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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE387 it is the complementary color #131C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECE387 shade: #F1E382, #FFF595, #FFFFA8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECE387 shade: #ECE387, #DBD174, #CABF61, #B9AD4E and #A89B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECE387 shade: #ECE387, #ECC887, #ECAD87, #EC9287 and #EC8787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECE387 shade: #ECE387, #DAEC87, #BFEC87, #A4EC87 and #88EC87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECE387 shade matches the following richer shades: #ECE387 and #F7EC7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECE387 shade: #ECE387, #E1DA93, #D6D19E, #CAC7A9 and #BFBEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECE387 shade: #ECAC87, #ECC787, #ECE287, #DBEC87 and #C0EC87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECE387 shade: #E1D240, #E6DB64, #ECE387, #F1EBAB and #F7F3CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECE387 shade: #ECE387, #87EC91 and #BA87EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECE387 shade: #ECE387, #87ECE2 and #E287EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECE387 shade: #ECE387, #87EC91, #8791EC and #EC87E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECE387 shade: #ECE387, #87ECB0, #8791EC and #EC87C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

Complementary color

CMYK 84 / 77 / 0 / 53

HEX #131C78

RGB 19 28 120

HSL 234.65, 0.73%, 0.27%

LAB 17.11, 32.28, -52.69

 

CMYK 0 / 6 / 46 / 5

HEX #F1E382

RGB 241 227 130

HSL 52.43, 0.8%, 0.73%

LAB 89.51, -8.09, 48.84

 

CMYK 0 / 4 / 42 / 0

HEX #FFF595

RGB 255 245 149

HSL 54.34, 1%, 0.79%

LAB 95.47, -9.73, 47.32

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 0 / 5 / 47 / 14

HEX #DBD174

RGB 219 209 116

HSL 54.17, 0.59%, 0.66%

LAB 82.87, -9.1, 47.08

 

CMYK 0 / 5 / 52 / 21

HEX #CABF61

RGB 202 191 97

HSL 53.71, 0.5%, 0.59%

LAB 76.49, -8.53, 48.26

 

CMYK 0 / 6 / 58 / 27

HEX #B9AD4E

RGB 185 173 78

HSL 53.27, 0.43%, 0.52%

LAB 70, -7.84, 49.4

 

CMYK 0 / 8 / 65 / 34

HEX #A89B3B

RGB 168 155 59

HSL 52.84, 0.48%, 0.45%

LAB 63.41, -7.01, 50.38

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 0 / 15 / 43 / 7

HEX #ECC887

RGB 236 200 135

HSL 38.61, 0.73%, 0.73%

LAB 82.32, 4.22, 37.2

 

CMYK 0 / 27 / 43 / 7

HEX #ECAD87

RGB 236 173 135

HSL 22.57, 0.73%, 0.73%

LAB 75.74, 18.44, 28.57

 

CMYK 0 / 38 / 43 / 7

HEX #EC9287

RGB 236 146 135

HSL 6.53, 0.73%, 0.73%

LAB 69.57, 32.75, 20.24

 

CMYK 0 / 43 / 43 / 7

HEX #EC8787

RGB 236 135 135

HSL 0, 0.73%, 0.73%

LAB 67.21, 38.48, 16.99

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 8 / 0 / 43 / 7

HEX #DAEC87

RGB 218 236 135

HSL 70.69, 0.73%, 0.73%

LAB 90.16, -20.98, 46.84

 

CMYK 19 / 0 / 43 / 7

HEX #BFEC87

RGB 191 236 135

HSL 86.73, 0.73%, 0.73%

LAB 88.36, -31.03, 44.2

 

CMYK 31 / 0 / 43 / 7

HEX #A4EC87

RGB 164 236 135

HSL 102.77, 0.73%, 0.73%

LAB 86.82, -40.41, 41.92

 

CMYK 42 / 0 / 43 / 7

HEX #88EC87

RGB 136 236 135

HSL 119.41, 0.73%, 0.73%

LAB 85.49, -49.15, 39.96

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 0 / 4 / 50 / 3

HEX #F7EC7C

RGB 247 236 124

HSL 54.63, 0.88%, 0.73%

LAB 92.23, -10.73, 55.1

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 0 / 3 / 35 / 12

HEX #E1DA93

RGB 225 218 147

HSL 54.62, 0.57%, 0.73%

LAB 86.13, -8.03, 35.85

 

CMYK 0 / 2 / 26 / 16

HEX #D6D19E

RGB 214 209 158

HSL 54.64, 0.41%, 0.73%

LAB 83.11, -6.27, 25.99

 

CMYK 0 / 1 / 16 / 21

HEX #CAC7A9

RGB 202 199 169

HSL 54.55, 0.24%, 0.73%

LAB 79.77, -4, 15.41

 

CMYK 0 / 1 / 6 / 25

HEX #BFBEB4

RGB 191 190 180

HSL 54.55, 0.08%, 0.73%

LAB 76.8, -1.44, 5.16

 

CMYK 0 / 27 / 43 / 7

HEX #ECAC87

RGB 236 172 135

HSL 21.98, 0.73%, 0.73%

LAB 75.51, 18.97, 28.26

 

CMYK 0 / 16 / 43 / 7

HEX #ECC787

RGB 236 199 135

HSL 38.02, 0.73%, 0.73%

LAB 82.07, 4.74, 36.87

 

CMYK 0 / 4 / 43 / 7

HEX #ECE287

RGB 236 226 135

HSL 54.06, 0.73%, 0.73%

LAB 88.91, -9.08, 45.58

 

CMYK 7 / 0 / 43 / 7

HEX #DBEC87

RGB 219 236 135

HSL 70.1, 0.73%, 0.73%

LAB 90.23, -20.6, 46.95

 

CMYK 19 / 0 / 43 / 7

HEX #C0EC87

RGB 192 236 135

HSL 86.14, 0.73%, 0.73%

LAB 88.42, -30.66, 44.29

 

CMYK 0 / 7 / 72 / 12

HEX #E1D240

RGB 225 210 64

HSL 54.41, 0.73%, 0.57%

LAB 83.16, -10.71, 70.01

 

CMYK 0 / 5 / 57 / 10

HEX #E6DB64

RGB 230 219 100

HSL 54.92, 0.72%, 0.65%

LAB 86.21, -11.01, 58.71

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 0 / 2 / 29 / 5

HEX #F1EBAB

RGB 241 235 171

HSL 54.86, 0.71%, 0.81%

LAB 92.16, -7.6, 31.86

 

CMYK 0 / 2 / 16 / 3

HEX #F7F3CF

RGB 247 243 207

HSL 54, 0.71%, 0.89%

LAB 95.32, -4.48, 17.86

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 43 / 0 / 39 / 7

HEX #87EC91

RGB 135 236 145

HSL 125.94, 0.73%, 0.73%

LAB 85.6, -47.94, 35.13

 

CMYK 21 / 43 / 0 / 7

HEX #BA87EC

RGB 186 135 236

HSL 270.3, 0.73%, 0.73%

LAB 64.82, 38.58, -43.76

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 43 / 0 / 4 / 7

HEX #87ECE2

RGB 135 236 226

HSL 174.06, 0.73%, 0.73%

LAB 87.31, -31.9, -4.4

 

CMYK 4 / 43 / 0 / 7

HEX #E287EC

RGB 226 135 236

HSL 294.06, 0.73%, 0.73%

LAB 69.15, 50.06, -36.68

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 43 / 0 / 39 / 7

HEX #87EC91

RGB 135 236 145

HSL 125.94, 0.73%, 0.73%

LAB 85.6, -47.94, 35.13

 

CMYK 43 / 39 / 0 / 7

HEX #8791EC

RGB 135 145 236

HSL 234.06, 0.73%, 0.73%

LAB 62.89, 19.21, -47.1

 

CMYK 0 / 43 / 4 / 7

HEX #EC87E2

RGB 236 135 226

HSL 305.94, 0.73%, 0.73%

LAB 69.93, 51.21, -29.87

 

CMYK 0 / 4 / 43 / 7

HEX #ECE387

RGB 236 227 135

HSL 54.65, 0.73%, 0.73%

LAB 89.17, -9.58, 45.9

 

CMYK 43 / 0 / 25 / 7

HEX #87ECB0

RGB 135 236 176

HSL 144.36, 0.73%, 0.73%

LAB 86.14, -42.59, 20.05

 

CMYK 43 / 39 / 0 / 7

HEX #8791EC

RGB 135 145 236

HSL 234.06, 0.73%, 0.73%

LAB 62.89, 19.21, -47.1

 

CMYK 0 / 43 / 17 / 7

HEX #EC87C4

RGB 236 135 196

HSL 323.76, 0.73%, 0.73%

LAB 68.86, 46.35, -14.86

 

Description

Color code: HEX #ECE387 | qconv.com Color code: HEX #ECE387 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 227 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 227 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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