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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECDF83 it is the complementary color #13207C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECDF83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECDF83 shade: #F1DF7E, #FFF191, #FFFFA4, #FFFFB7 and #FFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECDF83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECDF83 shade: #ECDF83, #DBCD70, #CABB5D, #B9A94A and #A89737

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECDF83 shade: #EBDE83, #EBC283, #EBA683, #EB8A83 and #EB8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECDF83 shade: #EBDE83, #DCEB83, #C0EB83, #A4EB83 and #88EB83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECDF83 shade matches the following richer shades: #EBDE83 and #F7E777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECDF83 shade: #EBDE83, #E0D68F, #D4CD9A, #C9C4A6 and #BDBCB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECDF83 shade: #EBA683, #EBC283, #EBDD83, #DDEB83 and #C2EB83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECDF83 shade: #E0CC3C, #E6D55F, #EBDE83, #F1E8A7 and #F6F1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECDF83 shade: #ECDF83, #83EB8A and #B483EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECDF83 shade: #ECDF83, #83EBDD and #DD83EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECDF83 shade: #ECDF83, #83EB8A, #8391EB and #EB83E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECDF83 shade: #ECDF83, #83EBA9, #8391EB and #EB83C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

Complementary color

CMYK 85 / 74 / 0 / 51

HEX #13207C

RGB 19 32 124

HSL 232.57, 0.73%, 0.28%

LAB 18.48, 31.22, -52.98

 

CMYK 0 / 7 / 48 / 5

HEX #F1DF7E

RGB 241 223 126

HSL 50.61, 0.8%, 0.72%

LAB 88.44, -6.45, 49.46

 

CMYK 0 / 5 / 43 / 0

HEX #FFF191

RGB 255 241 145

HSL 52.36, 1%, 0.78%

LAB 94.4, -8.15, 47.92

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 0 / 6 / 49 / 14

HEX #DBCD70

RGB 219 205 112

HSL 52.15, 0.6%, 0.65%

LAB 81.78, -7.43, 47.7

 

CMYK 0 / 7 / 54 / 21

HEX #CABB5D

RGB 202 187 93

HSL 51.74, 0.51%, 0.58%

LAB 75.38, -6.79, 48.88

 

CMYK 0 / 9 / 60 / 27

HEX #B9A94A

RGB 185 169 74

HSL 51.35, 0.44%, 0.51%

LAB 68.88, -6.03, 50

 

CMYK 0 / 10 / 67 / 34

HEX #A89737

RGB 168 151 55

HSL 50.97, 0.51%, 0.44%

LAB 62.28, -5.11, 50.94

 

CMYK 0 / 6 / 44 / 8

HEX #EBDE83

RGB 235 222 131

HSL 52.5, 0.72%, 0.72%

LAB 87.75, -7.86, 46.07

 

CMYK 0 / 17 / 44 / 8

HEX #EBC283

RGB 235 194 131

HSL 36.35, 0.72%, 0.72%

LAB 80.67, 6.54, 37.11

 

CMYK 0 / 29 / 44 / 8

HEX #EBA683

RGB 235 166 131

HSL 20.19, 0.72%, 0.72%

LAB 73.92, 21.35, 28.27

 

CMYK 0 / 41 / 44 / 8

HEX #EB8A83

RGB 235 138 131

HSL 4.04, 0.72%, 0.72%

LAB 67.63, 36.14, 19.79

 

CMYK 0 / 44 / 44 / 8

HEX #EB8383

RGB 235 131 131

HSL 0, 0.72%, 0.72%

LAB 66.16, 39.76, 17.77

 

CMYK 0 / 6 / 44 / 8

HEX #EBDE83

RGB 235 222 131

HSL 52.5, 0.72%, 0.72%

LAB 87.75, -7.86, 46.07

 

CMYK 6 / 0 / 44 / 8

HEX #DCEB83

RGB 220 235 131

HSL 68.65, 0.72%, 0.72%

LAB 89.99, -20.14, 48.58

 

CMYK 18 / 0 / 44 / 8

HEX #C0EB83

RGB 192 235 131

HSL 84.81, 0.72%, 0.72%

LAB 88.09, -30.66, 45.82

 

CMYK 30 / 0 / 44 / 8

HEX #A4EB83

RGB 164 235 131

HSL 100.96, 0.72%, 0.72%

LAB 86.48, -40.49, 43.45

 

CMYK 42 / 0 / 44 / 8

HEX #88EB83

RGB 136 235 131

HSL 117.12, 0.72%, 0.72%

LAB 85.14, -49.3, 41.48

 

CMYK 0 / 6 / 44 / 8

HEX #EBDE83

RGB 235 222 131

HSL 52.5, 0.72%, 0.72%

LAB 87.75, -7.86, 46.07

 

CMYK 0 / 6 / 52 / 3

HEX #F7E777

RGB 247 231 119

HSL 52.5, 0.89%, 0.72%

LAB 90.9, -8.67, 55.84

 

CMYK 0 / 6 / 44 / 8

HEX #EBDE83

RGB 235 222 131

HSL 52.5, 0.72%, 0.72%

LAB 87.75, -7.86, 46.07

 

CMYK 0 / 4 / 36 / 12

HEX #E0D68F

RGB 224 214 143

HSL 52.59, 0.57%, 0.72%

LAB 84.96, -6.85, 36.33

 

CMYK 0 / 3 / 27 / 17

HEX #D4CD9A

RGB 212 205 154

HSL 52.76, 0.4%, 0.72%

LAB 81.83, -5.51, 26.33

 

CMYK 0 / 2 / 17 / 21

HEX #C9C4A6

RGB 201 196 166

HSL 51.43, 0.24%, 0.72%

LAB 78.84, -3.26, 15.71

 

CMYK 0 / 1 / 6 / 26

HEX #BDBCB1

RGB 189 188 177

HSL 55, 0.08%, 0.72%

LAB 76.04, -1.62, 5.68

 

CMYK 0 / 29 / 44 / 8

HEX #EBA683

RGB 235 166 131

HSL 20.19, 0.72%, 0.72%

LAB 73.92, 21.35, 28.27

 

CMYK 0 / 17 / 44 / 8

HEX #EBC283

RGB 235 194 131

HSL 36.35, 0.72%, 0.72%

LAB 80.67, 6.54, 37.11

 

CMYK 0 / 6 / 44 / 8

HEX #EBDD83

RGB 235 221 131

HSL 51.92, 0.72%, 0.72%

LAB 87.49, -7.35, 45.75

 

CMYK 6 / 0 / 44 / 8

HEX #DDEB83

RGB 221 235 131

HSL 68.08, 0.72%, 0.72%

LAB 90.06, -19.76, 48.69

 

CMYK 17 / 0 / 44 / 8

HEX #C2EB83

RGB 194 235 131

HSL 83.65, 0.72%, 0.72%

LAB 88.22, -29.93, 46.01

 

CMYK 0 / 9 / 73 / 12

HEX #E0CC3C

RGB 224 204 60

HSL 52.68, 0.73%, 0.56%

LAB 81.49, -8.28, 69.78

 

CMYK 0 / 7 / 59 / 10

HEX #E6D55F

RGB 230 213 95

HSL 52.44, 0.73%, 0.64%

LAB 84.61, -8.35, 59.14

 

CMYK 0 / 6 / 44 / 8

HEX #EBDE83

RGB 235 222 131

HSL 52.5, 0.72%, 0.72%

LAB 87.75, -7.86, 46.07

 

CMYK 0 / 4 / 31 / 5

HEX #F1E8A7

RGB 241 232 167

HSL 52.7, 0.73%, 0.8%

LAB 91.33, -6.59, 32.78

 

CMYK 0 / 2 / 18 / 4

HEX #F6F1CA

RGB 246 241 202

HSL 53.18, 0.71%, 0.88%

LAB 94.64, -4.57, 19.47

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 44 / 0 / 41 / 8

HEX #83EB8A

RGB 131 235 138

HSL 124.04, 0.72%, 0.72%

LAB 85.04, -49.72, 37.85

 

CMYK 23 / 44 / 0 / 8

HEX #B483EB

RGB 180 131 235

HSL 268.27, 0.72%, 0.72%

LAB 63.29, 38.88, -45.66

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 44 / 0 / 6 / 8

HEX #83EBDD

RGB 131 235 221

HSL 171.92, 0.72%, 0.72%

LAB 86.73, -33.56, -2.64

 

CMYK 6 / 44 / 0 / 8

HEX #DD83EB

RGB 221 131 235

HSL 291.92, 0.72%, 0.72%

LAB 67.73, 50.47, -38.39

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 44 / 0 / 41 / 8

HEX #83EB8A

RGB 131 235 138

HSL 124.04, 0.72%, 0.72%

LAB 85.04, -49.72, 37.85

 

CMYK 44 / 38 / 0 / 8

HEX #8391EB

RGB 131 145 235

HSL 231.92, 0.72%, 0.72%

LAB 62.57, 17.94, -47.07

 

CMYK 0 / 44 / 3 / 8

HEX #EB83E4

RGB 235 131 228

HSL 304.04, 0.72%, 0.72%

LAB 69.11, 53.26, -32.25

 

CMYK 0 / 6 / 44 / 7

HEX #ECDF83

RGB 236 223 131

HSL 52.57, 0.73%, 0.72%

LAB 88.09, -7.96, 46.51

 

CMYK 44 / 0 / 28 / 8

HEX #83EBA9

RGB 131 235 169

HSL 141.92, 0.72%, 0.72%

LAB 85.56, -44.53, 22.83

 

CMYK 44 / 38 / 0 / 8

HEX #8391EB

RGB 131 145 235

HSL 231.92, 0.72%, 0.72%

LAB 62.57, 17.94, -47.07

 

CMYK 0 / 44 / 16 / 8

HEX #EB83C5

RGB 235 131 197

HSL 321.92, 0.72%, 0.72%

LAB 67.97, 48.21, -16.78

 

Description

Color code: HEX #ECDF83 | qconv.com Color code: HEX #ECDF83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 223 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 223 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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