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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA0AD9 it is the complementary color #15F526. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA0AD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA0AD9 shade: #EF0AD4, #FF1CE7, #FF2EFA, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA0AD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA0AD9 shade: #EA0AD9, #D900C6, #C800B3, #B700A0 and #A6008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA0AD9 shade: #EB09D9, #EB099D, #EB0960, #EB0923 and #EB0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA0AD9 shade: #EB09D9, #BF09EB, #8209EB, #4509EB and #0909EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA0AD9 shade matches the following richer shades: #EB09D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA0AD9 shade: #EB09D9, #D71DC9, #C331B8, #AF45A7 and #9B5996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA0AD9 shade: #8109EB, #BD09EB, #EB09DB, #EB099F and #EB0963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA0AD9 shade: #9B0690, #C308B5, #EB09D9, #F628E6 and #F74FEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA0AD9 shade: #EA0AD9, #EB4509 and #09EB9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA0AD9 shade: #EA0AD9, #DBEB09 and #09DBEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA0AD9 shade: #EA0AD9, #EB4509, #09EB18 and #09AEEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA0AD9 shade: #EA0AD9, #EB8909, #09EB18 and #096BEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

Complementary color

CMYK 91 / 0 / 84 / 4

HEX #15F526

RGB 21 245 38

HSL 124.55, 0.92%, 0.52%

LAB 84.79, -81.93, 75.96

 

CMYK 0 / 96 / 11 / 6

HEX #EF0AD4

RGB 239 10 212

HSL 307.07, 0.92%, 0.49%

LAB 55.4, 89.27, -44.67

 

CMYK 0 / 89 / 9 / 0

HEX #FF1CE7

RGB 255 28 231

HSL 306.34, 1%, 0.55%

LAB 59.76, 92.8, -48.35

 

CMYK 0 / 82 / 2 / 0

HEX #FF2EFA

RGB 255 46 250

HSL 301.44, 1%, 0.59%

LAB 61.75, 92.51, -55.78

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

CMYK 0 / 100 / 9 / 15

HEX #D900C6

RGB 217 0 198

HSL 305.25, 1%, 0.43%

LAB 50.49, 84.36, -44.66

 

CMYK 0 / 100 / 11 / 22

HEX #C800B3

RGB 200 0 179

HSL 306.3, 1%, 0.39%

LAB 46.36, 78.9, -40.31

 

CMYK 0 / 100 / 13 / 28

HEX #B700A0

RGB 183 0 160

HSL 307.54, 1%, 0.36%

LAB 42.16, 73.35, -35.84

 

CMYK 0 / 100 / 15 / 35

HEX #A6008D

RGB 166 0 141

HSL 309.04, 1%, 0.33%

LAB 37.9, 67.7, -31.24

 

CMYK 0 / 96 / 8 / 8

HEX #EB09D9

RGB 235 9 217

HSL 304.78, 0.93%, 0.48%

LAB 54.94, 89.3, -48.31

 

CMYK 0 / 96 / 33 / 8

HEX #EB099D

RGB 235 9 157

HSL 320.71, 0.93%, 0.48%

LAB 52.17, 82.26, -17.74

 

CMYK 0 / 96 / 59 / 8

HEX #EB0960

RGB 235 9 96

HSL 336.9, 0.93%, 0.48%

LAB 50.34, 77.4, 16.52

 

CMYK 0 / 96 / 85 / 8

HEX #EB0923

RGB 235 9 35

HSL 353.1, 0.93%, 0.48%

LAB 49.47, 75.02, 50.95

 

CMYK 0 / 96 / 96 / 8

HEX #EB0909

RGB 235 9 9

HSL 0, 0.93%, 0.48%

LAB 49.35, 74.68, 60.83

 

CMYK 0 / 96 / 8 / 8

HEX #EB09D9

RGB 235 9 217

HSL 304.78, 0.93%, 0.48%

LAB 54.94, 89.3, -48.31

 

CMYK 19 / 96 / 0 / 8

HEX #BF09EB

RGB 191 9 235

HSL 288.32, 0.93%, 0.48%

LAB 48.6, 85.25, -69.1

 

CMYK 45 / 96 / 0 / 8

HEX #8209EB

RGB 130 9 235

HSL 272.12, 0.93%, 0.48%

LAB 39.48, 78.21, -84.39

 

CMYK 71 / 96 / 0 / 8

HEX #4509EB

RGB 69 9 235

HSL 255.93, 0.93%, 0.48%

LAB 32.83, 74.23, -95.61

 

CMYK 96 / 96 / 0 / 8

HEX #0909EB

RGB 9 9 235

HSL 240, 0.93%, 0.48%

LAB 30.04, 72.99, -100.34

 

CMYK 0 / 96 / 8 / 8

HEX #EB09D9

RGB 235 9 217

HSL 304.78, 0.93%, 0.48%

LAB 54.94, 89.3, -48.31

 

CMYK 0 / 96 / 8 / 8

HEX #EB09D9

RGB 235 9 217

HSL 304.78, 0.93%, 0.48%

LAB 54.94, 89.3, -48.31

 

CMYK 0 / 87 / 7 / 16

HEX #D71DC9

RGB 215 29 201

HSL 304.52, 0.76%, 0.48%

LAB 51.32, 81.41, -45.1

 

CMYK 0 / 75 / 6 / 24

HEX #C331B8

RGB 195 49 184

HSL 304.52, 0.6%, 0.48%

LAB 48.59, 70.37, -39.77

 

CMYK 0 / 61 / 5 / 31

HEX #AF45A7

RGB 175 69 167

HSL 304.53, 0.43%, 0.48%

LAB 47.18, 55.45, -32.2

 

CMYK 0 / 43 / 3 / 39

HEX #9B5996

RGB 155 89 150

HSL 304.55, 0.27%, 0.48%

LAB 47.39, 36.52, -22.02

 

CMYK 45 / 96 / 0 / 8

HEX #8109EB

RGB 129 9 235

HSL 271.86, 0.93%, 0.48%

LAB 39.34, 78.12, -84.61

 

CMYK 20 / 96 / 0 / 8

HEX #BD09EB

RGB 189 9 235

HSL 287.79, 0.93%, 0.48%

LAB 48.28, 84.98, -69.64

 

CMYK 0 / 96 / 7 / 8

HEX #EB09DB

RGB 235 9 219

HSL 304.25, 0.93%, 0.48%

LAB 55.04, 89.57, -49.27

 

CMYK 0 / 96 / 32 / 8

HEX #EB099F

RGB 235 9 159

HSL 320.18, 0.93%, 0.48%

LAB 52.24, 82.46, -18.81

 

CMYK 0 / 96 / 58 / 8

HEX #EB0963

RGB 235 9 99

HSL 336.11, 0.93%, 0.48%

LAB 50.4, 77.58, 14.77

 

CMYK 0 / 96 / 7 / 39

HEX #9B0690

RGB 155 6 144

HSL 304.43, 0.93%, 0.32%

LAB 36.2, 65.38, -35.9

 

CMYK 0 / 96 / 7 / 24

HEX #C308B5

RGB 195 8 181

HSL 304.49, 0.92%, 0.4%

LAB 45.79, 77.6, -42.45

 

CMYK 0 / 96 / 8 / 8

HEX #EB09D9

RGB 235 9 217

HSL 304.78, 0.93%, 0.48%

LAB 54.94, 89.3, -48.31

 

CMYK 0 / 84 / 7 / 4

HEX #F628E6

RGB 246 40 230

HSL 304.66, 0.92%, 0.56%

LAB 58.81, 89.21, -49.39

 

CMYK 0 / 68 / 5 / 3

HEX #F74FEA

RGB 247 79 234

HSL 304.64, 0.91%, 0.64%

LAB 62.77, 79.67, -45.37

 

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

CMYK 0 / 71 / 96 / 8

HEX #EB4509

RGB 235 69 9

HSL 15.93, 0.93%, 0.48%

LAB 53.96, 61.67, 63.23

 

CMYK 96 / 0 / 32 / 8

HEX #09EB9F

RGB 9 235 159

HSL 159.82, 0.93%, 0.48%

LAB 82.9, -64.27, 23.94

 

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

CMYK 7 / 0 / 96 / 8

HEX #DBEB09

RGB 219 235 9

HSL 64.25, 0.93%, 0.48%

LAB 89.16, -26.81, 86.68

 

CMYK 96 / 7 / 0 / 8

HEX #09DBEB

RGB 9 219 235

HSL 184.25, 0.93%, 0.48%

LAB 80.02, -37.82, -20.33

 

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

CMYK 0 / 71 / 96 / 8

HEX #EB4509

RGB 235 69 9

HSL 15.93, 0.93%, 0.48%

LAB 53.96, 61.67, 63.23

 

CMYK 96 / 0 / 90 / 8

HEX #09EB18

RGB 9 235 24

HSL 123.98, 0.93%, 0.48%

LAB 81.59, -80.26, 75.74

 

CMYK 96 / 26 / 0 / 8

HEX #09AEEB

RGB 9 174 235

HSL 196.19, 0.93%, 0.48%

LAB 66.77, -15.41, -40.73

 

CMYK 0 / 96 / 7 / 8

HEX #EA0AD9

RGB 234 10 217

HSL 304.55, 0.92%, 0.48%

LAB 54.78, 89.07, -48.56

 

CMYK 0 / 42 / 96 / 8

HEX #EB8909

RGB 235 137 9

HSL 33.98, 0.93%, 0.48%

LAB 66.19, 30.32, 70.84

 

CMYK 96 / 0 / 90 / 8

HEX #09EB18

RGB 9 235 24

HSL 123.98, 0.93%, 0.48%

LAB 81.59, -80.26, 75.74

 

CMYK 96 / 54 / 0 / 8

HEX #096BEB

RGB 9 107 235

HSL 213.98, 0.93%, 0.48%

LAB 47.72, 24.56, -71.16

 

Description

Color code: HEX #EA0AD9 | qconv.com Color code: HEX #EA0AD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 10 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 10 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 7 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 7% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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