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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECEADB it is the complementary color #131524. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECEADB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECEADB shade: #F1EAD6, #FFFCE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECEADB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECEADB shade: #ECEADB, #DBD8C8, #CAC6B5, #B9B4A2 and #A8A28F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECEADB shade: #EBE9DA, #EBE4DA, #EBE0DA, #EBDBDA and #EBDADA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECEADB shade: #EBE9DA, #E9EBDA, #E4EBDA, #DFEBDA and #DAEBDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECEADB shade matches the following richer shades: #EBE9DA, #F0EDD5, #F4F0D1, #F9F4CC and #FDF7C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECEADB shade: #EBE9DA, #E7E6DE, #E2E2E3, #DEDFE7 and #D9DBEC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECEADB shade: #EBE0DA, #EBE4DA, #EBE9DA, #E9EBDA and #E4EBDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECEADB shade: #CFCAA4, #DDD9BF, #EBE9DA and #F9F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECEADB shade: #ECEADB, #DAEBDB and #E2DAEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECEADB shade: #ECEADB, #DAEBE9 and #E9DAEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECEADB shade: #ECEADB, #DAEBDB, #DADCEB and #EBDAEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECEADB shade: #ECEADB, #DAEBE0, #DADCEB and #EBDAE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

Complementary color

CMYK 47 / 42 / 0 / 86

HEX #131524

RGB 19 21 36

HSL 232.94, 0.31%, 0.11%

LAB 7.25, 3.8, -10.67

 

CMYK 0 / 3 / 11 / 5

HEX #F1EAD6

RGB 241 234 214

HSL 44.44, 0.49%, 0.89%

LAB 92.75, -0.97, 10.54

 

CMYK 0 / 1 / 9 / 0

HEX #FFFCE9

RGB 255 252 233

HSL 51.82, 1%, 0.96%

LAB 98.74, -2.18, 9.44

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

CMYK 0 / 1 / 9 / 14

HEX #DBD8C8

RGB 219 216 200

HSL 50.53, 0.21%, 0.82%

LAB 86.18, -1.73, 8.24

 

CMYK 0 / 2 / 10 / 21

HEX #CAC6B5

RGB 202 198 181

HSL 48.57, 0.17%, 0.75%

LAB 79.77, -1.55, 9

 

CMYK 0 / 3 / 12 / 27

HEX #B9B4A2

RGB 185 180 162

HSL 46.96, 0.14%, 0.68%

LAB 73.26, -1.36, 9.81

 

CMYK 0 / 4 / 15 / 34

HEX #A8A28F

RGB 168 162 143

HSL 45.6, 0.13%, 0.61%

LAB 66.63, -1.15, 10.66

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 0 / 3 / 7 / 8

HEX #EBE4DA

RGB 235 228 218

HSL 35.29, 0.3%, 0.89%

LAB 90.88, 0.66, 5.71

 

CMYK 0 / 5 / 7 / 8

HEX #EBE0DA

RGB 235 224 218

HSL 21.18, 0.3%, 0.89%

LAB 89.88, 2.72, 4.26

 

CMYK 0 / 7 / 7 / 8

HEX #EBDBDA

RGB 235 219 218

HSL 3.53, 0.3%, 0.89%

LAB 88.63, 5.31, 2.46

 

CMYK 0 / 7 / 7 / 8

HEX #EBDADA

RGB 235 218 218

HSL 0, 0.3%, 0.89%

LAB 88.38, 5.83, 2.1

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 1 / 0 / 7 / 8

HEX #E9EBDA

RGB 233 235 218

HSL 67.06, 0.3%, 0.89%

LAB 92.49, -3.6, 8.01

 

CMYK 3 / 0 / 7 / 8

HEX #E4EBDA

RGB 228 235 218

HSL 84.71, 0.3%, 0.89%

LAB 92.12, -5.32, 7.43

 

CMYK 5 / 0 / 7 / 8

HEX #DFEBDA

RGB 223 235 218

HSL 102.35, 0.3%, 0.89%

LAB 91.76, -7.02, 6.86

 

CMYK 7 / 0 / 7 / 8

HEX #DAEBDA

RGB 218 235 218

HSL 120, 0.3%, 0.89%

LAB 91.41, -8.7, 6.31

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 0 / 1 / 11 / 6

HEX #F0EDD5

RGB 240 237 213

HSL 53.33, 0.47%, 0.89%

LAB 93.41, -3, 11.98

 

CMYK 0 / 2 / 14 / 4

HEX #F4F0D1

RGB 244 240 209

HSL 53.14, 0.61%, 0.89%

LAB 94.38, -3.73, 15.47

 

CMYK 0 / 2 / 18 / 2

HEX #F9F4CC

RGB 249 244 204

HSL 53.33, 0.79%, 0.89%

LAB 95.66, -4.71, 19.91

 

CMYK 0 / 2 / 21 / 1

HEX #FDF7C8

RGB 253 247 200

HSL 53.21, 0.93%, 0.89%

LAB 96.65, -5.35, 23.36

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 0 / 0 / 4 / 9

HEX #E7E6DE

RGB 231 230 222

HSL 53.33, 0.16%, 0.89%

LAB 91.17, -1.06, 4

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 4 / 3 / 0 / 9

HEX #DEDFE7

RGB 222 223 231

HSL 233.33, 0.16%, 0.89%

LAB 88.96, 1.13, -4.03

 

CMYK 8 / 7 / 0 / 7

HEX #D9DBEC

RGB 217 219 236

HSL 233.68, 0.33%, 0.89%

LAB 87.71, 2.52, -8.54

 

CMYK 0 / 5 / 7 / 8

HEX #EBE0DA

RGB 235 224 218

HSL 21.18, 0.3%, 0.89%

LAB 89.88, 2.72, 4.26

 

CMYK 0 / 3 / 7 / 8

HEX #EBE4DA

RGB 235 228 218

HSL 35.29, 0.3%, 0.89%

LAB 90.88, 0.66, 5.71

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 1 / 0 / 7 / 8

HEX #E9EBDA

RGB 233 235 218

HSL 67.06, 0.3%, 0.89%

LAB 92.49, -3.6, 8.01

 

CMYK 3 / 0 / 7 / 8

HEX #E4EBDA

RGB 228 235 218

HSL 84.71, 0.3%, 0.89%

LAB 92.12, -5.32, 7.43

 

CMYK 0 / 2 / 21 / 19

HEX #CFCAA4

RGB 207 202 164

HSL 53.02, 0.31%, 0.73%

LAB 80.84, -4.45, 19.63

 

CMYK 0 / 2 / 14 / 13

HEX #DDD9BF

RGB 221 217 191

HSL 52, 0.31%, 0.81%

LAB 86.38, -2.99, 13.3

 

CMYK 0 / 1 / 7 / 8

HEX #EBE9DA

RGB 235 233 218

HSL 52.94, 0.3%, 0.89%

LAB 92.13, -1.89, 7.51

 

CMYK 0 / 0 / 2 / 2

HEX #F9F9F5

RGB 249 249 245

HSL 60, 0.25%, 0.97%

LAB 97.83, -0.69, 1.9

 

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

CMYK 7 / 0 / 7 / 8

HEX #DAEBDB

RGB 218 235 219

HSL 123.53, 0.3%, 0.89%

LAB 91.43, -8.53, 5.82

 

CMYK 4 / 7 / 0 / 8

HEX #E2DAEB

RGB 226 218 235

HSL 268.24, 0.3%, 0.89%

LAB 88.12, 5.81, -7.34

 

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

CMYK 7 / 0 / 1 / 8

HEX #DAEBE9

RGB 218 235 233

HSL 172.94, 0.3%, 0.89%

LAB 91.78, -5.97, -0.97

 

CMYK 1 / 7 / 0 / 8

HEX #E9DAEB

RGB 233 218 235

HSL 292.94, 0.3%, 0.89%

LAB 88.67, 8.13, -6.46

 

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

CMYK 7 / 0 / 7 / 8

HEX #DAEBDB

RGB 218 235 219

HSL 123.53, 0.3%, 0.89%

LAB 91.43, -8.53, 5.82

 

CMYK 7 / 6 / 0 / 8

HEX #DADCEB

RGB 218 220 235

HSL 232.94, 0.3%, 0.89%

LAB 88.01, 2.13, -7.56

 

CMYK 0 / 7 / 0 / 8

HEX #EBDAEA

RGB 235 218 234

HSL 303.53, 0.3%, 0.89%

LAB 88.8, 8.62, -5.72

 

CMYK 0 / 1 / 7 / 7

HEX #ECEADB

RGB 236 234 219

HSL 52.94, 0.31%, 0.89%

LAB 92.48, -1.89, 7.51

 

CMYK 7 / 0 / 5 / 8

HEX #DAEBE0

RGB 218 235 224

HSL 141.18, 0.3%, 0.89%

LAB 91.55, -7.63, 3.39

 

CMYK 7 / 6 / 0 / 8

HEX #DADCEB

RGB 218 220 235

HSL 232.94, 0.3%, 0.89%

LAB 88.01, 2.13, -7.56

 

CMYK 0 / 7 / 3 / 8

HEX #EBDAE5

RGB 235 218 229

HSL 321.18, 0.3%, 0.89%

LAB 88.67, 7.73, -3.28

 

Description

Color code: HEX #ECEADB | qconv.com Color code: HEX #ECEADB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 234 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 234 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 7 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 7% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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