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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECF3B6 it is the complementary color #130C49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECF3B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECF3B6 shade: #F1F3B1, #FFFFC4, #FFFFD7, #FFFFEA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECF3B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECF3B6 shade: #ECF3B6, #DBE1A3, #CACF90, #B9BD7D and #A8AB6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECF3B6 shade: #EBF2B4, #F2E9B4, #F2D8B4, #F2C7B4 and #F2B6B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECF3B6 shade: #EBF2B4, #DAF2B4, #CAF2B4, #B9F2B4 and #B4F2C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECF3B6 shade matches the following richer shades: #EBF2B4 and #F1F9AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECF3B6 shade: #EBF2B4, #E6EBBB, #E0E4C2, #DBDDC9 and #D6D6D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECF3B6 shade: #F2D7B4, #F2E8B4, #ECF2B4, #DBF2B4 and #CBF2B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECF3B6 shade: #D9E76D, #E2ED90, #EBF2B4, #F4F8D7 and #FEFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECF3B6 shade: #ECF3B6, #B4F2C7 and #E0B4F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECF3B6 shade: #ECF3B6, #B4ECF2 and #F2B4EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECF3B6 shade: #ECF3B6, #B4F2C7, #BAB4F2 and #F2B4E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECF3B6 shade: #ECF3B6, #B4F2D9, #BAB4F2 and #F2B4CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

Complementary color

CMYK 74 / 84 / 0 / 71

HEX #130C49

RGB 19 12 73

HSL 246.89, 0.72%, 0.17%

LAB 7.97, 24.89, -36.39

 

CMYK 1 / 0 / 27 / 5

HEX #F1F3B1

RGB 241 243 177

HSL 61.82, 0.73%, 0.82%

LAB 94.3, -10.83, 31.7

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

CMYK 3 / 0 / 28 / 12

HEX #DBE1A3

RGB 219 225 163

HSL 65.81, 0.51%, 0.76%

LAB 87.75, -11.84, 29.74

 

CMYK 2 / 0 / 30 / 19

HEX #CACF90

RGB 202 207 144

HSL 64.76, 0.4%, 0.69%

LAB 81.4, -11.66, 30.81

 

CMYK 2 / 0 / 34 / 26

HEX #B9BD7D

RGB 185 189 125

HSL 63.75, 0.33%, 0.62%

LAB 74.94, -11.45, 31.94

 

CMYK 2 / 0 / 38 / 33

HEX #A8AB6A

RGB 168 171 106

HSL 62.77, 0.28%, 0.54%

LAB 68.38, -11.18, 33.12

 

CMYK 3 / 0 / 26 / 5

HEX #EBF2B4

RGB 235 242 180

HSL 66.77, 0.7%, 0.83%

LAB 93.65, -12.14, 29.22

 

CMYK 0 / 4 / 26 / 5

HEX #F2E9B4

RGB 242 233 180

HSL 51.29, 0.7%, 0.83%

LAB 91.89, -5.06, 26.92

 

CMYK 0 / 11 / 26 / 5

HEX #F2D8B4

RGB 242 216 180

HSL 34.84, 0.7%, 0.83%

LAB 87.62, 3.62, 21.06

 

CMYK 0 / 18 / 26 / 5

HEX #F2C7B4

RGB 242 199 180

HSL 18.39, 0.7%, 0.83%

LAB 83.45, 12.47, 15.24

 

CMYK 0 / 25 / 26 / 5

HEX #F2B6B4

RGB 242 182 180

HSL 1.94, 0.7%, 0.83%

LAB 79.4, 21.45, 9.5

 

CMYK 3 / 0 / 26 / 5

HEX #EBF2B4

RGB 235 242 180

HSL 66.77, 0.7%, 0.83%

LAB 93.65, -12.14, 29.22

 

CMYK 10 / 0 / 26 / 5

HEX #DAF2B4

RGB 218 242 180

HSL 83.23, 0.7%, 0.83%

LAB 92.44, -18.27, 27.38

 

CMYK 17 / 0 / 26 / 5

HEX #CAF2B4

RGB 202 242 180

HSL 98.71, 0.7%, 0.83%

LAB 91.4, -23.87, 25.78

 

CMYK 24 / 0 / 26 / 5

HEX #B9F2B4

RGB 185 242 180

HSL 115.16, 0.7%, 0.83%

LAB 90.37, -29.6, 24.22

 

CMYK 26 / 0 / 21 / 5

HEX #B4F2C0

RGB 180 242 192

HSL 131.61, 0.7%, 0.83%

LAB 90.33, -29.18, 17.94

 

CMYK 3 / 0 / 26 / 5

HEX #EBF2B4

RGB 235 242 180

HSL 66.77, 0.7%, 0.83%

LAB 93.65, -12.14, 29.22

 

CMYK 3 / 0 / 31 / 2

HEX #F1F9AD

RGB 241 249 173

HSL 66.32, 0.86%, 0.83%

LAB 95.78, -14.29, 35.68

 

CMYK 3 / 0 / 26 / 5

HEX #EBF2B4

RGB 235 242 180

HSL 66.77, 0.7%, 0.83%

LAB 93.65, -12.14, 29.22

 

CMYK 2 / 0 / 20 / 8

HEX #E6EBBB

RGB 230 235 187

HSL 66.25, 0.55%, 0.83%

LAB 91.61, -9.49, 22.79

 

CMYK 2 / 0 / 15 / 11

HEX #E0E4C2

RGB 224 228 194

HSL 67.06, 0.39%, 0.83%

LAB 89.5, -7.07, 16.16

 

CMYK 1 / 0 / 9 / 13

HEX #DBDDC9

RGB 219 221 201

HSL 66, 0.23%, 0.83%

LAB 87.48, -4.14, 9.58

 

CMYK 0 / 0 / 3 / 16

HEX #D6D6D0

RGB 214 214 208

HSL 60, 0.07%, 0.83%

LAB 85.48, -1.07, 2.95

 

CMYK 0 / 11 / 26 / 5

HEX #F2D7B4

RGB 242 215 180

HSL 33.87, 0.7%, 0.83%

LAB 87.37, 4.13, 20.71

 

CMYK 0 / 4 / 26 / 5

HEX #F2E8B4

RGB 242 232 180

HSL 50.32, 0.7%, 0.83%

LAB 91.63, -4.56, 26.57

 

CMYK 2 / 0 / 26 / 5

HEX #ECF2B4

RGB 236 242 180

HSL 65.81, 0.7%, 0.83%

LAB 93.72, -11.77, 29.34

 

CMYK 10 / 0 / 26 / 5

HEX #DBF2B4

RGB 219 242 180

HSL 82.26, 0.7%, 0.83%

LAB 92.51, -17.91, 27.49

 

CMYK 16 / 0 / 26 / 5

HEX #CBF2B4

RGB 203 242 180

HSL 97.74, 0.7%, 0.83%

LAB 91.46, -23.53, 25.88

 

CMYK 6 / 0 / 53 / 9

HEX #D9E76D

RGB 217 231 109

HSL 66.89, 0.72%, 0.67%

LAB 88.45, -21.42, 56.97

 

CMYK 5 / 0 / 39 / 7

HEX #E2ED90

RGB 226 237 144

HSL 67.1, 0.72%, 0.75%

LAB 91.12, -17.45, 43.79

 

CMYK 3 / 0 / 26 / 5

HEX #EBF2B4

RGB 235 242 180

HSL 66.77, 0.7%, 0.83%

LAB 93.65, -12.14, 29.22

 

CMYK 2 / 0 / 13 / 3

HEX #F4F8D7

RGB 244 248 215

HSL 67.27, 0.7%, 0.91%

LAB 96.52, -6.83, 15.41

 

CMYK 0 / 0 / 1 / 0

HEX #FEFEFB

RGB 254 254 251

HSL 60, 0.6%, 0.99%

LAB 99.58, -0.52, 1.42

 

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

CMYK 26 / 0 / 18 / 5

HEX #B4F2C7

RGB 180 242 199

HSL 138.39, 0.7%, 0.83%

LAB 90.47, -27.93, 14.53

 

CMYK 7 / 26 / 0 / 5

HEX #E0B4F2

RGB 224 180 242

HSL 282.58, 0.7%, 0.83%

LAB 78.98, 26.74, -24.81

 

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

CMYK 26 / 2 / 0 / 5

HEX #B4ECF2

RGB 180 236 242

HSL 185.81, 0.7%, 0.83%

LAB 89.91, -16.34, -8.7

 

CMYK 0 / 26 / 2 / 5

HEX #F2B4EC

RGB 242 180 236

HSL 305.81, 0.7%, 0.83%

LAB 80.5, 31.41, -19.12

 

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

CMYK 26 / 0 / 18 / 5

HEX #B4F2C7

RGB 180 242 199

HSL 138.39, 0.7%, 0.83%

LAB 90.47, -27.93, 14.53

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F2

RGB 186 180 242

HSL 245.81, 0.7%, 0.83%

LAB 75.76, 15, -30.04

 

CMYK 0 / 26 / 7 / 5

HEX #F2B4E0

RGB 242 180 224

HSL 317.42, 0.7%, 0.83%

LAB 80.12, 29.31, -13.23

 

CMYK 3 / 0 / 25 / 5

HEX #ECF3B6

RGB 236 243 182

HSL 66.89, 0.72%, 0.83%

LAB 94.02, -12, 28.72

 

CMYK 26 / 0 / 10 / 5

HEX #B4F2D9

RGB 180 242 217

HSL 155.81, 0.7%, 0.83%

LAB 90.88, -24.51, 5.77

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F2

RGB 186 180 242

HSL 245.81, 0.7%, 0.83%

LAB 75.76, 15, -30.04

 

CMYK 0 / 26 / 15 / 5

HEX #F2B4CD

RGB 242 180 205

HSL 335.81, 0.7%, 0.83%

LAB 79.57, 26.2, -3.78

 

Description

Color code: HEX #ECF3B6 | qconv.com Color code: HEX #ECF3B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 243 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 243 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 25 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 25% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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