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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDDC7 it is the complementary color #132238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDDC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDDC7 shade: #F1DDC2, #FFEFD5, #FFFFE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDDC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDDC7 shade: #ECDDC7, #DBCBB4, #CAB9A1, #B9A78E and #A8957B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDDC7 shade: #EBDCC6, #EBD2C6, #EBC8C6 and #EBC6C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDDC7 shade: #EBDCC6, #EBE6C6, #E6EBC6, #DCEBC6 and #D2EBC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDDC7 shade matches the following richer shades: #EBDCC6, #F1DDBF, #F7DEB9 and #FEDFB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDDC7 shade: #EBDCC6, #E5DBCC, #DFD9D2, #D8D8D8 and #D2D7DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDDC7 shade: #EBC7C6, #EBD1C6, #EBDBC6, #EBE5C6 and #E7EBC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDDC7 shade: #D6B688, #E0C9A7, #EBDCC6 and #F6EFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDDC7 shade: #ECDDC7, #CEEBC6 and #CCC6EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDDC7 shade: #ECDDC7, #C6EBDB and #DBC6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDDC7 shade: #ECDDC7, #CEEBC6, #C6D5EB and #E3C6EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDDC7 shade: #ECDDC7, #C6EBC9, #C6D5EB and #EBC6E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

Complementary color

CMYK 66 / 39 / 0 / 78

HEX #132238

RGB 19 34 56

HSL 215.68, 0.49%, 0.15%

LAB 13.03, 1.77, -16.22

 

CMYK 0 / 8 / 20 / 5

HEX #F1DDC2

RGB 241 221 194

HSL 34.47, 0.63%, 0.85%

LAB 89.07, 2.64, 15.74

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

CMYK 0 / 7 / 18 / 14

HEX #DBCBB4

RGB 219 203 180

HSL 35.38, 0.35%, 0.78%

LAB 82.41, 1.86, 13.48

 

CMYK 0 / 8 / 20 / 21

HEX #CAB9A1

RGB 202 185 161

HSL 35.12, 0.28%, 0.71%

LAB 75.96, 2.16, 14.37

 

CMYK 0 / 10 / 23 / 27

HEX #B9A78E

RGB 185 167 142

HSL 34.88, 0.23%, 0.64%

LAB 69.4, 2.51, 15.31

 

CMYK 0 / 11 / 27 / 34

HEX #A8957B

RGB 168 149 123

HSL 34.67, 0.21%, 0.57%

LAB 62.72, 2.9, 16.33

 

CMYK 0 / 6 / 16 / 8

HEX #EBDCC6

RGB 235 220 198

HSL 35.68, 0.48%, 0.85%

LAB 88.41, 1.58, 12.65

 

CMYK 0 / 11 / 16 / 8

HEX #EBD2C6

RGB 235 210 198

HSL 19.46, 0.48%, 0.85%

LAB 85.92, 6.77, 9.11

 

CMYK 0 / 15 / 16 / 8

HEX #EBC8C6

RGB 235 200 198

HSL 3.24, 0.48%, 0.85%

LAB 83.47, 12.02, 5.58

 

CMYK 0 / 16 / 16 / 8

HEX #EBC6C6

RGB 235 198 198

HSL 0, 0.48%, 0.85%

LAB 82.98, 13.08, 4.88

 

CMYK 0 / 6 / 16 / 8

HEX #EBDCC6

RGB 235 220 198

HSL 35.68, 0.48%, 0.85%

LAB 88.41, 1.58, 12.65

 

CMYK 0 / 2 / 16 / 8

HEX #EBE6C6

RGB 235 230 198

HSL 51.89, 0.48%, 0.85%

LAB 90.93, -3.54, 16.21

 

CMYK 2 / 0 / 16 / 8

HEX #E6EBC6

RGB 230 235 198

HSL 68.11, 0.48%, 0.85%

LAB 91.83, -7.85, 17.41

 

CMYK 6 / 0 / 16 / 8

HEX #DCEBC6

RGB 220 235 198

HSL 84.32, 0.48%, 0.85%

LAB 91.1, -11.37, 16.29

 

CMYK 11 / 0 / 16 / 8

HEX #D2EBC6

RGB 210 235 198

HSL 100.54, 0.48%, 0.85%

LAB 90.41, -14.84, 15.22

 

CMYK 0 / 6 / 16 / 8

HEX #EBDCC6

RGB 235 220 198

HSL 35.68, 0.48%, 0.85%

LAB 88.41, 1.58, 12.65

 

CMYK 0 / 8 / 21 / 5

HEX #F1DDBF

RGB 241 221 191

HSL 36, 0.64%, 0.85%

LAB 89.01, 2.2, 17.22

 

CMYK 0 / 10 / 25 / 3

HEX #F7DEB9

RGB 247 222 185

HSL 35.81, 0.79%, 0.85%

LAB 89.64, 3.06, 21.3

 

CMYK 0 / 12 / 30 / 0

HEX #FEDFB3

RGB 254 223 179

HSL 35.2, 0.97%, 0.85%

LAB 90.37, 4.37, 25.52

 

CMYK 0 / 6 / 16 / 8

HEX #EBDCC6

RGB 235 220 198

HSL 35.68, 0.48%, 0.85%

LAB 88.41, 1.58, 12.65

 

CMYK 0 / 4 / 11 / 10

HEX #E5DBCC

RGB 229 219 204

HSL 36, 0.32%, 0.85%

LAB 87.81, 0.9, 8.58

 

CMYK 0 / 3 / 6 / 13

HEX #DFD9D2

RGB 223 217 210

HSL 32.31, 0.17%, 0.85%

LAB 86.98, 0.83, 4.16

HEX #DFD9D2

CMYK 5 / 3 / 0 / 13

HEX #D2D7DE

RGB 210 215 222

HSL 215, 0.15%, 0.85%

LAB 85.79, -0.38, -4.04

HEX #D2D7DE

CMYK 0 / 15 / 16 / 8

HEX #EBC7C6

RGB 235 199 198

HSL 1.62, 0.48%, 0.85%

LAB 83.22, 12.55, 5.23

 

CMYK 0 / 11 / 16 / 8

HEX #EBD1C6

RGB 235 209 198

HSL 17.84, 0.48%, 0.85%

LAB 85.68, 7.29, 8.75

 

CMYK 0 / 7 / 16 / 8

HEX #EBDBC6

RGB 235 219 198

HSL 34.05, 0.48%, 0.85%

LAB 88.16, 2.1, 12.3

 

CMYK 0 / 3 / 16 / 8

HEX #EBE5C6

RGB 235 229 198

HSL 50.27, 0.48%, 0.85%

LAB 90.68, -3.03, 15.86

 

CMYK 2 / 0 / 16 / 8

HEX #E7EBC6

RGB 231 235 198

HSL 66.49, 0.48%, 0.85%

LAB 91.9, -7.5, 17.53

 

CMYK 0 / 15 / 36 / 16

HEX #D6B688

RGB 214 182 136

HSL 35.38, 0.49%, 0.69%

LAB 75.78, 5.05, 27.7

 

CMYK 0 / 10 / 25 / 12

HEX #E0C9A7

RGB 224 201 167

HSL 35.79, 0.48%, 0.77%

LAB 82.06, 2.88, 19.95

 

CMYK 0 / 6 / 16 / 8

HEX #EBDCC6

RGB 235 220 198

HSL 35.68, 0.48%, 0.85%

LAB 88.41, 1.58, 12.65

 

CMYK 0 / 3 / 7 / 4

HEX #F6EFE4

RGB 246 239 228

HSL 36.67, 0.5%, 0.93%

LAB 94.71, 0.49, 6.14

 

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

CMYK 12 / 0 / 16 / 8

HEX #CEEBC6

RGB 206 235 198

HSL 107.03, 0.48%, 0.85%

LAB 90.14, -16.2, 14.8

 

CMYK 13 / 16 / 0 / 8

HEX #CCC6EB

RGB 204 198 235

HSL 249.73, 0.48%, 0.85%

LAB 81.41, 9.25, -17.53

 

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

CMYK 16 / 0 / 7 / 8

HEX #C6EBDB

RGB 198 235 219

HSL 154.05, 0.48%, 0.85%

LAB 90.11, -15.08, 3.74

 

CMYK 7 / 16 / 0 / 8

HEX #DBC6EB

RGB 219 198 235

HSL 274.05, 0.48%, 0.85%

LAB 82.62, 14.08, -15.6

 

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

CMYK 12 / 0 / 16 / 8

HEX #CEEBC6

RGB 206 235 198

HSL 107.03, 0.48%, 0.85%

LAB 90.14, -16.2, 14.8

 

CMYK 16 / 9 / 0 / 8

HEX #C6D5EB

RGB 198 213 235

HSL 215.68, 0.48%, 0.85%

LAB 84.79, -0.62, -12.51

 

CMYK 3 / 16 / 0 / 8

HEX #E3C6EB

RGB 227 198 235

HSL 287.03, 0.48%, 0.85%

LAB 83.29, 16.71, -14.52

 

CMYK 0 / 6 / 16 / 7

HEX #ECDDC7

RGB 236 221 199

HSL 35.68, 0.49%, 0.85%

LAB 88.77, 1.58, 12.64

 

CMYK 16 / 0 / 14 / 8

HEX #C6EBC9

RGB 198 235 201

HSL 124.86, 0.48%, 0.85%

LAB 89.69, -18.38, 12.53

 

CMYK 16 / 9 / 0 / 8

HEX #C6D5EB

RGB 198 213 235

HSL 215.68, 0.48%, 0.85%

LAB 84.79, -0.62, -12.51

 

CMYK 0 / 16 / 1 / 8

HEX #EBC6E8

RGB 235 198 232

HSL 304.86, 0.48%, 0.85%

LAB 83.9, 18.81, -11.94

 

Description

Color code: HEX #ECDDC7 | qconv.com Color code: HEX #ECDDC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 221 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 221 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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