / 0 / 7

HEX #D9D9EC

RGB 217 217 236

HSL 240, 0.33%, 0.89%

LAB 87.21, 3.57, -9.29

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 11 / 0 / 6

HEX #F0D5F0

RGB 240 213 240

HSL 300, 0.47%, 0.89%

LAB 88.16, 14, -9.78

 

CMYK 0 / 15 / 0 / 4

HEX #F5D0F5

RGB 245 208 245

HSL 300, 0.65%, 0.89%

LAB 87.54, 19.19, -13.31

 

CMYK 0 / 18 / 0 / 2

HEX #F9CCF9

RGB 249 204 249

HSL 300, 0.79%, 0.89%

LAB 87.08, 23.33, -16.08

 

CMYK 0 / 22 / 0 / 0

HEX #FEC7FE

RGB 254 199 254

HSL 300, 0.96%, 0.89%

LAB 86.54, 28.49, -19.49

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 4 / 0 / 9

HEX #E7DEE7

RGB 231 222 231

HSL 300, 0.16%, 0.89%

LAB 89.39, 4.65, -3.31

 

CMYK 0 / 0 / 0 / 11

HEX #E3E2E3

RGB 227 226 227

HSL 300, 0.02%, 0.89%

LAB 89.98, 0.52, -0.38

 

CMYK 4 / 0 / 4 / 9

HEX #DEE7DE

RGB 222 231 222

HSL 120, 0.16%, 0.89%

LAB 90.76, -4.62, 3.32

 

CMYK 7 / 0 / 7 / 8

HEX #DAEBDA

RGB 218 235 218

HSL 120, 0.3%, 0.89%

LAB 91.41, -8.7, 6.31

 

CMYK 4 / 8 / 0 / 7

HEX #E2D9EC

RGB 226 217 236

HSL 268.42, 0.33%, 0.89%

LAB 87.9, 6.52, -8.19

 

CMYK 2 / 8 / 0 / 7

HEX #E7D9EC

RGB 231 217 236

HSL 284.21, 0.33%, 0.89%

LAB 88.29, 8.17, -7.57

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 8 / 2 / 7

HEX #ECD9E7

RGB 236 217 231

HSL 315.79, 0.33%, 0.89%

LAB 88.56, 8.95, -4.49

 

CMYK 0 / 8 / 4 / 7

HEX #ECD9E2

RGB 236 217 226

HSL 331.58, 0.33%, 0.89%

LAB 88.42, 8.07, -2.05

 

CMYK 0 / 22 / 0 / 18

HEX #D0A2D0

RGB 208 162 208

HSL 300, 0.33%, 0.73%

LAB 72.1, 24.75, -16.92

 

CMYK 0 / 14 / 0 / 13

HEX #DEBEDE

RGB 222 190 222

HSL 300, 0.33%, 0.81%

LAB 80.53, 16.89, -11.73

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 2 / 0 / 2

HEX #FAF5FA

RGB 250 245 250

HSL 300, 0.33%, 0.97%

LAB 97.04, 2.54, -1.82

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 6 / 8 / 7

HEX #ECDDD9

RGB 236 221 217

HSL 12.63, 0.33%, 0.89%

LAB 89.18, 4.46, 3.79

 

CMYK 8 / 0 / 3 / 7

HEX #D9ECE4

RGB 217 236 228

HSL 154.74, 0.33%, 0.89%

LAB 91.84, -7.74, 1.72

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 0 / 8 / 7

HEX #ECECD9

RGB 236 236 217

HSL 60, 0.33%, 0.89%

LAB 92.94, -3.24, 9.21

 

CMYK 8 / 0 / 0 / 7

HEX #D9ECEC

RGB 217 236 236

HSL 180, 0.33%, 0.89%

LAB 92.04, -6.24, -2.16

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 6 / 8 / 7

HEX #ECDDD9

RGB 236 221 217

HSL 12.63, 0.33%, 0.89%

LAB 89.18, 4.46, 3.79

 

CMYK 8 / 0 / 8 / 7

HEX #D9ECD9

RGB 217 236 217

HSL 120, 0.33%, 0.89%

LAB 91.57, -9.72, 7.06

 

CMYK 8 / 2 / 0 / 7

HEX #D9E8EC

RGB 217 232 236

HSL 192.63, 0.33%, 0.89%

LAB 91.02, -4.2, -3.66

 

CMYK 0 / 8 / 0 / 7

HEX #ECD9EC

RGB 236 217 236

HSL 300, 0.33%, 0.89%

LAB 88.69, 9.84, -6.93

 

CMYK 0 / 4 / 8 / 7

HEX #ECE2D9

RGB 236 226 217

HSL 28.42, 0.33%, 0.89%

LAB 90.43, 1.87, 5.59

 

CMYK 8 / 0 / 8 / 7

HEX #D9ECD9

RGB 217 236 217

HSL 120, 0.33%, 0.89%

LAB 91.57, -9.72, 7.06

 

CMYK 8 / 4 / 0 / 7

HEX #D9E2EC

RGB 217 226 236

HSL 211.58, 0.33%, 0.89%

LAB 89.49, -1.11, -5.92

 

Description

Color code: HEX #ECD9EC | qconv.com Color code: HEX #ECD9EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 217 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 217 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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