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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA186D it is the complementary color #15E792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA186D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA186D shade: #EF1868, #FF2A7B, #FF3C8E, #FF4EA1 and #FF60B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA186D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA186D shade: #EA186D, #D9065A, #C80047, #B70034 and #A60021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA186D shade: #E91A6E, #E91A36 and #E91A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA186D shade: #E91A6E, #E91AA6, #E91ADE, #BD1AE9 and #851AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA186D shade matches the following richer shades: #E91A6E and #FD066A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA186D shade: #E91A6E, #D52E72, #C14276, #AD5679 and #986B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA186D shade: #E91ADF, #E91AA8, #E91A70, #E91A39 and #E9321A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA186D shade: #A20F4A, #C8125C, #E91A6E, #ED4086 and #F0659E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA186D shade: #EA186D, #E9BC1A and #1AC3E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA186D shade: #EA186D, #70E91A and #1A70E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA186D shade: #EA186D, #E9BC1A, #1AE993 and #1A47E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA186D shade: #EA186D, #D8E91A, #1AE993 and #2B1AE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

Complementary color

CMYK 91 / 0 / 37 / 9

HEX #15E792

RGB 21 231 146

HSL 155.71, 0.83%, 0.49%

LAB 81.5, -65.08, 28.72

 

CMYK 0 / 90 / 56 / 6

HEX #EF1868

RGB 239 24 104

HSL 337.67, 0.87%, 0.52%

LAB 51.84, 77.28, 13.83

 

CMYK 0 / 84 / 52 / 0

HEX #FF2A7B

RGB 255 42 123

HSL 337.18, 1%, 0.58%

LAB 56.43, 79.34, 9.27

 

CMYK 0 / 76 / 44 / 0

HEX #FF3C8E

RGB 255 60 142

HSL 334.77, 1%, 0.62%

LAB 58.46, 76.51, 0.92

 

CMYK 0 / 69 / 37 / 0

HEX #FF4EA1

RGB 255 78 161

HSL 331.86, 1%, 0.65%

LAB 61.03, 72.67, -6.39

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B4

RGB 255 96 180

HSL 328.3, 1%, 0.69%

LAB 64.1, 68, -12.74

 

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

CMYK 0 / 97 / 59 / 15

HEX #D9065A

RGB 217 6 90

HSL 336.11, 0.95%, 0.44%

LAB 46.47, 73.13, 14.34

 

CMYK 0 / 100 / 65 / 22

HEX #C80047

RGB 200 0 71

HSL 338.7, 1%, 0.39%

LAB 42.36, 68.62, 20.11

 

CMYK 0 / 100 / 72 / 28

HEX #B70034

RGB 183 0 52

HSL 342.95, 1%, 0.36%

LAB 38.4, 63.64, 26.34

 

CMYK 0 / 100 / 80 / 35

HEX #A60021

RGB 166 0 33

HSL 348.07, 1%, 0.33%

LAB 34.43, 58.71, 32.63

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 89 / 77 / 9

HEX #E91A36

RGB 233 26 54

HSL 351.88, 0.82%, 0.51%

LAB 49.89, 73.13, 41.04

 

CMYK 0 / 89 / 89 / 9

HEX #E91A1A

RGB 233 26 26

HSL 0, 0.82%, 0.51%

LAB 49.66, 72.47, 55.05

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 89 / 29 / 9

HEX #E91AA6

RGB 233 26 166

HSL 319.42, 0.82%, 0.51%

LAB 52.75, 81.03, -22.21

 

CMYK 0 / 89 / 5 / 9

HEX #E91ADE

RGB 233 26 222

HSL 303.19, 0.82%, 0.51%

LAB 55.42, 88, -50.4

 

CMYK 19 / 89 / 0 / 9

HEX #BD1AE9

RGB 189 26 233

HSL 287.25, 0.82%, 0.51%

LAB 48.81, 82.62, -67.64

 

CMYK 43 / 89 / 0 / 9

HEX #851AE9

RGB 133 26 233

HSL 271.01, 0.82%, 0.51%

LAB 40.59, 75.38, -81.41

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 98 / 58 / 1

HEX #FD066A

RGB 253 6 106

HSL 335.71, 0.98%, 0.51%

LAB 54.08, 82.27, 16.14

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 78 / 46 / 16

HEX #D52E72

RGB 213 46 114

HSL 335.57, 0.67%, 0.51%

LAB 48.65, 67.17, 2.52

 

CMYK 0 / 66 / 39 / 24

HEX #C14276

RGB 193 66 118

HSL 335.43, 0.51%, 0.51%

LAB 47.68, 55.06, -1.77

 

CMYK 0 / 50 / 30 / 32

HEX #AD5679

RGB 173 86 121

HSL 335.86, 0.35%, 0.51%

LAB 48.16, 39.54, -3.24

 

CMYK 0 / 30 / 18 / 40

HEX #986B7D

RGB 152 107 125

HSL 336, 0.18%, 0.51%

LAB 50.3, 20.79, -2.78

 

CMYK 0 / 89 / 4 / 9

HEX #E91ADF

RGB 233 26 223

HSL 302.9, 0.82%, 0.51%

LAB 55.47, 88.14, -50.88

 

CMYK 0 / 89 / 28 / 9

HEX #E91AA8

RGB 233 26 168

HSL 318.84, 0.82%, 0.51%

LAB 52.83, 81.24, -23.26

 

CMYK 0 / 89 / 52 / 9

HEX #E91A70

RGB 233 26 112

HSL 335.07, 0.82%, 0.51%

LAB 50.96, 76.14, 7.55

 

CMYK 0 / 89 / 76 / 9

HEX #E91A39

RGB 233 26 57

HSL 351.01, 0.82%, 0.51%

LAB 49.93, 73.23, 39.36

 

CMYK 0 / 79 / 89 / 9

HEX #E9321A

RGB 233 50 26

HSL 6.96, 0.82%, 0.51%

LAB 51.47, 67.32, 56.37

 

CMYK 0 / 91 / 54 / 36

HEX #A20F4A

RGB 162 15 74

HSL 335.92, 0.83%, 0.35%

LAB 35.04, 57.84, 6.88

 

CMYK 0 / 91 / 54 / 22

HEX #C8125C

RGB 200 18 92

HSL 335.6, 0.83%, 0.43%

LAB 43.48, 68.04, 8.41

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 73 / 43 / 7

HEX #ED4086

RGB 237 64 134

HSL 335.72, 0.83%, 0.59%

LAB 55.47, 69.9, 0.92

 

CMYK 0 / 58 / 34 / 6

HEX #F0659E

RGB 240 101 158

HSL 335.4, 0.82%, 0.67%

LAB 61.91, 58.88, -3.62

 

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

CMYK 0 / 19 / 89 / 9

HEX #E9BC1A

RGB 233 188 26

HSL 46.96, 0.82%, 0.51%

LAB 78.09, 2.79, 76.58

 

CMYK 89 / 16 / 0 / 9

HEX #1AC3E9

RGB 26 195 233

HSL 191.01, 0.82%, 0.51%

LAB 72.98, -26.35, -30

 

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

CMYK 52 / 0 / 89 / 9

HEX #70E91A

RGB 112 233 26

HSL 95.07, 0.82%, 0.51%

LAB 82.81, -64.1, 77.18

 

CMYK 89 / 52 / 0 / 9

HEX #1A70E9

RGB 26 112 233

HSL 215.07, 0.82%, 0.51%

LAB 49.12, 21.24, -67.75

 

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

CMYK 0 / 19 / 89 / 9

HEX #E9BC1A

RGB 233 188 26

HSL 46.96, 0.82%, 0.51%

LAB 78.09, 2.79, 76.58

 

CMYK 89 / 0 / 37 / 9

HEX #1AE993

RGB 26 233 147

HSL 155.07, 0.82%, 0.51%

LAB 82.17, -65.32, 29.1

 

CMYK 89 / 70 / 0 / 9

HEX #1A47E9

RGB 26 71 233

HSL 226.96, 0.82%, 0.51%

LAB 38.91, 47.14, -84.44

 

CMYK 0 / 90 / 53 / 8

HEX #EA186D

RGB 234 24 109

HSL 335.71, 0.83%, 0.51%

LAB 50.98, 76.44, 9.43

 

CMYK 7 / 0 / 89 / 9

HEX #D8E91A

RGB 216 233 26

HSL 64.93, 0.82%, 0.51%

LAB 88.42, -26.88, 84.1

 

CMYK 89 / 0 / 37 / 9

HEX #1AE993

RGB 26 233 147

HSL 155.07, 0.82%, 0.51%

LAB 82.17, -65.32, 29.1

 

CMYK 82 / 89 / 0 / 9

HEX #2B1AE9

RGB 43 26 233

HSL 244.93, 0.82%, 0.51%

LAB 32.11, 69.11, -95.71

 

Description

Color code: HEX #EA186D | qconv.com Color code: HEX #EA186D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 24 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 24 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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