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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDD93 it is the complementary color #13226C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDD93 shade: #F1DD8E, #FFEFA1, #FFFFB4, #FFFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDD93 shade: #ECDD93, #DBCB80, #CAB96D, #B9A75A and #A89547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDD93 shade: #EBDC92, #EBC492, #EBAC92, #EB9492 and #EB9292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDD93 shade: #EBDC92, #E2EB92, #CAEB92, #B2EB92 and #9AEB92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDD93 shade matches the following richer shades: #EBDC92 and #F6E388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDD93 shade: #EBDC92, #E1D59C, #D7CFA7, #CCC8B1 and #C2C1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDD93 shade: #EBAB92, #EBC392, #EBDB92, #E4EB92 and #CCEB92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDD93 shade: #DFC64C, #E5D16F, #EBDC92, #F2E7B5 and #F8F2D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDD93 shade: #ECDD93, #92EB94 and #B792EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDD93 shade: #ECDD93, #92EBDB and #DB92EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDD93 shade: #ECDD93, #92EB94, #92A2EB and #EB92EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDD93 shade: #ECDD93, #92EBAE, #92A2EB and #EB92CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

Complementary color

CMYK 82 / 69 / 0 / 58

HEX #13226C

RGB 19 34 108

HSL 229.89, 0.7%, 0.25%

LAB 17.3, 23.57, -44.62

 

CMYK 0 / 8 / 41 / 5

HEX #F1DD8E

RGB 241 221 142

HSL 47.88, 0.78%, 0.75%

LAB 88.14, -3.88, 41.23

 

CMYK 0 / 6 / 37 / 0

HEX #FFEFA1

RGB 255 239 161

HSL 49.79, 1%, 0.82%

LAB 94.13, -5.49, 39.7

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

CMYK 0 / 7 / 42 / 14

HEX #DBCB80

RGB 219 203 128

HSL 49.45, 0.56%, 0.68%

LAB 81.47, -4.84, 39.37

 

CMYK 0 / 8 / 46 / 21

HEX #CAB96D

RGB 202 185 109

HSL 49.03, 0.47%, 0.61%

LAB 75.05, -4.31, 40.6

 

CMYK 0 / 10 / 51 / 27

HEX #B9A75A

RGB 185 167 90

HSL 48.63, 0.4%, 0.54%

LAB 68.53, -3.68, 41.85

 

CMYK 0 / 11 / 58 / 34

HEX #A89547

RGB 168 149 71

HSL 48.25, 0.41%, 0.47%

LAB 61.89, -2.91, 43.08

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 0 / 17 / 38 / 8

HEX #EBC492

RGB 235 196 146

HSL 33.71, 0.69%, 0.75%

LAB 81.41, 7.1, 30.29

 

CMYK 0 / 27 / 38 / 8

HEX #EBAC92

RGB 235 172 146

HSL 17.53, 0.69%, 0.75%

LAB 75.6, 19.79, 22.46

 

CMYK 0 / 37 / 38 / 8

HEX #EB9492

RGB 235 148 146

HSL 1.35, 0.69%, 0.75%

LAB 70.12, 32.53, 14.88

 

CMYK 0 / 38 / 38 / 8

HEX #EB9292

RGB 235 146 146

HSL 0, 0.69%, 0.75%

LAB 69.68, 33.59, 14.27

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 4 / 0 / 38 / 8

HEX #E2EB92

RGB 226 235 146

HSL 66.07, 0.69%, 0.75%

LAB 90.62, -16.24, 42.18

 

CMYK 14 / 0 / 38 / 8

HEX #CAEB92

RGB 202 235 146

HSL 82.25, 0.69%, 0.75%

LAB 88.95, -25.22, 39.68

 

CMYK 24 / 0 / 38 / 8

HEX #B2EB92

RGB 178 235 146

HSL 98.43, 0.69%, 0.75%

LAB 87.46, -33.76, 37.47

 

CMYK 34 / 0 / 38 / 8

HEX #9AEB92

RGB 154 235 146

HSL 114.61, 0.69%, 0.75%

LAB 86.19, -41.67, 35.56

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 0 / 8 / 45 / 4

HEX #F6E388

RGB 246 227 136

HSL 49.64, 0.86%, 0.75%

LAB 90, -5.55, 46.63

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 0 / 5 / 31 / 12

HEX #E1D59C

RGB 225 213 156

HSL 49.57, 0.53%, 0.75%

LAB 84.99, -4.4, 29.72

 

CMYK 0 / 4 / 22 / 16

HEX #D7CFA7

RGB 215 207 167

HSL 50, 0.38%, 0.75%

LAB 82.84, -3.62, 20.91

 

CMYK 0 / 2 / 13 / 20

HEX #CCC8B1

RGB 204 200 177

HSL 51.11, 0.21%, 0.75%

LAB 80.36, -2.53, 12

 

CMYK 0 / 1 / 4 / 24

HEX #C2C1BB

RGB 194 193 187

HSL 51.43, 0.05%, 0.75%

LAB 77.99, -0.73, 3.13

 

CMYK 0 / 27 / 38 / 8

HEX #EBAB92

RGB 235 171 146

HSL 16.85, 0.69%, 0.75%

LAB 75.37, 20.33, 22.14

 

CMYK 0 / 17 / 38 / 8

HEX #EBC392

RGB 235 195 146

HSL 33.03, 0.69%, 0.75%

LAB 81.16, 7.63, 29.96

 

CMYK 0 / 7 / 38 / 8

HEX #EBDB92

RGB 235 219 146

HSL 49.21, 0.69%, 0.75%

LAB 87.19, -4.78, 37.89

 

CMYK 3 / 0 / 38 / 8

HEX #E4EB92

RGB 228 235 146

HSL 64.72, 0.69%, 0.75%

LAB 90.77, -15.48, 42.4

 

CMYK 13 / 0 / 38 / 8

HEX #CCEB92

RGB 204 235 146

HSL 80.9, 0.69%, 0.75%

LAB 89.08, -24.48, 39.88

 

CMYK 0 / 11 / 66 / 13

HEX #DFC64C

RGB 223 198 76

HSL 49.8, 0.7%, 0.59%

LAB 79.95, -4.83, 62.09

 

CMYK 0 / 9 / 52 / 10

HEX #E5D16F

RGB 229 209 111

HSL 49.83, 0.69%, 0.67%

LAB 83.66, -5.49, 50.64

 

CMYK 0 / 6 / 38 / 8

HEX #EBDC92

RGB 235 220 146

HSL 49.89, 0.69%, 0.75%

LAB 87.45, -5.28, 38.22

 

CMYK 0 / 5 / 25 / 5

HEX #F2E7B5

RGB 242 231 181

HSL 49.18, 0.7%, 0.83%

LAB 91.4, -3.92, 25.74

 

CMYK 0 / 2 / 13 / 3

HEX #F8F2D8

RGB 248 242 216

HSL 48.75, 0.7%, 0.91%

LAB 95.34, -2.26, 13.26

 

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

CMYK 38 / 0 / 37 / 8

HEX #92EB94

RGB 146 235 148

HSL 121.35, 0.69%, 0.75%

LAB 85.84, -43.83, 34.03

 

CMYK 22 / 38 / 0 / 8

HEX #B792EB

RGB 183 146 235

HSL 264.94, 0.69%, 0.75%

LAB 66.99, 31.4, -39.83

 

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

CMYK 38 / 0 / 7 / 8

HEX #92EBDB

RGB 146 235 219

HSL 169.21, 0.69%, 0.75%

LAB 87.31, -30.3, -0.67

 

CMYK 7 / 38 / 0 / 8

HEX #DB92EB

RGB 219 146 235

HSL 289.21, 0.69%, 0.75%

LAB 70.61, 42.06, -33.93

 

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

CMYK 38 / 0 / 37 / 8

HEX #92EB94

RGB 146 235 148

HSL 121.35, 0.69%, 0.75%

LAB 85.84, -43.83, 34.03

 

CMYK 38 / 31 / 0 / 8

HEX #92A2EB

RGB 146 162 235

HSL 229.21, 0.69%, 0.75%

LAB 67.98, 11.98, -38.5

 

CMYK 0 / 38 / 0 / 8

HEX #EB92EA

RGB 235 146 234

HSL 300.67, 0.69%, 0.75%

LAB 72.34, 46.71, -30.57

 

CMYK 0 / 6 / 38 / 7

HEX #ECDD93

RGB 236 221 147

HSL 49.89, 0.7%, 0.75%

LAB 87.8, -5.29, 38.19

 

CMYK 38 / 0 / 26 / 8

HEX #92EBAE

RGB 146 235 174

HSL 138.88, 0.69%, 0.75%

LAB 86.3, -39.47, 21.37

 

CMYK 38 / 31 / 0 / 8

HEX #92A2EB

RGB 146 162 235

HSL 229.21, 0.69%, 0.75%

LAB 67.98, 11.98, -38.5

 

CMYK 0 / 38 / 12 / 8

HEX #EB92CF

RGB 235 146 207

HSL 318.88, 0.69%, 0.75%

LAB 71.37, 42.09, -17.19

 

Description

Color code: HEX #ECDD93 | qconv.com Color code: HEX #ECDD93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 221 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 221 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 38 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 38% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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