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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDAD4 it is the complementary color #13252B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDAD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDAD4 shade: #F1DACF, #FFECE2 and #FFFEF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDAD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDAD4 shade: #ECDAD4, #DBC8C1, #CAB6AE, #B9A49B and #A89288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDAD4 shade: #ECDAD4 and #ECD4D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDAD4 shade: #ECDAD4, #ECE0D4, #ECE7D4, #EAECD4 and #E4ECD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDAD4 shade matches the following richer shades: #ECDAD4, #F1D7CF, #F6D5CA and #FBD3C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDAD4 shade: #ECDAD4, #E7DCD9, #E2DFDE, #DDE1E3 and #D8E4E8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDAD4 shade: #ECD4DB, #ECD4D4, #ECDAD4, #ECE0D4 and #ECE7D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDAD4 shade: #D3A99B, #DFC1B7, #ECDAD4 and #F8F3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDAD4 shade: #ECDAD4, #E1ECD4 and #D4D8EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDAD4 shade: #ECDAD4, #D4ECDA and #DAD4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDAD4 shade: #ECDAD4, #E1ECD4, #D4E6EC and #DFD4EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDAD4 shade: #ECDAD4, #DAECD4, #D4E6EC and #E6D4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

Complementary color

CMYK 56 / 14 / 0 / 83

HEX #13252B

RGB 19 37 43

HSL 195, 0.39%, 0.12%

LAB 13.45, -5.36, -6.29

 

CMYK 0 / 10 / 14 / 5

HEX #F1DACF

RGB 241 218 207

HSL 19.41, 0.55%, 0.88%

LAB 88.61, 6.15, 8.28

 

CMYK 0 / 7 / 11 / 0

HEX #FFECE2

RGB 255 236 226

HSL 20.69, 1%, 0.94%

LAB 94.63, 4.8, 7.15

 

CMYK 0 / 0 / 4 / 0

HEX #FFFEF5

RGB 255 254 245

HSL 54, 1%, 0.98%

LAB 99.51, -1.21, 4.4

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 9 / 12 / 14

HEX #DBC8C1

RGB 219 200 193

HSL 16.15, 0.27%, 0.81%

LAB 81.96, 5.48, 5.89

 

CMYK 0 / 10 / 14 / 21

HEX #CAB6AE

RGB 202 182 174

HSL 17.14, 0.21%, 0.74%

LAB 75.49, 5.8, 6.65

 

CMYK 0 / 11 / 16 / 27

HEX #B9A49B

RGB 185 164 155

HSL 18, 0.18%, 0.67%

LAB 68.92, 6.15, 7.46

 

CMYK 0 / 13 / 19 / 34

HEX #A89288

RGB 168 146 136

HSL 18.75, 0.16%, 0.6%

LAB 62.22, 6.54, 8.31

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D4

RGB 236 212 212

HSL 0, 0.39%, 0.88%

LAB 86.84, 8.31, 3.03

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 5 / 10 / 7

HEX #ECE0D4

RGB 236 224 212

HSL 30, 0.39%, 0.88%

LAB 89.81, 2.08, 7.32

 

CMYK 0 / 2 / 10 / 7

HEX #ECE7D4

RGB 236 231 212

HSL 47.5, 0.39%, 0.88%

LAB 91.57, -1.51, 9.84

 

CMYK 1 / 0 / 10 / 7

HEX #EAECD4

RGB 234 236 212

HSL 65, 0.39%, 0.88%

LAB 92.68, -4.75, 11.41

 

CMYK 3 / 0 / 10 / 7

HEX #E4ECD4

RGB 228 236 212

HSL 80, 0.39%, 0.88%

LAB 92.24, -6.83, 10.72

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 11 / 14 / 5

HEX #F1D7CF

RGB 241 215 207

HSL 14.12, 0.55%, 0.88%

LAB 87.88, 7.71, 7.22

 

CMYK 0 / 13 / 18 / 4

HEX #F6D5CA

RGB 246 213 202

HSL 15, 0.71%, 0.88%

LAB 87.7, 9.78, 9.66

 

CMYK 0 / 16 / 22 / 2

HEX #FBD3C5

RGB 251 211 197

HSL 15.56, 0.87%, 0.88%

LAB 87.55, 11.89, 12.14

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 5 / 6 / 9

HEX #E7DCD9

RGB 231 220 217

HSL 12.86, 0.23%, 0.88%

LAB 88.54, 3.24, 2.8

 

CMYK 0 / 1 / 2 / 11

HEX #E2DFDE

RGB 226 223 222

HSL 15, 0.06%, 0.88%

LAB 89.03, 0.84, 0.84

 

CMYK 3 / 1 / 0 / 11

HEX #DDE1E3

RGB 221 225 227

HSL 200, 0.1%, 0.88%

LAB 89.28, -0.97, -1.45

 

CMYK 7 / 2 / 0 / 9

HEX #D8E4E8

RGB 216 228 232

HSL 195, 0.26%, 0.88%

LAB 89.82, -3.23, -3.34

 

CMYK 0 / 10 / 7 / 7

HEX #ECD4DB

RGB 236 212 219

HSL 342.5, 0.39%, 0.88%

LAB 87.01, 9.48, -0.42

 

CMYK 0 / 10 / 10 / 7

HEX #ECD4D4

RGB 236 212 212

HSL 0, 0.39%, 0.88%

LAB 86.84, 8.31, 3.03

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 5 / 10 / 7

HEX #ECE0D4

RGB 236 224 212

HSL 30, 0.39%, 0.88%

LAB 89.81, 2.08, 7.32

 

CMYK 0 / 2 / 10 / 7

HEX #ECE7D4

RGB 236 231 212

HSL 47.5, 0.39%, 0.88%

LAB 91.57, -1.51, 9.84

 

CMYK 0 / 20 / 27 / 17

HEX #D3A99B

RGB 211 169 155

HSL 15, 0.39%, 0.72%

LAB 72.62, 13.31, 13.05

 

CMYK 0 / 13 / 18 / 13

HEX #DFC1B7

RGB 223 193 183

HSL 15, 0.38%, 0.8%

LAB 80.32, 9.05, 8.95

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 0 / 2 / 3 / 3

HEX #F8F3F1

RGB 248 243 241

HSL 17.14, 0.33%, 0.96%

LAB 96.17, 1.33, 1.54

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 5 / 0 / 10 / 7

HEX #E1ECD4

RGB 225 236 212

HSL 87.5, 0.39%, 0.88%

LAB 92.02, -7.86, 10.38

 

CMYK 10 / 8 / 0 / 7

HEX #D4D8EC

RGB 212 216 236

HSL 230, 0.39%, 0.88%

LAB 86.59, 2.47, -10.26

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 10 / 0 / 8 / 7

HEX #D4ECDA

RGB 212 236 218

HSL 135, 0.39%, 0.88%

LAB 91.26, -11.21, 6.04

 

CMYK 8 / 10 / 0 / 7

HEX #DAD4EC

RGB 218 212 236

HSL 255, 0.39%, 0.88%

LAB 86.03, 6.52, -11.03

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 5 / 0 / 10 / 7

HEX #E1ECD4

RGB 225 236 212

HSL 87.5, 0.39%, 0.88%

LAB 92.02, -7.86, 10.38

 

CMYK 10 / 3 / 0 / 7

HEX #D4E6EC

RGB 212 230 236

HSL 195, 0.39%, 0.88%

LAB 90.16, -4.79, -4.96

 

CMYK 6 / 10 / 0 / 7

HEX #DFD4EC

RGB 223 212 236

HSL 267.5, 0.39%, 0.88%

LAB 86.42, 8.16, -10.41

 

CMYK 0 / 8 / 10 / 7

HEX #ECDAD4

RGB 236 218 212

HSL 15, 0.39%, 0.88%

LAB 88.32, 5.19, 5.17

 

CMYK 8 / 0 / 10 / 7

HEX #DAECD4

RGB 218 236 212

HSL 105, 0.39%, 0.88%

LAB 91.53, -10.25, 9.61

 

CMYK 10 / 3 / 0 / 7

HEX #D4E6EC

RGB 212 230 236

HSL 195, 0.39%, 0.88%

LAB 90.16, -4.79, -4.96

 

CMYK 3 / 10 / 0 / 7

HEX #E6D4EC

RGB 230 212 236

HSL 285, 0.39%, 0.88%

LAB 86.98, 10.47, -9.52

 

Description

Color code: HEX #ECDAD4 | qconv.com Color code: HEX #ECDAD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 218 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 218 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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