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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECF4BC it is the complementary color #130B43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECF4BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECF4BC shade: #F1F4B7, #FFFFCA, #FFFFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECF4BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECF4BC shade: #ECF4BC, #DBE2A9, #CAD096, #B9BE83 and #A8AC70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECF4BC shade: #ECF4BD, #F4EDBD, #F4DEBD, #F4CFBD and #F4C0BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECF4BC shade: #ECF4BD, #DDF4BD, #CEF4BD, #BFF4BD and #BDF4C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECF4BC shade matches the following richer shades: #ECF4BD and #F0FAB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECF4BC shade: #ECF4BD, #E8EEC3, #E3E7C9, #DFE1CF and #DADBD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECF4BC shade: #F4DEBD, #F4ECBD, #ECF4BD, #DEF4BD and #CFF4BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECF4BC shade: #D8E876, #E2EE99, #ECF4BD and #F6FAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECF4BC shade: #ECF4BC, #BDF4CF and #E5BDF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECF4BC shade: #ECF4BC, #BDECF4 and #F4BDEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECF4BC shade: #ECF4BC, #BDF4CF, #C4BDF4 and #F4BDE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECF4BC shade: #ECF4BC, #BDF4E0, #C4BDF4 and #F4BDD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

Complementary color

CMYK 72 / 84 / 0 / 74

HEX #130B43

RGB 19 11 67

HSL 248.57, 0.72%, 0.15%

LAB 7.07, 23.15, -33.64

 

CMYK 1 / 0 / 25 / 4

HEX #F1F4B7

RGB 241 244 183

HSL 62.95, 0.73%, 0.84%

LAB 94.66, -10.53, 29.15

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

CMYK 3 / 0 / 25 / 11

HEX #DBE2A9

RGB 219 226 169

HSL 67.37, 0.5%, 0.77%

LAB 88.12, -11.53, 27.15

 

CMYK 3 / 0 / 28 / 18

HEX #CAD096

RGB 202 208 150

HSL 66.21, 0.38%, 0.7%

LAB 81.77, -11.38, 28.19

 

CMYK 3 / 0 / 31 / 25

HEX #B9BE83

RGB 185 190 131

HSL 65.08, 0.31%, 0.63%

LAB 75.31, -11.2, 29.28

 

CMYK 2 / 0 / 35 / 33

HEX #A8AC70

RGB 168 172 112

HSL 64, 0.27%, 0.56%

LAB 68.75, -10.98, 30.43

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 0 / 3 / 23 / 4

HEX #F4EDBD

RGB 244 237 189

HSL 52.36, 0.71%, 0.85%

LAB 93.22, -5.13, 24.15

HEX #F4EDBD

CMYK 0 / 9 / 23 / 4

HEX #F4DEBD

RGB 244 222 189

HSL 36, 0.71%, 0.85%

LAB 89.46, 2.5, 18.94

HEX #F4DEBD

CMYK 0 / 15 / 23 / 4

HEX #F4CFBD

RGB 244 207 189

HSL 19.64, 0.71%, 0.85%

LAB 85.77, 10.28, 13.76

HEX #F4CFBD

CMYK 0 / 21 / 23 / 4

HEX #F4C0BD

RGB 244 192 189

HSL 3.27, 0.71%, 0.85%

LAB 82.17, 18.16, 8.63

HEX #F4C0BD

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 9 / 0 / 23 / 4

HEX #DDF4BD

RGB 221 244 189

HSL 85.09, 0.71%, 0.85%

LAB 93.34, -16.87, 24.05

HEX #DDF4BD

CMYK 16 / 0 / 23 / 4

HEX #CEF4BD

RGB 206 244 189

HSL 101.45, 0.71%, 0.85%

LAB 92.35, -22.07, 22.53

HEX #CEF4BD

CMYK 22 / 0 / 23 / 4

HEX #BFF4BD

RGB 191 244 189

HSL 117.82, 0.71%, 0.85%

LAB 91.44, -27.1, 21.13

HEX #BFF4BD

CMYK 23 / 0 / 18 / 4

HEX #BDF4C9

RGB 189 244 201

HSL 133.09, 0.71%, 0.85%

LAB 91.57, -25.68, 15.11

HEX #BDF4C9

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 4 / 0 / 27 / 2

HEX #F0FAB7

RGB 240 250 183

HSL 68.96, 0.87%, 0.85%

LAB 96.13, -13.86, 31.12

HEX #F0FAB7

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 3 / 0 / 18 / 7

HEX #E8EEC3

RGB 232 238 195

HSL 68.37, 0.56%, 0.85%

LAB 92.68, -9.1, 20.18

HEX #E8EEC3

CMYK 2 / 0 / 13 / 9

HEX #E3E7C9

RGB 227 231 201

HSL 68, 0.38%, 0.85%

LAB 90.64, -6.43, 14.16

HEX #E3E7C9

CMYK 1 / 0 / 8 / 12

HEX #DFE1CF

RGB 223 225 207

HSL 66.67, 0.23%, 0.85%

LAB 88.94, -3.8, 8.56

HEX #DFE1CF

CMYK 0 / 0 / 3 / 14

HEX #DADBD5

RGB 218 219 213

HSL 70, 0.08%, 0.85%

LAB 87.18, -1.4, 2.82

HEX #DADBD5

CMYK 0 / 9 / 23 / 4

HEX #F4DEBD

RGB 244 222 189

HSL 36, 0.71%, 0.85%

LAB 89.46, 2.5, 18.94

 

CMYK 0 / 3 / 23 / 4

HEX #F4ECBD

RGB 244 236 189

HSL 51.27, 0.71%, 0.85%

LAB 92.97, -4.62, 23.81

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 9 / 0 / 23 / 4

HEX #DEF4BD

RGB 222 244 189

HSL 84, 0.71%, 0.85%

LAB 93.41, -16.52, 24.16

HEX #DEF4BD

CMYK 15 / 0 / 23 / 4

HEX #CFF4BD

RGB 207 244 189

HSL 100.36, 0.71%, 0.85%

LAB 92.42, -21.73, 22.63

HEX #CFF4BD

CMYK 7 / 0 / 49 / 9

HEX #D8E876

RGB 216 232 118

HSL 68.42, 0.71%, 0.69%

LAB 88.74, -21.5, 53.16

 

CMYK 5 / 0 / 36 / 7

HEX #E2EE99

RGB 226 238 153

HSL 68.47, 0.71%, 0.77%

LAB 91.51, -16.91, 39.85

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BD

RGB 236 244 189

HSL 68.73, 0.71%, 0.85%

LAB 94.4, -11.53, 25.68

HEX #ECF4BD

CMYK 2 / 0 / 10 / 2

HEX #F6FAE0

RGB 246 250 224

HSL 69.23, 0.72%, 0.93%

LAB 97.37, -5.71, 12.01

HEX #F6FAE0

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

CMYK 23 / 0 / 15 / 4

HEX #BDF4CF

RGB 189 244 207

HSL 139.64, 0.71%, 0.85%

LAB 91.7, -24.6, 12.19

 

CMYK 6 / 23 / 0 / 4

HEX #E5BDF4

RGB 229 189 244

HSL 283.64, 0.71%, 0.85%

LAB 81.61, 23.89, -21.85

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

CMYK 23 / 3 / 0 / 4

HEX #BDECF4

RGB 189 236 244

HSL 188.73, 0.71%, 0.85%

LAB 90.48, -13.28, -8.84

 

CMYK 0 / 23 / 3 / 4

HEX #F4BDEC

RGB 244 189 236

HSL 308.73, 0.71%, 0.85%

LAB 82.75, 27.29, -15.72

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

CMYK 23 / 0 / 15 / 4

HEX #BDF4CF

RGB 189 244 207

HSL 139.64, 0.71%, 0.85%

LAB 91.7, -24.6, 12.19

 

CMYK 20 / 23 / 0 / 4

HEX #C4BDF4

RGB 196 189 244

HSL 247.64, 0.71%, 0.85%

LAB 78.85, 13.54, -26.31

 

CMYK 0 / 23 / 8 / 4

HEX #F4BDE1

RGB 244 189 225

HSL 320.73, 0.71%, 0.85%

LAB 82.41, 25.39, -10.32

 

CMYK 3 / 0 / 23 / 4

HEX #ECF4BC

RGB 236 244 188

HSL 68.57, 0.72%, 0.85%

LAB 94.38, -11.67, 26.16

 

CMYK 23 / 0 / 8 / 4

HEX #BDF4E0

RGB 189 244 224

HSL 158.18, 0.71%, 0.85%

LAB 92.09, -21.37, 3.94

 

CMYK 20 / 23 / 0 / 4

HEX #C4BDF4

RGB 196 189 244

HSL 247.64, 0.71%, 0.85%

LAB 78.85, 13.54, -26.31

 

CMYK 0 / 23 / 14 / 4

HEX #F4BDD1

RGB 244 189 209

HSL 338.18, 0.71%, 0.85%

LAB 81.96, 22.76, -2.4

 

Description

Color code: HEX #ECF4BC | qconv.com Color code: HEX #ECF4BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 244 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 244 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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