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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE1C9 it is the complementary color #131E36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE1C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE1C9 shade: #F1E1C4, #FFF3D7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE1C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE1C9 shade: #ECE1C9, #DBCFB6, #CABDA3, #B9AB90 and #A8997D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE1C9 shade: #ECE1CA, #ECD8CA, #ECCFCA and #ECCACA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE1C9 shade: #ECE1CA, #ECEACA, #E4ECCA, #DBECCA and #D2ECCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE1C9 shade matches the following richer shades: #ECE1CA, #F2E3C4, #F7E5BE and #FDE8B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE1C9 shade: #ECE1CA, #E6DFCF, #E0DDD5, #DBDBDB and #D5D9E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE1C9 shade: #ECCFCA, #ECD8CA, #ECE1CA, #ECEACA and #E5ECCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE1C9 shade: #D6BF8D, #E1D0AB, #ECE1CA and #F7F2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE1C9 shade: #ECE1C9, #CEECCA and #D3CAEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE1C9 shade: #ECE1C9, #CAECE1 and #E1CAEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE1C9 shade: #ECE1C9, #CEECCA, #CAD5EC and #E8CAEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE1C9 shade: #ECE1C9, #CAECD0, #CAD5EC and #ECCAE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

Complementary color

CMYK 65 / 44 / 0 / 79

HEX #131E36

RGB 19 30 54

HSL 221.14, 0.48%, 0.14%

LAB 11.51, 3.96, -17.2

 

CMYK 0 / 7 / 19 / 5

HEX #F1E1C4

RGB 241 225 196

HSL 38.67, 0.62%, 0.86%

LAB 90.11, 0.88, 16.16

 

CMYK 0 / 5 / 16 / 0

HEX #FFF3D7

RGB 255 243 215

HSL 42, 1%, 0.92%

LAB 96.11, -0.45, 14.95

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

CMYK 0 / 5 / 17 / 14

HEX #DBCFB6

RGB 219 207 182

HSL 40.54, 0.34%, 0.79%

LAB 83.48, 0.07, 13.92

 

CMYK 0 / 6 / 19 / 21

HEX #CABDA3

RGB 202 189 163

HSL 40, 0.27%, 0.72%

LAB 77.04, 0.34, 14.8

 

CMYK 0 / 8 / 22 / 27

HEX #B9AB90

RGB 185 171 144

HSL 39.51, 0.23%, 0.65%

LAB 70.49, 0.64, 15.74

 

CMYK 0 / 9 / 26 / 34

HEX #A8997D

RGB 168 153 125

HSL 39.07, 0.2%, 0.57%

LAB 63.83, 0.99, 16.74

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 8 / 14 / 7

HEX #ECD8CA

RGB 236 216 202

HSL 24.71, 0.47%, 0.86%

LAB 87.59, 4.63, 9.38

 

CMYK 0 / 12 / 14 / 7

HEX #ECCFCA

RGB 236 207 202

HSL 8.82, 0.47%, 0.86%

LAB 85.36, 9.32, 6.19

 

CMYK 0 / 14 / 14 / 7

HEX #ECCACA

RGB 236 202 202

HSL 0, 0.47%, 0.86%

LAB 84.14, 11.95, 4.43

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 1 / 14 / 7

HEX #ECEACA

RGB 236 234 202

HSL 56.47, 0.47%, 0.86%

LAB 92.11, -4.6, 15.8

 

CMYK 3 / 0 / 14 / 7

HEX #E4ECCA

RGB 228 236 202

HSL 74.12, 0.47%, 0.86%

LAB 92.02, -8.44, 15.59

 

CMYK 7 / 0 / 14 / 7

HEX #DBECCA

RGB 219 236 202

HSL 90, 0.47%, 0.86%

LAB 91.38, -11.58, 14.59

 

CMYK 11 / 0 / 14 / 7

HEX #D2ECCA

RGB 210 236 202

HSL 105.88, 0.47%, 0.86%

LAB 90.76, -14.67, 13.64

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 6 / 19 / 5

HEX #F2E3C4

RGB 242 227 196

HSL 40.43, 0.64%, 0.86%

LAB 90.69, 0.21, 16.99

 

CMYK 0 / 7 / 23 / 3

HEX #F7E5BE

RGB 247 229 190

HSL 41.05, 0.78%, 0.86%

LAB 91.47, 0.16, 21.26

 

CMYK 0 / 8 / 27 / 1

HEX #FDE8B8

RGB 253 232 184

HSL 41.74, 0.95%, 0.86%

LAB 92.6, 0.05, 25.98

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 3 / 10 / 10

HEX #E6DFCF

RGB 230 223 207

HSL 41.74, 0.32%, 0.86%

LAB 88.97, -0.32, 8.68

 

CMYK 0 / 1 / 5 / 12

HEX #E0DDD5

RGB 224 221 213

HSL 43.64, 0.15%, 0.86%

LAB 88.14, -0.38, 4.27

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 5 / 4 / 0 / 12

HEX #D5D9E1

RGB 213 217 225

HSL 220, 0.17%, 0.86%

LAB 86.61, 0.14, -4.4

 

CMYK 0 / 12 / 14 / 7

HEX #ECCFCA

RGB 236 207 202

HSL 8.82, 0.47%, 0.86%

LAB 85.36, 9.32, 6.19

 

CMYK 0 / 8 / 14 / 7

HEX #ECD8CA

RGB 236 216 202

HSL 24.71, 0.47%, 0.86%

LAB 87.59, 4.63, 9.38

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 1 / 14 / 7

HEX #ECEACA

RGB 236 234 202

HSL 56.47, 0.47%, 0.86%

LAB 92.11, -4.6, 15.8

 

CMYK 3 / 0 / 14 / 7

HEX #E5ECCA

RGB 229 236 202

HSL 72.35, 0.47%, 0.86%

LAB 92.09, -8.09, 15.71

 

CMYK 0 / 11 / 34 / 16

HEX #D6BF8D

RGB 214 191 141

HSL 41.1, 0.47%, 0.7%

LAB 78.16, 0.9, 28.24

 

CMYK 0 / 8 / 24 / 12

HEX #E1D0AB

RGB 225 208 171

HSL 41.11, 0.47%, 0.78%

LAB 84, 0.17, 20.53

 

CMYK 0 / 5 / 14 / 7

HEX #ECE1CA

RGB 236 225 202

HSL 40.59, 0.47%, 0.86%

LAB 89.83, -0.02, 12.59

 

CMYK 0 / 2 / 6 / 3

HEX #F7F2E8

RGB 247 242 232

HSL 40, 0.48%, 0.94%

LAB 95.62, -0.03, 5.4

 

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

CMYK 13 / 0 / 14 / 7

HEX #CEECCA

RGB 206 236 202

HSL 112.94, 0.47%, 0.86%

LAB 90.49, -16.02, 13.22

 

CMYK 11 / 14 / 0 / 7

HEX #D3CAEC

RGB 211 202 236

HSL 255.88, 0.47%, 0.86%

LAB 82.99, 9.55, -15.64

 

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

CMYK 14 / 0 / 5 / 7

HEX #CAECE1

RGB 202 236 225

HSL 160.59, 0.47%, 0.86%

LAB 90.77, -13.16, 1.61

 

CMYK 5 / 14 / 0 / 7

HEX #E1CAEC

RGB 225 202 236

HSL 280.59, 0.47%, 0.86%

LAB 84.12, 14.11, -13.82

 

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

CMYK 13 / 0 / 14 / 7

HEX #CEECCA

RGB 206 236 202

HSL 112.94, 0.47%, 0.86%

LAB 90.49, -16.02, 13.22

 

CMYK 14 / 10 / 0 / 7

HEX #CAD5EC

RGB 202 213 236

HSL 220.59, 0.47%, 0.86%

LAB 85.1, 0.85, -12.55

 

CMYK 2 / 14 / 0 / 7

HEX #E8CAEC

RGB 232 202 236

HSL 292.94, 0.47%, 0.86%

LAB 84.72, 16.42, -12.88

 

CMYK 0 / 5 / 15 / 7

HEX #ECE1C9

RGB 236 225 201

HSL 41.14, 0.48%, 0.86%

LAB 89.81, -0.17, 13.08

 

CMYK 14 / 0 / 12 / 7

HEX #CAECD0

RGB 202 236 208

HSL 130.59, 0.47%, 0.86%

LAB 90.37, -16.31, 9.89

 

CMYK 14 / 10 / 0 / 7

HEX #CAD5EC

RGB 202 213 236

HSL 220.59, 0.47%, 0.86%

LAB 85.1, 0.85, -12.55

 

CMYK 0 / 14 / 3 / 7

HEX #ECCAE6

RGB 236 202 230

HSL 310.59, 0.47%, 0.86%

LAB 84.89, 16.66, -9.39

 

Description

Color code: HEX #ECE1C9 | qconv.com Color code: HEX #ECE1C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 225 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 225 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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