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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE2A0 it is the complementary color #131D5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE2A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE2A0 shade: #F1E29B, #FFF4AE, #FFFFC1, #FFFFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE2A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE2A0 shade: #ECE2A0, #DBD08D, #CABE7A, #B9AC67 and #A89A54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE2A0 shade: #ECE2A1, #ECCEA1, #ECBAA1, #ECA5A1 and #ECA1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE2A0 shade: #ECE2A1, #E2ECA1, #CDECA1, #B9ECA1 and #A5ECA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE2A0 shade matches the following richer shades: #ECE2A1, #F5E998 and #FEEF8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE2A0 shade: #ECE2A1, #E3DBAA, #DAD5B3, #D1CEBC and #C8C7C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE2A0 shade: #ECBAA1, #ECCEA1, #ECE2A1, #E2ECA1 and #CEECA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE2A0 shade: #DECD5C, #E5D87E, #ECE2A1, #F3EDC3 and #FAF7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE2A0 shade: #ECE2A0, #A1ECA6 and #C4A1EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE2A0 shade: #ECE2A0, #A1ECE2 and #E2A1EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE2A0 shade: #ECE2A0, #A1ECA6, #A1ABEC and #ECA1E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE2A0 shade: #ECE2A0, #A1ECBC, #A1ABEC and #ECA1D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

Complementary color

CMYK 80 / 69 / 0 / 63

HEX #131D5F

RGB 19 29 95

HSL 232.11, 0.67%, 0.22%

LAB 14.64, 21.85, -40.42

 

CMYK 0 / 6 / 36 / 5

HEX #F1E29B

RGB 241 226 155

HSL 49.53, 0.75%, 0.78%

LAB 89.61, -4.99, 36.59

 

CMYK 0 / 4 / 32 / 0

HEX #FFF4AE

RGB 255 244 174

HSL 51.85, 1%, 0.84%

LAB 95.59, -6.49, 35.12

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

CMYK 0 / 5 / 36 / 14

HEX #DBD08D

RGB 219 208 141

HSL 51.54, 0.52%, 0.71%

LAB 82.96, -5.97, 34.67

 

CMYK 0 / 6 / 40 / 21

HEX #CABE7A

RGB 202 190 122

HSL 51, 0.43%, 0.64%

LAB 76.55, -5.56, 35.85

 

CMYK 0 / 7 / 44 / 27

HEX #B9AC67

RGB 185 172 103

HSL 50.49, 0.37%, 0.56%

LAB 70.03, -5.07, 37.07

 

CMYK 0 / 8 / 50 / 34

HEX #A89A54

RGB 168 154 84

HSL 50, 0.33%, 0.49%

LAB 63.41, -4.49, 38.34

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 0 / 13 / 32 / 7

HEX #ECCEA1

RGB 236 206 161

HSL 36, 0.66%, 0.78%

LAB 84.25, 4.06, 26.28

 

CMYK 0 / 21 / 32 / 7

HEX #ECBAA1

RGB 236 186 161

HSL 20, 0.66%, 0.78%

LAB 79.34, 14.56, 19.55

 

CMYK 0 / 30 / 32 / 7

HEX #ECA5A1

RGB 236 165 161

HSL 3.2, 0.66%, 0.78%

LAB 74.39, 25.72, 12.63

 

CMYK 0 / 32 / 32 / 7

HEX #ECA1A1

RGB 236 161 161

HSL 0, 0.66%, 0.78%

LAB 73.48, 27.85, 11.34

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 4 / 0 / 32 / 7

HEX #E2ECA1

RGB 226 236 161

HSL 68, 0.66%, 0.78%

LAB 91.11, -14.96, 35.33

 

CMYK 13 / 0 / 32 / 7

HEX #CDECA1

RGB 205 236 161

HSL 84.8, 0.66%, 0.78%

LAB 89.65, -22.66, 33.12

 

CMYK 22 / 0 / 32 / 7

HEX #B9ECA1

RGB 185 236 161

HSL 100.8, 0.66%, 0.78%

LAB 88.39, -29.7, 31.22

 

CMYK 30 / 0 / 32 / 7

HEX #A5ECA1

RGB 165 236 161

HSL 116.8, 0.66%, 0.78%

LAB 87.27, -36.34, 29.52

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 0 / 5 / 38 / 4

HEX #F5E998

RGB 245 233 152

HSL 52.26, 0.82%, 0.78%

LAB 91.67, -7.31, 40.83

 

CMYK 0 / 6 / 44 / 0

HEX #FEEF8F

RGB 254 239 143

HSL 51.89, 0.98%, 0.78%

LAB 93.79, -7.74, 48.1

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 0 / 4 / 25 / 11

HEX #E3DBAA

RGB 227 219 170

HSL 51.58, 0.5%, 0.78%

LAB 86.95, -4.88, 25.14

 

CMYK 0 / 2 / 18 / 15

HEX #DAD5B3

RGB 218 213 179

HSL 52.31, 0.35%, 0.78%

LAB 84.87, -3.86, 17.45

 

CMYK 0 / 1 / 10 / 18

HEX #D1CEBC

RGB 209 206 188

HSL 51.43, 0.19%, 0.78%

LAB 82.56, -2.07, 9.31

 

CMYK 0 / 0 / 1 / 22

HEX #C8C7C5

RGB 200 199 197

HSL 40, 0.03%, 0.78%

LAB 80.27, -0.01, 1.11

 

CMYK 0 / 21 / 32 / 7

HEX #ECBAA1

RGB 236 186 161

HSL 20, 0.66%, 0.78%

LAB 79.34, 14.56, 19.55

 

CMYK 0 / 13 / 32 / 7

HEX #ECCEA1

RGB 236 206 161

HSL 36, 0.66%, 0.78%

LAB 84.25, 4.06, 26.28

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 4 / 0 / 32 / 7

HEX #E2ECA1

RGB 226 236 161

HSL 68, 0.66%, 0.78%

LAB 91.11, -14.96, 35.33

 

CMYK 13 / 0 / 32 / 7

HEX #CEECA1

RGB 206 236 161

HSL 84, 0.66%, 0.78%

LAB 89.71, -22.3, 33.22

 

CMYK 0 / 8 / 59 / 13

HEX #DECD5C

RGB 222 205 92

HSL 52.15, 0.66%, 0.62%

LAB 81.82, -7.81, 57.17

 

CMYK 0 / 6 / 45 / 10

HEX #E5D87E

RGB 229 216 126

HSL 52.43, 0.66%, 0.7%

LAB 85.64, -7.69, 45.79

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A1

RGB 236 226 161

HSL 52, 0.66%, 0.78%

LAB 89.3, -6.2, 33.06

 

CMYK 0 / 2 / 20 / 5

HEX #F3EDC3

RGB 243 237 195

HSL 52.5, 0.67%, 0.86%

LAB 93.26, -4.65, 21.11

 

CMYK 0 / 1 / 8 / 2

HEX #FAF7E6

RGB 250 247 230

HSL 51, 0.67%, 0.94%

LAB 97.05, -1.86, 8.51

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

CMYK 32 / 0 / 30 / 7

HEX #A1ECA6

RGB 161 236 166

HSL 124, 0.66%, 0.78%

LAB 87.15, -36.8, 26.78

 

CMYK 17 / 32 / 0 / 7

HEX #C4A1EC

RGB 196 161 236

HSL 268, 0.66%, 0.78%

LAB 71.75, 27.15, -32.9

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

CMYK 32 / 0 / 4 / 7

HEX #A1ECE2

RGB 161 236 226

HSL 172, 0.66%, 0.78%

LAB 88.48, -25.21, -2.55

 

CMYK 4 / 32 / 0 / 7

HEX #E2A1EC

RGB 226 161 236

HSL 292, 0.66%, 0.78%

LAB 74.64, 36.41, -28.19

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

CMYK 32 / 0 / 30 / 7

HEX #A1ECA6

RGB 161 236 166

HSL 124, 0.66%, 0.78%

LAB 87.15, -36.8, 26.78

 

CMYK 32 / 28 / 0 / 7

HEX #A1ABEC

RGB 161 171 236

HSL 232, 0.66%, 0.78%

LAB 71.39, 11.28, -33.68

 

CMYK 0 / 32 / 2 / 7

HEX #ECA1E7

RGB 236 161 231

HSL 304, 0.66%, 0.78%

LAB 75.51, 38.64, -24.06

 

CMYK 0 / 4 / 32 / 7

HEX #ECE2A0

RGB 236 226 160

HSL 52.11, 0.67%, 0.78%

LAB 89.28, -6.32, 33.55

 

CMYK 32 / 0 / 20 / 7

HEX #A1ECBC

RGB 161 236 188

HSL 141.6, 0.66%, 0.78%

LAB 87.58, -32.94, 16.01

 

CMYK 32 / 28 / 0 / 7

HEX #A1ABEC

RGB 161 171 236

HSL 232, 0.66%, 0.78%

LAB 71.39, 11.28, -33.68

 

CMYK 0 / 32 / 12 / 7

HEX #ECA1D0

RGB 236 161 208

HSL 322.4, 0.66%, 0.78%

LAB 74.75, 34.7, -12.65

 

Description

Color code: HEX #ECE2A0 | qconv.com Color code: HEX #ECE2A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 226 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 226 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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